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Front Row, Center by Lynn
Friday, August
26, 2010
USA debut: Canadian Smooth Jazz Guitarist of the Year, 2010, Rob Tardik,
Canadian Smooth Jazz Wind Instrumentalist of the Year, 2010, Carson Freeman and
Keyboardist, Davor Jordanovski
Special Guests: Drummer
Tony Moore & Bassist, G Michael Merrifield
Spaghettini, Seal Beach, CA
Guitar: Rob
Tardik
Keyboard: Davor
Jordanovski
Saxophone: Carson Freeman
Bass: G Michael
Merrifield
Drums: Tony Moore
Fasten your
seatbelts for one of the best nights of music I’ve ever experienced in my jazzy
life! What a day and night it was! First up, my Canadian artists and friends
allowed me to sit in on their hotel practice. My fly-on-the-wall preview
confirmed my suspicion. This would prove to be an experience I’d never forget.
After a little over three hours of running through their hit parade, we broke
to freshen up and hit Spaghettini for sound check.
Next up, my
favorite time, sound check!
Excitement,
anticipation and buzz filled the air. Guitarist Rob Tardik’s vibe, Tony’s
perfect drumbeat, Carson’s
crisp horn vibe, Davor’s key clicks and G’s thumping bass backdrop carried me
straight to the zone.
Rob Tardik~
“That two-bar
counter?”
Carson Freeman~
“I’ll
play that melody right away! He’s ready for us, ‘cause he’s already done the
monitors.”
Rob~
“Little more,
little more, check one, two. Already.”
Carson Freeman~
“Let’s go
mic-by-mic.”
The chemistry
began. Carson
started blowing while Rob hit the strings. Davor attacked the keys with the passion
of Beethoven. G Michael’s bass bump resonated with Tony’s pulsating drumsticks.
Hold on, a quick dinner break for the guys.
Gig time! Lights,
action and Carson Freeman~
“Ladies and
gentlemen, welcome to Spaghettini! We hear about Spaghettini all the time.
We’re all here from Toronto,
Canada. First,
I want to introduce the Canadian Smooth Jazz Guitarist of the Year, 2010, Mr.
Rob Tardik!”
Their opener was
breathtaking! Guitarist, Rob Tardik hit it with everything he had, then slipped
into the smooth and mellow. Carson
cut in on sax and the first wow moment hit us head on. Tardik’s finger work is
simply amazing. He tossed the tune back to Freeman for a sexy, saxy solo laced
with expert trillin’. The dynamic duo ripped it up. Keyboardist Davor
Jordanovski reinvented the keyboard with his zany fingertips. My ‘Three
Muskateers’ nailed it! Center stage, Rob teamed up with Carson., and the round
robin began. A jazzy volleyball game tossed the love ball around the stage like
a hot potato. The synchronicity of bassist G Michael’s thump and Tony’s stellar
drumbeat smoothed the vibe to finale.
Rob~
“Thank you! One,
two, three, four.”
The next song
needed no introduction. Rob invited Van Morrison to join their USA
debut with Moondance. What a guest
list and what a party! The sexy, sassy sax of Carson Freeman was off-the-hook!
He handed off to Rob who twisted it into a frenzy. Freeman added a little
throaty and slipped it to keyboardist, Davor Jordanovski. He laid it out! What
a piano man! Carson and Tardik finished it off center stage ending the perfect
tribute to legendary Van Morrison. I’d really like a rain check on one more Moondance, will you guys if you’ll
indulge me? Pretty please?!
Tardik~
“A
little Van Morrison. I want to say thanks to Cary, Q and the whole staff at
Spaghettini for treating us so well. I wanna play live music for you. We’ll be
out later to meet everyone. Q, Tony requests a little more sax and keys in his
monitor.”
Rob
took the next number to the moon within moments. Davor sparked
a keyboard inferno just before Carson decided to come
unglued on sax.
Freeman~
“That’s how we do
it in Canada!”
Rob~
“Yes, that’s how we
do it in Canada!
That was a track called, Flip Flop.”
Rob introduced the
band.
Tardik~
“Here’s a tune
called Virtue.”
I soaked this song
up like a sponge. Each note took me back to the Canadian Smooth Jazz Awards. I
sat in awe of a band I never dreamed I’d see again, at least not here in California and certainly
not at my favorite hang. Each note suspended in midair as I savored the
unbridled excitement of Rob and Carson accepting their 2010 honors. My heart
skipped a beat when a sparkling memory of David Sanborn standing backstage in
anticipation of his George Benson Lifetime Achievement Award flashed by.
Rob~
“The next tune is
off my latest CD and its called Bounce.”
Ahhh, deep
chemistry filled the space. Carson
fired up a head shakin’ solo before Rob added the twang to his strings. The
band bounced it up! Carson’s
finale blow was mindboggling.
Rob~
“Thank you! Thank
you, everyone! You guys havin’ fun so far? We’re gonna slow it down a little
bit if you wanna dance grab a girl from across the corner. Girls, grab a boy
from across the corner. It’s all good! This one’s called Summer Nights!”
A mellow chill
enveloped the room sway. Center stage, Carson Freeman pulled every eye in the
place his way when he blew the lid off the place. A tiny pocket of expertly
timed pin-drop silence passed before Davor rolled out a one-handed shuffle on
the keys. He added a sexy hip swivel while sharing the tune with the Dynamic
Duo of Carson and Tardik. It was a triple wow moment with a triple wow band!
Freeman broke into a frothy frenzy of trillin’ delight. Tardik leaned in with a
string or two as Carson
blasted the final blow.
Rob~
“We were shoveling
snow last week!” Rob talked about the season changes in Toronto
while mentioning he’d just returned from Reno.
“Is there any room to dance here? We’re gonna burn it up a little here!”
Salsa music set
Rob’s fingers on a magic carpet ride. Carson
was bunny hopping while blowing it out of the water once again. His trillin’
mania continued. Davor spread his rockin’ vibe across the keys like sweet
creamery butter. Rob foot stomped center stage while G’s consistent bass thumped
the corner pocket and Moore-style drumming behind the plex screen took this one
home to mama. Freeman and Tardik dueled center stage with a crowd gone wild!
Rob~
“I’m gonna feature
Davor Jordanovski with a tune he wrote called On the Fly.”
Keyboardist Davor’s
magic touch and million-dollar smile parlayed chair dancing opportunities
around the room. His can’t-sit-still track coaxed Carson to kick it up several notches before
Rob rolled it over.
Tardik~
“That’s Davor
Jordanovski! I grew up listening to this gentleman. Anybody ever heard of Lee
Ritenour? We’re gonna feature a favorite, Night
Rhythms. A bass-laced opener with G Michael Merrifield’s soul deep thump
led a path to Rob’s phenomenal vibe. Davor threw every inch of himself into
this one. Carson
walloped his spirited sax once again!
Tardik~
“One, two, one,
two.”
Tony Moore’s drum
solo turned the venue inside out. The crowd roared, clapped and begged him
until he was spent.
Rob~
“Tony
Moore! This is my band; Carson, Davor, Tony Moore and G Michael Merrifield!”
Carson Freeman’s Never Without You lifted my resting
second-set pen and left his undeniable musical footprint on the stage of
Spaghettini. Thanks to my treasured Canadian friends I’m truly honored to know.
How can I ever thank you guys for turning it out?! There’s no one I’d rather
have had introduce my family, friends and coworkers to Spaghettini. My son, his
wife and I won’t soon forget the twenty-sixth birthday celebration you gifted.
Your unforgettable vibe and presence will remain here until you return to
revive it! And yes, that was a hint and open-ended invite…
© August 2010 Lynn M. Olson ALL RIGHTS
RESERVED
Front Row, Center by Lynn
Wednesday, July 28, 2010
Jack Prybylski, Out of the Box CD Release Party
Spaghettini, Seal Beach, CA
Saxophone: Jack Prybylski
Keyboard: Tom Zink
Guitar:
Craig Sharmat
Bass:
David Levray
Drums:
Winston Butts
Special
guests: Blake Aaron, Greg Vail
The minute I walked in the door, I
felt the energy. I arrived in time for a little warm up and it went something
like this;
Drummer Winston Butts~
“A little less boom, a little more
smack.”
Music Director, Q~
“That’s what I’m all about!”
The up-and-running energy of Jack
Prybylski was contagious to say the least. A few back slaps and a healthy dose
of band camaraderie were exchanged.
“How ya doin’?”, “What’s up?”,
“Y’all good?” filled the air.
Headliner, sax man, Jack Prybylski~
“Can we bring the lights up a little
bit?”
Q~
“One second.”
An intimate Jack pre-show pow wow~
“It’s an honor and pleasure playing
with you guys. Just have fun!” I smiled at their jokes about forgiving each
other for any musical mistakes that might occur during the performance. Their
stage energy was smooth-as-silk. They clicked.
Drummer Winston Butts~
“One, two, three.”
Jack~
“Good evening, everyone. Thanks, for
coming to my CD release party.
This first one is off my CD called
Head Hunter.”
Jack fired up his deep, throaty sax
and offered up the tune, Head Hunter.
The crisp, clear trillin’ of sexy, saxy Jack started tonight’s jazz ball
rolling. Keyboardist Tom Zink revealed his chops while the strings cats were
head bobbin’ and drummer Winston Butts thumped his riffs. The true spirit of
jazz took hold.
Jack~
“Thank
you, very much! This one is the title track off my previous CD. It’s entitled, Window Shopping.”
Jack spoke to Greg Vail in the
audience~
“You’d better get your horn, later
Bro!”
The cut was a smooth, mellow glide
on Jack’s soprano sax. His soul-piercing notes delivered an
almost-indescribable experience. This guy can blow!
Jack~
“I want to say hello to Mr. Craig
Sharmat!”
As they continued to play, the
corner of my eye snagged a Jack hip wiggle as he cradled his sax watching
guitarist Craig Sharmat’s solo. We were all in awe as Craig showed us what he
was made of.
Jack~
“Here you go, here’s Tom Zink!”
Zink exploded with a foot stompin’
keyboard solo, then it was back to Jack in the sax zone. The man’s got the ‘it
factor’! What more can I say? Stage-presence-personified describes Prybylski to
a tee. Their finale included the beautiful music of Mr. Grover Washington.
Prybylski~
“Thank you, very much! So, you’re
diggin’ that Grover Washington thing at the end? No??? At least Blake liked the
Grover.”
Guitarist Blake Aaron (audience
member)~
“Yeah!”
Jack~
“We’re gonna do a little Grover
thing called Winelight.”
Jack hit it, nailed it and flew me
to the moon with this one! They did Grover proud. Waiters were dancing and the
crowd were loving it! Guitarist Craig Sharmat squeezed out an off-the-hook
twang and the audience went nuts. He handed it off to Keyboardist, Tom Zink who
earned a triple wow! A little magic anyone. Zink was amazing! The boys were all
kickin’ it tonight! Tom volleyed it back to front stage, center, on-fire, sexy,
saxy Jackzy. The man wailed on the sax, then took it down to sultry. Again, the
crowd went crazy.
JP~
“Thank you. Another one off the CD
is called Three Cats. I only have one at home!” he joked. Drummer Winston Butts
shined his lovelight on this tune.
Jack~
“Are there any Duran, Duran fans in
the audience? We’re gonna play one of their tunes. We’re gonna do some songs
off the new CD, Out of The Box. This is the Duran tune, Save a Prayer.” Jack was back on soprano with his rock-solid vibe.
The band was in sync. The tune was just, plain good.
Prybylski~
“Feel free after you’re done eating
to get up and dance. On the table and chairs, please! This is another song off
the Out of The Box CD. This is entitled, Hoodoo.”
The guys carried it home to ‘mama’ once again!
Jack~
“Thank you, very much! Another song
which is off the CD, available tonight.”
Audience member~
“Wooh!”
Jack~
“A fan favorite, Down To It.”
Prybylski knocked this one out of
the park. I was enamored with his ability to have fun while he plays. There’s
something innocent-yet-serious about New-York-Jack’s sax style.
Jack~
“Thank you very much! Before we play
I want to mention what a nice group of guys I’ve got playin’ with me tonight.”
He introduced the band. “Blake, how’d you get these guys so cheap?” Prybylski
quipped. The crowd roared.”Here we go, back to it. This is the title track for
my first CD. It’s called Soho Strut.
This track proved Jack’s ability to make a sax strut, and he did! A volley to bassist
David Levray thumped a short solo before the return to Jack. Guitarist Craig
Sharmat’s sassy finale rounded it out perfectly.
Jack~
“While Craig switches guitars, we’re
gonna play another tune called Bright
Spot.”
Craig~
“Hey, Blake, thanks for the guitar!”
Blake~
“Yeah!”
Craig~
“Cool.”
Craig and Jack teamed up for another
triple wow!
Jack~
“Craig Sharmat, ladies and
gentlemen!”
Jack~
“Do we have any Jeff Lorber fans out
there?” Jack joked, “Well, he’s not here! Here’s a tune from the days of jazz
fusion. We’re gonna feature David Levray on bass.”
Bassist Levray had a cool-cat
attitude as he gifted his thick bass vibe. Jack thwacked the tune on tenor
while Zink lit up the keyboard once again! Jack sauntered through the audience,
shaking hands, playing and crowd pleasing. Prybylski’s charisma flooded the
venue as he covered every inch of the place. Jack P., you should know you made
my writing job easy with the electricity that is you. Back to Levray digging
deep into the bass. He was on it! Drummer Winston Butt’s style leveled a gut-rockin’
beat.
Jack~
“We’re gonna do another one off the
CD. Are there any Rod Stewart fans in the house?” Jack went on to explain a
hilarious story of mistaken identity he experienced at a cantina in Reno. He
was mistaken for Stewart, sending a couple of fans running more than once for
register tape signatures, convinced they’d stumbled upon thee Mr. Rod Stewart.
“That night in Reno is the reason Do You
Think I’m Sexy is on the CD. We’re gonna take a short break.”
I set my pen down for set two, but
managed a few notes. From Grover Washington to Jack’s CD cuts, the music flowed
on and on…These guys really kicked up some dust. Blake Aaron rocked it, rolled
it and turned it inside out. The finale with saxophonist, Greg Vail and
guitarist Blake Aaron took the elevator to the top! Drummer Winston Butts, now
that was one fine solo, young man!
The most poignant song of the evening
was Santa Faustina. Prybylski joined his special guest Blake
Aaron to share the first live performance of his mother’s favorite song since
her passing. Jack’s heartfelt performance set him above, ‘just-another-sax-guy’
on this tune. I am convinced, the spirit of love from a son to his mother remains
on that stage. She’s smiling and proud! Thanks, Jack!
In answer to the question Jack
poses, “No, Jack, I don’t think you’re sexy, I KNOW you’re sexy! Huge thanks to
Jack Prybylski and his incredible West Coast band. Their debut was
off-the-chain. Thank you, most of all, for your boundless energy and true love
of Jazz. Our jazzy souls were full to the brim tonight. Thanks ‘mom’…
© July 2010 Lynn M. Olson ALL
RIGHTS RESERVED
Front Row,
Center by Lynn
Saturday, July 3,
2010
75th
Birthday Bash, Pete Escovedo
Latin Jazz
Orchestra featuring Juan & Peter Michael Escovedo
Spaghettini,
Seal Beach, CA
Band Leader on timbales: Pete
Escovedo
Piano: Downtown Uncle Joe, Joe Rotunde
Guitar: Michael
Angel
Bass: Juan Otaya
Saxophone &
Flute: Justo Almario
Trumpet, Music
Director: Mario Gonzales
Trumpet: Ramon
Flores
Trombone:
Humberto Ruiz
Trombone: Arturo
Velasco
Drums: Peter Michael Escovedo
Congas: Juan Escovedo
The sold-out venue
was packed and buzzin’ as the classy suit-clad group of eleven band members
weaved their way to the stage.
Pete Escovedo~
“Hello,
everybody! Thanks, for coming out! I don’t know if you’ve read our advertising,
but we’re celebrating my seventy-fifth birthday! We’re gonna do some Latin Jazz
for you and this first song is entitled, Esta
Noche.”
Wow! The Escovedo
sound was spectacular. The airwaves filled to capacity immediately. Standing, sitting,
you name it, the energy was on high. The entire audience was in awe and enveloped
their vibe. All eyes were on the band and every foot was tappin’ to the beat!
Chair dancing, chair dancing and more chair dancing wiggled every chair! Pete
shared his boyish smile with son, Juan Escovedo as they pelted a rhythmic beat into
a swirled frenzy of percussion genius. Trombonist Humberto gifted a solo that
scored all ‘A’s’!
Pete~
“That was Humberto
Ruiz on the trombone solo!”
A woman strolled
across the front row.
“Honey, that was
good!”
Pete~
“That
was my wife! We’re gonna do a number entitled, True or False. And before anyone asks, Sheila E is in Paris with
Prince but will be performing with us in San Diego next week. These are my
sons, Peter Michael on drums and Juan Escovedo on congas.”
The next tune was
off-the-hook. First up was a stellar solo by guitarist Michael Angel. The entire back row of the eleven-piece orchestra swung a
shift-footed back-and-forth in perfect unison. Drummer Peter Michael volleyed
it to his brother, conguero Juan Escovedo. Their beat vibrated my front row,
center chair!
Someone echoed~
“Michael Angelo on guitar!”
The sax man’s solo screamed the experience of his expertise. The entire
band hung back while he blew. And blow he did! A collective cut in yielded a
sassy finale.
Pete~
“Hey!”
The audience roared.
Pete~
“Michael Angel on that guitar solo! Justo
on saxophone! He’s going on tour and we’re gonna miss him. Hopefully, he’ll
come back safe and sound with pockets full of money. In addition to my sons, I
have a daughter. She’s in the lobby selling merchandise. I thought it only
fitting that I should write a song for her. This song’s called Zina’s Zamba.”
A full-bodied horn
section hit this one straight up. They coupled it with a hefty dose of congas
and every inch of the stage came alive! The drum chemistry between Pete and
sons, Peter Michael and Juan was phenomenal. The camaraderie of their beat
raced our hearts to the finish line while their stage full of boundless energy
lit the place on fire.
Drummer Peter
Michael Escovedo~
“Are you sure
you’re seventy-five, pops? One more time for Pete
Escovedo on
Timbales!”
Pete pointed~
“There’s my
daughter, Zina!”
Zina~
“Is my daddy good
or what?!”
She shamelessly
plugged the birthday tee shirts for sale and kidded around.
Zina~
“These brand-new
tee shirts are gonna go for his retirement fund! His birthday isn’t actually
until the thirteenth!” They proudly spoke about his fifty-three year marriage.
Pete~
“Give it up for
Zina!”
Pete introduced the
entire eleven-piece orchestra. Hometown mentions covered the globe from
Nogales, AZ to Puerto Rico and beyond.
Pete~
“We’d like to feature
‘Downtown Uncle Joe’ on keyboards!”
Joe Rotunde wrestled the keyboard like it
was an alligator, earning a triple wow with his sizzlin’ licks. Pete’s
drumstick signals led the way while Zina stood at the side door rocking out like
it was the first time she’d ever heard them, evidencing the true passion she
holds for her father’s music. The back row of the band
never missed a beat as they continued shifting their weight from side-to side,
swinging to the beat of the Latin musica with a perpetual sway.
Juan Escovedo~
“One more time for
Joe! Com’on y’all!”
Conguero Juan
dueled with Pete, both emerged jazzy winners with a smile-filled crowd. Horns
wailed while a triple Escovedo percussion collaboration turned the venue inside
out! Keyboardist Rotunde gave it up!
Pete addressed the
band, then the audience~
“These are the
boys, I’m telling you! Without the boys we wouldn’t sound so good!” Escovedo
kidded about his age with his son. Zina slipped on stage and surprised her dad
with a candlelit birthday cake. The crowd sang Happy Birthday.
Pete~
“We’re gonna take a
little break.”
Drummer and son,
Peter Michael~
“Com’on, Pop, don’t
act your age!”
Pete~
“Well, I guess we
can do one more!” He pointed. “This is my lovely wife and we’ve been on a
honeymoon for fifty-three years.”
Wife Juanita~
“Don’t go home too
late or drunk so you can go to church tomorrow!”
They cut the
bassist no slack, kidding him mercilessly after he started the song with the
wrong chart.
Conguero Juan
Escovedo~
“Let’s give it up
for the bass player!”
Someone echoed~
“We found the
chart, Juan!”
They split the
place wide open with this tune. Juan Otaya brought Puerto Rico home to mama
with his solo.
Pete~
“We’re gonna take a
break. The more you drink, the better we sound!”
A heckler~
“What about church
pops?!”
Thanks to the
entire Escovedo family for an unforgettable night of Latin jazz. Celebrating
Pete Escovedo’s seventy-fifth birthday, talk about once in a lifetime!
© July 2010 Lynn M. Olson ALL RIGHTS
RESERVED
Front Row,
Center by Lynn
Friday, July 2,
2010
Nate Najar Debut
Event
Spaghettini,
Seal Beach, CA
Guitar: Nate
Najar
Keyboard: Ron
Reinhardt
Bass: Rufus
Philpot
Drums: Third Richardson
I arrived well before sound check. Okay, my
jazzy readers, a little warm up, anyone? Mark my words, from what I’m hearing
this moment. Something good is coming our way tonight.
Drummer Third
Richardson~
“The bass right
where it’s at is perfect!”
Bassist Rufus~
“I can hear a lot
of you.”
Third~
“How can we rectify
this situation?”
Music Director, Q~
“I’ve got three
right now.”
Rufus~
“As long as we can
get enough drums acoustically.”
Q~
“You wanna just
take that?”
Rufus~
“So,
let’s just do this! Let’s try it! I don’t wanna hear the drums overpowering.
Let’s try it.”
Guitarist Nate
pointed to the speaker~
“Q,
this one’s comin’ up again! Just a hair of drums and a hair of bass guitar, I
think that’s good. Can I have a little more reverb? We’re good, thank you!”
Lights went up and
hat-clad guitarist Nate opened with his blissful half-smile and jazzy guitar
riffs. Najar strummed a sassy attention getter and handed the tune to a cool-looking
cat, drummer Third Richardson. Richardson fired up the drum corner wearing
mysteriously-fun sunglasses while the rest of a perfectly-timed band slipped in
on their opener, Human Nature. Nate
continued to share an amazing chemistry with Third. The final fade was stellar.
Nate Najar~
“How
y’all feelin’ tonight? Glad you came out on a holiday weekend! My name is Nate
Najar. I came all the way from Florida, so I’m really glad to be here! All the
stuff we’re playin’ is from our new CD which we’ll sign and sell a little
later. This is a tune called Samba De
Noite.”
It was evident
early on that guitarist Najar possesses an undeniable ‘it’ factor. Stage energy
was on high when he ignited a fully-engaged audience clap. Drummer Third threw
out a little primal music banter as he dished out his fiery licks.
Nate~
“Com’on, we need a
little encouragement!”
The crowd stepped
up to his challenge when bassist Rufus Philpot edged his way front stage,
center and walloped a thumpin’ bumpin solo. Everyone in the audience joined him
in the zone, clapping eagerly.
Nate~
“Rufus Philpot on
the bass!”
Third called out amidst
a drumming party he had going in the corner pocket. His head swayed from side-to-side
while he thwacked and whacked a rhythm second to none.
Nate~
“Thank you!”
Najar turned to the
band~
“Alright, guys!”
After struggling with
an electric cord, Nate joked~
“Now, I’m all
twisted up here. And I was trying to be smooth! We’re gonna play It’s a Good Day, not to be confused with
the Peter White version. This is It’s a
Good Day and I hope you enjoy it!”
The tune was
smooth, smooth, smooth and Nate nailed it! Najar made a California name for himself
tonight with this triple wow. Keyboardist Ron Reinhardt grabbed a stray volley
and gifted an off-the-chain solo.
Nate~
“Ron Reinhardt on
the keyboards!”
The crowd went
completely nuts! Still playing while clowning around with Ron, bassist Rufus
didn’t miss a beat.
Nate~
“Thank you! Thank
you! This next one is my absolute favorite song to play. We’re not gonna start
preaching to you tonight because it’s Friday night. Except to say, this is my ABSOLUTE favorite song to play! This is
called What a Friend We Have in Jesus.”
A mellow chill
seeped in when Nate covered the stage with his passion for this song. He played
with his eyes closed through most of the night and this cut was no exception.
He took his strings along with us to jazz heaven while Reinhardt outdid himself
with another keyboard solo.
Nate~
“Thank you! Thank
you very much! This next song is off my new record. This song is named after my
cat. It’s called D’jango and Mowgli.”
After a slight
string adjustment, Nate quipped~
“These
instruments have a way of going out of tune when you least want
them to. Bear with me!”
Nate shook up a
little percussion between the strings while keyboardist Ron tore into it.
Rufus~
“Oooow!”
Bassist Philpot hit
it hard and rolled the house. Guitarist Nate’s scattin’ style entered on the
sly while Ron added his musical two cents. What a vibe these guys have!
Nate~
“Thank you very
much! Thank you! We’re gonna slow it down a bit and do a slow jam. I wanna
introduce you to these wonderful musicians. If you want, you can take drummer
Third home for a small fee,” he joked. “With the exception of Rufus who swam
across the ocean to get here, we all came from Florida. We’ll be selling CDs
and we’d love to get to know you. Okay, I’m done talking. This song is called Until Now.”
The ‘sway’ entered
the room immediately on this one. Ron took us to Never Never Land with his
chops, then handed it off to Nate and the band for a smooth ride to jazz bliss.
Najar~
“So, you know how I
said I wasn’t gonna preach? You know, there’s a story behind every song.
Sometimes you just get up on the wrong side of a day. I wrote this song because
I got up one day kinda like what we’re talking about, adversity. Sounds like
what you’re supposed to do to get through it.”
Najar’s band
offered the slow and easy with a thick, steady beat of positive energy on this
cut. Keyboardist Reinhardt took this one to the moon along with the band. Guitarist
Nate slipped off the stage, leaving Ron whacking the keys, Third getting’ crazy
on the drums and Philpot being his off-the-hook self on bass.
Third Richardson
said to Ron~
“Wow, that’s
alright now, boy!”
Bassist Rufus, drummer
Third and keyboardist Ron played like mad dogs while Nate weaved through the
venue serenading an awestruck audience. He rejoined the guys on stage and the
crowd went crazy.
Nate~
“Thank you! Look
who I found out in the parking lot, ladies and gentlemen! This is my dear
friend, Jessie J!”
Jessy~
“Show ‘em what you
got!”
Nate started things
off with another overhead clap while Saxtress Jessie blew it out! Her surprise
appearance sent the crowd into orbit.
Nate~
“Jessy J!”
Jessy pointed to
Najar~
“Nate Nadar!”
J volleyed back-and-forth
with Nate until the two successfully blew the doors off the place. The entire
band rocked the house sideways and inside out!
I took my usual
second set breather but the pen was tough to set down! They realigned the stars!
Drummer Third was positively lit up! Rufus threw quite a few wows into the mix
and Ron cranked it out. Guitarist Najar took it upon himself to wire in some
funky funk on Cold Duck. His
rendition of Always There reinvented
the guitar. That was a triple wow, my new friend! What a jam, what jazz and oh,
what a night!
Thanks, to guitarist
Nate Najar and his band for a great night of jazz. “Okay, guys, my question to
you. When are you coming back? We want more!”
© July 2010 Lynn M. Olson ALL RIGHTS
RESERVED
Wednesday, June 9, 2010
Terje Lie, Urban Vacation CD release
party
Spaghettini, Seal Beach, CA
Keyboard: Barnaby Finch
Saxophone: Terje Lie
Bass: Earnest Tibbs
Drums: Tony Moore
I arrived at Spaghettini for the Terje Lie CD release party in
plenty of time for sound check, so let’s share a little banter!
Keyboardist Barnaby
Finch~
“Mix wise I’m on the same
blend. Lemme know if you’re getting’ feedback.”
Sound director Q~
“You could angle it a
little bit.”
Terje Lie~
“You gonna check the
tenor?”
Q~
“Is that level good for you? Just give me ten minutes, the lights
will go up and you’re on!”
Ten minutes later, the
lights went up and Terje Lie introduced himself wordlessly with his alto sax
intro. He immediately commanded everyone’s attention with his clear, crisp
sound. The band kicked in. Smooth and easy drifted to our ears as the Lie-chill
began. Tony’s drumbeat clapped time with keyboards and Tibbs thumpin’ bass laid
it out. Terje’s screamin’ sax walked us to a stellar keyboard solo by Barnaby
Finch. The audience was fully engaged and swayin’ to the keys when Terje put
his final touch on the opener, Travelers.
They transitioned
seamlessly to Pier Avenue with the
entire band in motion. Barnaby was a superstar on this one. He got down and
very funky with the keys, then handed it off to Terje who blew it out as he
paced an arched pattern on stage. Suddenly, he jazzed it up Lie-style with
arched back and an eager lungful. Barnaby took a mini volley a few crazy keys,
then it was back to sax with a subtle drum ending.
Terje picked up the tenor
sax for Runnin’ Outta Time. Keyboardist
Finch was off-the-hook on the keys again while Tony Moore clicked a
synchronized drum rhythm. Earnest Tibbs slow punched a resonating bass riff.
Terje jumped back in and finished off the tune splendidly.
Terje~
“Thank you so much! Thank
you for listening.”
Lie proudly introduced
his band and remained on tenor sax.
Terje~
“We’re gonna play a
selection from the Urban Vacation CD. This first track has nothing to do with our
current economic situation,” he joked. “Jeff Lorber produced it. It’s a story
about dog fights and fighter pilots.”
A little Terje trillin’
started Bail Out swinging side-to-side
covering the stage with his sound. Finch showed us his chops on a stellar
keyboard solo while Tibbs clipped a thick thump of his bass. Then it was back
to Terje for the finale sax blow.
Lie~
“Thank you so much!”
Terje opened Funk Man on tenor with a solid beat. The
song immediately crawled comfortably under my skin. Barnaby started out slow on
the keys, then transformed into a madman with no warning. The crowd was bobbing
their heads in the jazz zone when Lie’s foot tapping sound permeated the venue
and remained there until song’s end.
Terje!
“Thank you! That was another
one from the new album!”
Dance on the Water opened with a rapid-fire drum beat from Tony Moore. There was
nothing sleepy about this tune! Keyboardist Barnaby started some musical banter
that resulted in a Finch solo that knocked my socks off. Tony remained perched
behind the plex divider and hit it with zesto. He was on fire and earned a
triple wow with his explosive attack. He weaved in a marching band lick that
reminded me, it’s been wayyy too long since I’ve heard Tony Moore live! The
crowd went nuts!
Terje~
“Yeah, that was Tony
Moore, the one and only! This is something from my former album called
Traveler. It’s something called Lights
are Low. The cut was a dim-the-lights mood creator that left me wondering
about my next candlelight dinner with champagne. Lie’s sultry sax blossomed as
he slipped it to cool cat Finch. Raindrops-on-the-window pane trickled from his
magic fingers.
Lie~
“Thank you!”
The last song was You. The chair dancing beat of this song
had me wiggling in my jazzy front row, center seat and made me wanna dance. He
wowed the crowd with his final tune of the set.
Terje~
“We’re out for a little
break and we’ve got CDs! If you’re not familiar with my name it’s the Norwegian
spelling. T-E-R-J-E.”
My heartfelt thanks to my
Facebook friend, Terje Lie, and his band. I’m honored to finally hear you live.
That was one nice hang guys!
© June 2010 Lynn M. Olson ALL
RIGHTS RESERVED
Friday, May 28, 2010
Lao Tizer and Chieli Minucci
The Baked Potato in Los Angeles, CA
Keyboard: Lao Tizer
Guitar: Chieli Minucci (Special EFX)
Saxophone, percussion, vox: Steve Nieves
Special Guest on Guitar:
Jeffrey Marshall (Big Red)
Bass: Rufus Philpot
Drums: Raul Pineda
Wow, the Baked Potato was jazz heaven, a teeny tiny venue, with three
of four dozen seats, at the most. It shouldn’t come as a surprise to anyone who
knows me or my writing that I wouldn’t be able to wait for the nine-thirty gig
to start! I arrived early to feed my love of sound checks. Talk about
acoustics, they were unbelievable! While I was waiting for the gig to start, I
chatted briefly with an employee who shared a few secrets about the sand-filled
raised stage and wood covered windows, amazing sound quality! I was told the
venue started out over forty years ago as studio musician hang out.
What an exciting night, Chieli’s debut at the ‘Potato’. For me, the
place was reminiscent of the forty-five or so person capacity, Lowville Bistro
gig I recently attended in Canada
after the awards. There’s nothing like hearing live music in a living room
atmosphere!
Here’s a snip of sound check chatter:
“How long of a fill do
you wanna play? A bar or two beats, at the end of the bass solo we’re gonna
have a false ending.”
Lao Tizer and company pounced on stage.
Lao:
“You gotta clap
louder than that if you’re gonna get Philpot to stand up! I’d like to welcome
you to the Baked Potato. I’d like to introduce you to a good friend of mine,
Mr. Chieli Minucci. We’re gonna play a tune called, Cruise Control.
Chieli hit it and he was on fire, WOW. Steve Nieves nailed a
stellar sax solo rolling us straight to jazz euphoria! Nieves nailed the snare
drum with the sax still hanging around his neck. His ‘it’ factor in full bloom!
Back to Chieli on guitar, what an opener! Steve hopped back on congas, and off-the
chain was he! The band chemistry turned the place inside out. Lao closed his
eyes and gave it up on his stellar solo. Steve was back at it on sax when Lao
popped one hand up in the air signaling a sax-guitar, back-to-back solo by
Steve and Chieli. Talk about a jam, these two had an incredible volley going on
while the band was rockin’ it full speed ahead.
Chieli:
“It’s really good
to be here with Lao! I’m from a group called Special EFX. We have a new CD
called Without You.”
Lao:
“This is the first
time Chieli’s played here or been here! This one is called, Fire and Ice.”
They took a little Latin flavor a long way on this one! Steve threw
a few hot peppers into his percussion rhythm and glowed in the dark on this
tune. Every band member was in bliss, all eyes closed, blissfully emanating
their jazz! Raul offered a fiery drum solo and reinvented his back corner of
the stage. The crowd loved him! He passed it off to Lao on keys, who got down
with his bad self, Tizer-style! Steve offered up some congas and lead us
straight to Chieli on his well-worn black acoustic guitar. Another wow goes to
Minucci for an amazing solo!
Lao:
“The secret is red
beans and rice—and you can play drums like that! I wanna bring up my good buddy
Jeff Marshall. He’s kinda become a mainstay here at the ‘Potato’. This song is
called, Uptown.”
Jeff Marshall (Big Red) turned it out on guitar. Steve brought out
the tenor sax, scooted up to Lao and what a jam it was! Steve was blowin’ like
crazy as a lead-in to Lao’s awesome solo. A nice slice of Rufus Philpot on bass
rounded out this great song perfectly!
Lao:
“Please, give it
up for Steve on sax and Rufus Philpot on bass! This is the title track called, Diversified. We call this kind of music
world fusion.”
Steve and Lao were on vocals, when Nieves picked up a set of car
keys—and developed a unique percussion vibe, clever! Chieli gifted us some
insanely good electric guitar. I can’t believe the talent on the spud stage
tonight! Lao ended the cut with one hand in the air.
Lao:
“Hey Chieli, you
wanna hold up my CD?” He joked, “Rufus, can you sing on this one?”
Rufus quipped:
“I can’t work
under these conditions!” He walked off stage chuckling to himself. The audience
belly laughed.
Lao:
“This is off the
second CD and its called Touch The Sky.
We produced it in New York
with Jeff Kollman, who is not with us tonight. He’s in Hawaii! Again, this tune is called Touch the Sky.”
Lao reintroduced the band before they came together for an amazing
jazzy vibe with awesome vocals. Every one of them sparkled! Lao ended it with his
swanky keyboard and the light percussion of Steve Nieves.
Chieli exclaimed:
“Lao Tizer!”
Lao:
“Steve Nieves and
Chieli Minucci on vocals! As soon as the good ole boy is ready, we’ll get
started on St. Stephens Green.”
Steve came in on soprano sax with an alto hanging from his neck.
Rufus on bass joined the band, thumpin’ and bumpin. Steve edged up to Lao and
immediately entered the Nieves-Tizer Zone. Chieli was electric on electric. We
had a hot potato at the potato on this cut! Triple wow, again guys! Steve was
still lit up on sax and made his way back to the Steve-Lao duo. They were
smokin’! What a crazy jam. The house was on its side! Nieves energy was
unplugged! He volleyed from alto to soprano, mixing it up with Minucci for an
unforgettable finale.
Lao:
“Steve Nieves! Chieli Minucci! We’re gonna play one more song, then
we’ll take a short break. But, we’ll be back! I wanna welcome ‘Big Red’ back to
the stage. Remember, we have CDs for sale!” He pointed proudly, “Our merch
table is right here! This is called It Is
What It Is.”
Chieli hooked us up with some insanely good electric while Steve blew
a little tenor. Raul added his licks to a brilliant solo by Rufus Philpot. There’s
nothing like the thick thump of a great bass player wriggling under your skin!
Minucci and Jeff ‘Big Red’ Marshall volleyed back and forth while Lao led the
pack front, center. Screamin’ guitars eased into the finale with a
studio-session vibe. Lao popped one hand into the air signaling an almost-end,
just as Steve hit the tenor sax. Lao reintroduced the band and said, “We’ll be
back in just a little bit. Stick around and we’ll be back in just a few!”
Second Set:
Chieli:
“How’s everybody
doing, alright? How about Lao Tizer?!”
Lao:
“Chieli’s traveled
the furthest, from New York!”
Rufus:
“He doesn’t get
out much, but he’s a great chap! He almost leads a normal life!”
Lao:
“Who says we never
give him the mic again?! This is a tune of Chieli’s called Body Heat.”
I set my pen down for the second set. From Body Heat, Olivas Adobe
to Hui Hou, these guys kicked it out!
We had a ‘Potato’ party goin’ with full-audience claps, solos to-die-for and
some unforgettable jazz-crazy moments. Thanks guys, for a cozy, jazzy night I
will not soon forget!
© May 2010 Lynn M. Olson ALL
RIGHTS RESERVED
Saturday, April 4, 2010
Grant Geissman, The Cool Man Cool Band
Spaghettini: Seal
Beach, CA
Guitar: Grant Geissman
Upright Bass: Kevin Axt
Piano: Emelio Palame
Woodwinds: Brian Scanlon
Drums: Ray Brinker
“Okay, let’s do it!”Grant said. “Thank you very much, and welcome
to Spaghettini! We gave everyone a CD.”
Their opener was, ‘Say That’
(Cool Man Cool CD). Grant and The Cool Man Cool Band definitely have the ‘it’
factor. The audience was engaged from moment one.
Grant said.
“Thank you so much! Here’s a tune from it called, ‘What’s the Story’ (Cool Man Cool CD).”
Geissman’s smooth, natural guitar says, come along for a ride, let
me play for you. I snuggled up to his at-ease style as it blanketed my front
row, center seat with warm and cozy jazz. Brian Scanlon’s flute solo instantly
pleased the crowd as he slipped it to Emelio Palame for a smooth chill.
Grant said.
“Thank you, so much! We’d like to play the title track from the CD
you have on your tables. It’s called, ‘Cool
Man Cool’. I had the pleasure of inviting Chuck Mangione and Chick Corea to
play on this tune. Tonight, Brian will be playing the part of Chuck Mangione
and Emelio will be playing for Chick Corea,” he quipped.
The guys kicked it up, all were in the zone and so were we!
Grant asked.
“Are we havin’ fun
so far? I’ve been writing for the show, Two and a Half Men. I co-wrote the
theme, but they only play cuts that are either twenty-two seconds long or six
seconds long. I kind thought that isn’t long enough, so I wrote a bridge for
it, an extended jazz version. And, we want to play it right now.”
This song carried it home to mama for me! Emelio’s piano was
stellar and the Brian’s finale on soprano sax blew it out of the water.
Grant concluded.
“So, there you
have the long version of ‘Two and a Half Men Theme Song aka My Cool Uncle Charlie’.
Here’s a tune on the album which we were able to get the legendary Tom Scott to
play. It’s called, ‘Chicken Shack Jack’.”
Grant rocked it out on this one! This guy’s really got some chops!
Brian’s solo on tenor sax was amazing, truly amazing. Some genius surfaced on
this tune!
Grant joked.
“Pizza order
number forty-seven is ready!” Grant chuckled as he reached for his
grandfather’s banjo. “I wanted to write a song I could play on my grandfather’s
banjo.”
The song was appropriately named, ‘My Grandfather’s Banjo’ (Say That CD). “Stand back, these things
are loud!” he warned as he hit the strings with gusto. Brian Scanlon grabbed
his clarinet out of his back pocket and it was an instant party!
Grant said.
“Here’s one for
the old bebopper guys. They have their own lingo. If they wanted to go listen
to music they’d say, “Let’s go dig some sides.” That’s the name of the tune, ‘Dig Some Sides’ (Cool Man Cool CD).
We had some, fun, fun, fun on this one. Brian outdid himself on alto sax. This guy
had an amazing amount of rabbits in his jazzy hat tonight! The band was in
sync, the audience was lovin’ it and I was a chair dancin’ maniac!
Grant reintroduced the band and said.
“Depending on your
point of view, it’s either rum in your drink or your political statement. ‘Cobra Libre?’” Emelio Palame on piano
stole the show on this one and earned a triple wow! The audience went crazy and
so did I!
Thanks guys! What an honor
to experience the music of the infamous Grant Geissman and The Cool Man Cool
Band. We all hope you’ll be back to Spaghettini’s soon! By the way, thanks so
much for the CD, we’re all still listening to it. And, it is most definitely on
repeat!
© April 2010 Lynn M. Olson
ALL RIGHTS RESERVED
Saturday, March 13, 2010
Global Kiss CD release party, Steve
Oliver
Spaghettini: Seal Beach, CA
Guitar: Steve Oliver
Bass: KT Tyler
Percussion: Humberto Vela
“Good evening, everybody!
How’s, everybody? As always, welcome to Spaghettini. If you’re wondering what this bald guy is
doing up here, I’m Greg Cozzo, from the morning show, Smooth Jazz in Temecula,
with the one, the only, with his brand-new album, Steve Oliver!”
Steve pounced on stage with energy to spare! He began playing with his eyes closed, and it was
Steve Oliver magic time. ‘Stevo’ bliss
blanketed the venue.
We all shared an ‘ah’ moment.
Steve said.
“Good evening, how’s everybody doing? We’ve got a lot of new songs to play for you
tonight! He introduced, ‘Barcelo’
(Global Kiss CD).”
Steve kicked it up and out, earning a triple wow for his new
music! KT and Steve offered a double
dose of jazzy fun. Guitar and bass
rocked it like crazy. They tore the
place inside out. I immediately thought
to myself. Where’s the CD table?! My fingers tightened around the double
sawbuck as I earmarked it for a signed version.
I sat back thinking, this one is
a must have!
Steve proudly concluded.
“Ah, a little ‘Barcelo’. That’s a new song off the Global Kiss
project. Tonight we have two amazing
musicians here; KT on bass and Humberto Vela on percussion. I’m gonna be making some sounds on my
guitar.” Steve gave a short demo of his piano,
flute and orchestral sounds. “I did
bring my flute,” he joked. “These are
some Brazilian words I came up with while I was writing this song called, ‘Ba Aye’ (Global Kiss CD). I found myself
lost in his tune, frozen pen in hand.
Humberto enveloped the entire audience.
Hats off to a stellar finale on this one!
Steve announced.
“Humberto Vela, on
drums and percussion! That was a new
song from Global Kiss! We’re gonna merge
a couple of songs.” Steve expressed his gratitude to Spiro Gyra and Marion
Meadows.
They married ‘Angel Amore’
and ‘Fearless’. From instrumental to vocals, the lyrics
expressed Steve’s style and attitude perfectly.
He approaches his genius fearlessly, and it shows. KT thumped this one out while Steve’s unique trumpet
mimicking, created a finale that blew the tune out of the water. I was left wondering. Did he have a horn in
his back pocket? He was truly amazing!
Steve quipped.
“Let’s hear it for
the trumpet! I had a trumpet on the
album, so I figured I’d bring it with me.
So, are you in the mood for ‘Chips
and Salsa’? Com’on, Spaghettini!”
His hands went straight up, and a full audience clap began. It was
time to grab a salt-rimmed glass and join in!
Oliver served the ‘Chips and
Salsa’, hot, hot, hot! If I didn’t
know better I’d swear I was under a palapa on the beaches of East Cape in the
Baja!
Steve added.
“Spaghettini, sing with
me!” The venue rang, “Oh, say oh!” Steve exclaimed, “You’re hired! Once again, we’re gonna keep it in Spanish
mode. Do we have any Spanish flamenco
guitar lovers out there?” The crowd roared.
Steve opted for full-audience participation and revved this one up. Everyone was having a blast with his
“Ole…Ole…Ole…,” when a pleased Steve commented, “NICE!” Again, I was in awe, a
perfect flamenco riff. Thanks, Steve! The
‘Ole’ slowed a bit and Steve said, “We’re losing it, huh?” KT held up a paper
‘Ole’ sign. Steve warned, “KT Tyler,
behave!” Humberto turned the place on
its ear with his cajon drum solo (cajon: wooden box sit-on drum). Humberto was undeniably in the zone and
everyone there joined him. He was
off-the-chain, playing before a pin-drop silent crowd. I have to say…no one does that like Vela!
Steve said.
“Humberto Vela!”
KT jumped in while Humberto was still at it. His deep, throaty bass resonated through
every inch of the venue. Steve turned to
KT in a muted tone, and said, “Just me and him.” The Vela-Oliver volley that followed was
phenomenal! Steve popped his guitar
strings while Vela blew everyone away on the cajon drum. The ‘Ole’ again, and we were wowed once more!
Steve said.
“Once again,
ladies and gentlemen, Humberto on the cajon! NICE! You know Global Kiss isn’t coming out until
March 30? But, we’ve got some here at
Spaghettini, if anyone is interested. All the songs on Global Kiss are my
babies, this is a tune called, ‘Take Me
Away.”
A smooth chill engulfed the crowd. Everyone melted to mellow, nice and easy.
Steve said.
“Take me away, here’s
another new one. This one’s called ‘True Vision’.”
This song exploded on stage and Oliver reinvented music! KT’s solo carried this one home to mama. They coached, “Let’s see some hands!” We
joined in another overhead clap. “Now,
that’s the spirit!” Steve electrified the
house. “Keep it going, NICE!”
Back to Oliver.
“’True Vision’, off the new album. Are you guys feelin’ good?” He repeated, “Are you guys feelin’ good? This one got most added on Smooth Jazz this
week! Vienna, Mike from WineandJazz.com
and Smooth Jazz are all in the house tonight. Next up is, ‘Fun in the Sun.’ Are we havin’ a little fun in the sun tonight?”
Steve’s finger work was second-to-none. He owned this one. His outstretched
arms and rockin’ music transformed the crowd into a boiling pot of toe tappers.
Steve concluded the first set.
“Thank you, so
much to everybody, KT on bass, Humberto on percussion. We’ve got a whole
‘nuther set.”
Second set took us from ‘First View’, ‘Good 2 Go’ to my all-time
favorite ‘I Know’. ‘Global Kiss’, final
song for the night, had Steve bunny hoppin’, Humberto spicing up percussion while
the pulse of KT the bass delivered the Asian-flair of this lick to jazz heaven. A mix of stellar vocals ended the night with
the finesse and style only Mr. Steve Oliver could pull off.
Thanks to Steve and the band, for a sparkling night CD release
party. Steve Oliver, your infectious energy awestruck every inch of this venue
and not one of you guys never missed a beat!
© March 2010 Lynn M. Olson
ALL RIGHTS RESERVED
Friday, November 13, 2009
Lao Tizer with Karen Briggs
Spaghettini: Seal Beach, CA
Keyboard: Lao Tizer
Electric Violin: Karen Briggs
Guitar: Jeff Kollman
Guest on Guitar: Jeffrey Marshall
Bass: Andre Manga
Drums: Drew Megna
Lao Tizer hit the stage and warmed the crowd to simmer.
“Ladies and gentlemen, how’s everybody doing? Come on, you can do
better than that! Welcome to Spaghettini, we have CDs for sale
and we haven’t been here for a while. We’re gonna start off with
a tune called Flow off our first album (Diversify CD).”
The opener was a mellow mix of chill music. Jeff Kollman gave us
a rockin’ jazzy-style solo then passed it to Lao Tizer on
keyboard. They’d barely started playing when Tizer entered his
zone, eyes closed, talent box wide open! We all indulged and the
hang smoothed over us like creamery butter.
Tizer added.
“We’re gonna bring up a special guest! Please welcome, Miss Karen Briggs to the stage.”
Karen quipped.
“Always great to play with these amazing players. We’re gonna play Olivas Adobe, (Diversify CD).”
Karen grabbed hold of her electric violin and reinvented music!
This latin-flavored tune had the entire audience in awe. Her
finger work is beyond phenomenal and has a sassy flair. She
volleyed to Lao whose raindrop-fingertip style blew us out of the
water. The entire band joined in for an amazing collaboration of
rockin’ jazz. Lao’s head was swayin’ and his eyes were closed
while he offered us his heavenly Tizer-style keyboard. Lao and
Jeff joined as a duo of sorts while the entire band backed them up with
an incredible beat. Karen continued to play, adorned by the
satisfied smile of an artist in love with her instrument and
music. Kollman and Tizer teamed up once more while flanking the
keyboard. Tao leaned back and mouthed to the music director with
a finger popped in the air,
“Up a little bit.”
He never missed a beat! They were not done with us yet, the
volley was endless; Tao to Jeff to Karen, back to Tao, then to Jeff and
finally Karen. The solos were all laced with a volley so intense
my pen could barely keep up. What an incredible song. Lao
was in his element!
Lao announced. “Miss Karen Briggs on electric violin and Jeff
Kollman on guitar! I mentioned Chieli Minucci before. Well,
he couldn’t be here tonight, but we’re gonna do a song off his called,
Bodyheat (A Night with Chieli Minucci and Special EFX DVD).”
Jeff Kollman opened on vocals and owned this one! From there the
Lao-Kollman team took guitar and keyboard to the moon. Lao’s
outstretched hand prompted a full audience clap and the jazzy games
began!
Jeff added.
“Mr. Lao Tizer on piano!”
Lao was foot tappin like a drumbeat. Karen hopped in with
lightening speed sailing across her violin strings. What an
amazing artist! I was, again, awestruck! She shook her head
from side-to-side and her blissful smile filled the venue to
overflowing. Drew Megna’s fiery drum solo led us straight to the
band’s synchronicity, timed perfectly.
Lao said, “Drew Megna on drums! Is everybody havin’
fun? We’re gonna change the pace right now. We’re doing an
opening track called To Touch the Sky,
(Passages CD).” Karen on electric violin and Andre on bass sat
this smooth tune out. Lao and Jeff paired up again. It was
head turned to the side with eyes closed and intense keyboard from
Tizer. His finale sparkled.
Jeff added, “Lao Tizer on piano! We’re gonna feature
Miss Karen Briggs on this next one. She’s gonna crush it and
she’s gonna own it! You can tell she’s shy by the way she
plays!” He quipped. “She lets her fiddle do the
talkin’! This is off Karen’s CD (Soulchestral Groove). This
is Loving You. And, you’re gonna recognize this one!”
Karen, nailed, owned and rocked this one home! No kidding, we’d
recognize it, at least I did! She displayed some of the finest
finger work I’ve ever seen. The violin was buzzing like an angry
swarm of bees around a hive. She was off-the-hook! Andre
Manga grabbed his bass solo, prompting Jeff to holler, “I love bass,
yeah!” Karen and the band took this one to an entirely new
plane. The Briggs-style electric violin matched this tune
perfectly. At song’s end, Karen offered her double outstretched
hands to Manga silently saying, ‘Great job!’
They went straight into St. Stephens Golden Soul CD.
Lao said to Jeff,
“You take the first solo.”
We enjoyed the mellow for a while until Jeff’s solo rocked it up
several notches. He took this one home to mama. From there,
the hand off went to Lao and snagged a cut in by Karen. Lao was
standing on one leg, playing like a madman, while Karen stroked her
fingers along the neck of the violin, emitting one of the most unique
sounds I’ve ever heard. Wow, they ran away with this one, simply
genius. Lao’s proud smile ended the song.
What It Is (unknown CD) was next.
Karen and Jeff offered.
“We wanna bring a good friend up, Jeff Marshall. We call him Big
Red and you’ll see why in a minute. We saved the best for last
and hope you’ll stick around. He’s big and he’s red.”
The double guitars were a treat and what a team these two were!
We were in guitar bliss early on with this cut. They passed the
tune briefly to Tizer, then back to our double Jeffs. Kollman
soloed and showed us his chops with unplugged and crazy good!
Andre on bass sauntered to the corner pocket, thumped, bumped and
paddled his way into every jazzy soul in the place. The spotlight
was on him. Bass strings radiated to glowing under his guidance,
stellar! Right in the middle of the solo Lao started an overhead
clap, taking the experience to mind boggling. The crowd loved
him. His stellar bass fade with Jeff slipping into the chill
factor and a slowed version of the overhead clap was nothing but a
blast. Andre’s eyes were closed as the audience joined his
zone. Lao was snapping his fingers lightly. Andre owned
it. The volume came back up and so did the full clap. Jeff
and Karen offered a jazz-crazy assist, a triple wow! They had the
audience howling when two guitars and the entire band went nuts.
Tizer accompanied their intense battle of the strings and started the
finale. Both guitars cut back in and played it hard. Lao
proudly introduced his band.
Set 2
Lao said. “Some verve on the violin. Alright, how’s
everybody doing? Okay, we’re all liquored up and ready,
especially Andre.” He laughed.
This is called Uptown (Diversified CD).”
This song was one great big volley festival. Everyone was warmed
up and offering their finest. From Lao to Karen, to Lao and back
to Karen, the two Jeffs had their way with it, passing it around like a
jazzy hot potato! It was just, plain fun!
No intro needed for, Fire and Ice (Golden Soul CD).
Drew hit the drums and before long both Jeffs were dueling again.
Tao put his finger in the pie while racing across his keyboard.
Andre and Karen kicked up this salsa-flared tune to chili pepper
hot! They all played this one like wild fire!
The title track for the Diversity CD had Tizer reintroducing his
great band. He offered this one and featured Karen on electric
violin. Jeff Marshall left for a moment and Kollman hit the
vocals. Karen went off! This was one of the best songs of
the night. We were again, awestruck!
Lao joked. “After that she gets a break! And, we get to
sweat some more. We’ve got Jeff’s song up next, Greasy
Louise. This tune had a great beat. An overhead clap
started it rollin’ then a drum solo took it around the corner to
another overhead clap. Lao got down and showed us his
chops. We had another string battle, fabulous!
Jeff said. “Give it up for the lovely Jeff Marshall!
Thank you, and good night. I’m kidding! We’ve got a few
more. Big Red, if you will!”
Lao added,
“This is a song I wrote after the first time I went to Kauai.
Anyway, it is inspired by my trip there. How many of you have
been to Kauai? That’s more than usual.” He chuckled.
“We played in Alaska and like two hands went up. Anyway, A Hui Hou means until we meet again (Diversify CD). Kollman hit the vocals and we enjoyed some mellow yellow.
Lao exclaimed. “One more time, please welcome Miss Karen
Briggs! Thank you all for coming out and thanks to Q.
We haven’t been here for a while and hope to see you again! This
is called West Side
(Golden Soul CD).” He reintroduced the band and reiterated, “We
hope to see you again. We hope to see you next time!” The
finale was amazing. Kollman was all over the stage. They
heated up the song and Jeff started flitting around like an electric
butterfly. From Karen to Andre to Marshall, he played with them
all. Karen Briggs reinvented genius here. Her bow wailed
along the strings with the speed of light.
Kollman added.
“Karen Briggs on the violin, give it up for her!”
My heartfelt thanks goes out to Lao Tizer, Miss Karen Briggs and
their incredible band. The soul-altering music they played left
me breathless. I hope we’ll meet again on a not-too-distant shore
very soon.
© November 2009 Lynn M. Olson ALL RIGHTS RESERVED
Spaghettini, Friday, September 18, 2009
Keyboard/piano: Oli Silk (United
Kingdom)
Guitar: Nigel Williams
Guitar, special guest: Peter
White
Bass: Dwayne ‘Smitty’ Smith
Saxophone: Gary Honor
(Australia)
Drums: L.J. Hollifield
Opening emcee
and saxophone player, Gary Honor hit the stage, sporting a checkered Beret,
Gary and his beautiful Aussie accent.
“Good evening everyone! Welcome to Spaghettini tonight!”
Oli revved up
the energy from note one. Silk sat at
the piano, strap-on in place and rolled it up!
He pounded the keys on “The Limit’s the Sky.” The title called this one! Nigel was makin’ sweet love to his guitar
while Dwayne ‘Smitty’ Smith, clad in black beret, was thumpin’ and
bumpin’. Oli was on it, and all over
it! Honor was givin’ it up and the
entire band had it goin’ on!
Oli said.
“Woo, how you
doin’ Spaghettini? So, in case you don’t
know, I’m Oli Silk! I’m here, all the
way from London, England to entertain you.
Q, if you’re here, can I have some more tracks? We’re gonna start out with an old one for
you. This one’s called, “Hats Off,” (So Many
Ways CD).
Gary was on
the flute, and was he on the flute???!!!
This guy can play! Nigel was
rockin’ and rollin’ his guitar while Duane and the guys were dishin’ it
out! L.J. Hollifield’s drum beat was
spot on! What a band!
Oli talked
about his first US appearance, when he played the 2004 Catalina Jazz
festival. He’s been in the states for
six months now.
“I’m going
back to the United Kingdom for the winter, but I’m not sure why!” he
joked. “A lot of people have asked,
“Have you played Spaghettini? Have you
played Spaghettini? This is a premier
gig, and we’re happy to be here!”
“De-Stress
Signal,” was up next. A nice dose of
mellow came our way with Gary on soprano and the chillin’ band. The crowd sat back and enjoyed! We were all mellow, yellow!
Oli said.
“We’ve got a
lot of songs for you! We were never much
into cover tunes, but will incorporate them into the set later. They do ‘em different in the US.” He hinted of a special guest for second set,
who has been his friend for a long while.
“You’ll know him!”
Oli added.
“Next is the
second single off our first CD. “Eve’s
Song,” is appropriate because it is my five-year anniversary. I met my wife at King’s Cross nightclub five
years ago tonight!”
The song was
a perfect musical toast, to a very special occasion. Nigel’s guitar solo was off-the-hook! The multitalented Gary Honor was on tenor sax
this time, blow, blow, blowin’! Oli
carried us all away. Ah, musical bliss,
nothin’ finer! Duane ‘Smitty’ Smith
hedged over and started playin’. His
stellar bass resonated through the venue.
What a bass player!!! Nigel joined
in, eyes closed and two were genius! Oli
stood up, knocked out some insane keyboard.
Gary was on pixilated flute, blowin’ us away! Gary and Oli are a quite a team, musical
perfection, amazing! Gary hopped over to
the piano. Oli stood up, sat down and
played like crazy. The guy’s got both
style and class. Gary played a wild sax
solo. He was a superstar and stole the
show on this tune! And, let the volley
begin! He passed it back to Dwayne, who
nailed it! From Smitty, it went to L.J.
on drums. The guys did a duet, of
sorts. Oli had the strap on and they cut
loose with manic music fun!
Oli joked
about his pixilated voice.
“This is the only way I can sing to
you!” His scattin’ was phenomenal. The audience was fully engaged and lovin’ it!
Every band member supported a Cheshire
cat grin. The stage was lit up!
Oli
exclaimed.
“That’s
fun! That’s fun! Gary Honor was on keyboard, and he doesn’t
even play the keyboard! I can show you
the notes he missed! I don’t expect you
to dance, because there’s not much of a dance floor. We’ll get Gary Honor to do some break
dancing!”
Oli said.
“We’re gonna
take a break after this and I’ll sign CD’s!
Eat, drink and enjoy yourselves.”
“Rushmore
Cafe,” was up next. Gary was on flute,
stellar again! Nigel on guitar was
thumpin’ like crazy and doing the William’s bump with his guitar. Dwayne edged across the stage, joined in and
it was perfection! Gary walked his flute
over to Oli then went back to his spot, back to Oli, into his spot and so
on. It was great fun! In the end Gary gifted a marvelous center
stage flute frenzy! It was a very cool
WOW moment. Oli’s one-handed cease
signal ended the set.
Oli promised.
“We’ll catch up with you in a little
while.”
Set II
Light’s up!
Oli said to
the band.
“Ready when you are!” Gary hit the alto.
Oli hollered.
“Break it
down!” The song was ”S.O.S.O.S.” The energy was intense, the crowd loved it.
Oli quipped.
“Thank you,
thank you! I’m out of breath! Everyone thinks this is such an easy job
because I’m sittin’.” He clowned around
about being in perfect physical condition.
“We’re gonna do a medley of a couple of tunes. “London to LA,” is a fictional three-hour
train ride from London to L.A.” We’re
gonna do Duane ‘Smitty’ Smith’s LA to London, back-to-back. We’ve never done these two back-to-back!”
Gary hit it
on tenor sax, handed it to Nigel while Oli was showin’ his chops with one hand
on the keyboard and the other on piano.
It was something to watch!
Suddenly Gary switched to flute, trill, trill, trill and trillin’! A nice hand off gave us more Nigel. He was off-the-chain, as always!
Oli
announced.
“Nigel
Williams! Nigel Williams! One, two, Mr. Nigel Williams on guitar. Hopefully, we’ll be able to cut that one
pretty soon!”
Silk proudly
exclaimed.
“It’s my
great, great pleasure to introduce my special guest, who I’ve known for many
years, Mr. Peter White! Off my first CD,
we’re gonna do “Easy Does It.” B-sharp,
sharp!”
Gary on
soprano sax matched Peter toe-to-toe, both in the zone. Peter played with eyes closed. His finger work was phenomenal. My front row, center perch was perfect. I was in awe and in a zone of my own!
Oli said in
closing.
“Peter White,
ladies and gentlemen! You can’t do just
one song when you’re up here! Maybe a
Ronnie Laws tune, “Friends and Strangers?”
Peter took
the helm and the band joined in perfect synchronicity. Gary was on tenor, doin’ Ronnie proud! Oli led them to play, stop, play, stop. Peter and Nigel were fantastic together! The entire band blew the venue out!
Oli ended it.
“Ladies and
gentlemen Mr. Peter White! I’m gonna
invite Peter back again a little later.
What do you want to do next?” He
dedicated a song he wrote for his mother, “Latin Haze,” for Hazel. This is from ten years ago. The tune will feature L.J. Hollifield on
drums.”
Oli was
playing keyboard and piano simultaneously, again. Gary opened up the alto, center stage when
the drums hit it. Some low bass from
Smitty led into a tremendous performance from LJ on drums. What a killer solo!
Oli
exclaimed.
“Yes!”
Hollifield
was playing every possible angle of the drums, sides top. He threw a drum stick up, caught it and
nailed his solo!
LJ said.
“One, two!”
He turned the
place inside, out then the band joined in.
Oli stood with the strap on and played like crazy. We were all having too much fun!
Oli hollered.
“That’s L.J.
Hollifield. Only a baby, he’s
twenty-seven years old. Thank you all
for coming!” He reintroduced the band. “Okay, we’re gonna do a few more songs for
you from our So Many Ways CD. This is a
jam called “Pens and Paper.”
Honor swung
around his tenor sax and blew it out!
Nigel bumped in a guitar solo then off to Oli for some pixilated
scattin’ while he played the strap on.
The entire venue was on fire. The
tune was a great jam session!
Oli joked.
“Ah, singing,
singing, I’ll restrict my singing to the shower! We’re gonna do “San Carlos,” for our San
Carlos section.”
A chunk on
the left side of the venue chimed in their approval.
“Put your hands up!” This song was just, plain fun!
For the last
medley, Gary switched to alto and strutted across the stage. Honor and Oli dueled center stage, nothing
but fun! Their chemistry was amazing.
Oli said.
“Thank you,
so much! We’re gonna do one more. I’d like to invite my special guest,
Peter. This song belongs to Peter White. It’s called “Chill or be Chilled.”
Peter came
back up, Gary was on tenor sax and the venue was shakin’ before long. We got our dose of chill and much more.
Oli closed.
“It’s been a
pleasure to share your company and the music.
It’s really been a pleasure and I hope to see you again!”
That was a
great night of music! Special thanks to
Oli Silk, his incredible band and his amazing friends. It was an honor to hear your music for the
first time. Hopefully, this was the
first of many opportunities! These
memories are priceless!
© September 2009 Lynn M. Olson
ALL RIGHTS RESERVED
Saturday, July 11, 2009
Special Event: Earth, Wind and Fire
Spaghettini: Seal
Beach, CA
Vocal:
Joey Diggs
Vocal:
Luisa Dunn (Larry Dunn’s wife)
Vocal:
Lana Turner
Saxophone: Michael Parlett
Trumpet:
Winston Byrd
Trombone: Steve Baxter
Keyboard: Larry Dunn (arranged music for Ramsey Lewis)
(original member Earth Wind and Fire)
Guitar: Sheldon Reynolds (original member Earth Wind and Fire)
Guitar: George Jorge Evans
Bass: Hilliard Wilson (nickname: Mud Ball)
Drums: Tony Moore
Bill Dudley from THE WAVE welcomed a packed house tonight!
“Good evening, everybody! Welcome
to the best jazz club in the world!”
He introduced the band, glowing about the two original members we
were fortunate enough to have with us (Larry Dunn and Sheldon Reynolds).
“Let’s give it up for all
of them and enjoy the show!”
Larry Dunn opened it up, playing with one hand on the keyboard and
one on the piano. It was pin-drop quiet,
everyone was in awe.
“Go on, George (guitar
player), A minor.”
Every eye in the place was on him.
Larry played a FaderFox (tiny midi controller box), that had a
phenomenal sound. Talk about alive, I
think it was! Every band member stood
there watching, deeply concentrating on Larry’s genius. We were all wowed!
Sheldon broke the silence.
“Larry Dunn!”
Larry said.
“Hold up the you know
what!”
I’m not certain what he meant, but the stage came alive.
Sheldon quipped.
“We’re pretty crowded up
here, so we can’t dance! Oh, yeah, Oh,
yeah!”
Sheldon hit the vocals and the three other vocalists followed. The stage was on fire with all eleven artists.
Sheldon hollered.
“Somebody say, Yeah! Do you
feel alright? I can’t hear ya! Do you feel alright? Anybody know the, “Serpentine Song?” Anybody know about Serpentine Fun?”
Sheldon grabbed hold of the vocals and rocked in place to this
familiar tune. Before long he had
everyone boppin’ and thumpin’ in their chairs.
“Come on, right here. We
want a soul clap! Come on, y’all. Can you sing?
Don’t be shy now! Okay, try
this.”
We all had a blast and the place was on its side already!
“Take it home,
y’all. Take it home, y’all! Somebody say, yeah!”
Sheldon enamored the audience.
Everyone was engaged.
Larry Dunn said.
“That’s what I’m talkin’
about. Sheldon Reynolds, y’all!”
Sheldon announced.
“We’re gonna feature someone special on this one, Joey, right now
on vocals.”
The tune was an original Larry Dunn creation. Michael opened on saxophone and Joey carried
it home with stellar vocals. Sheldon
joined in on vocals, and the volley began.
The four on vocals were a gorgeous medley; Joey, Lana, Luisa and
Sheldon. Larry rounded the corner with
his chops, and the keyboard singing along too!
Larry Dunn quipped.
“Joey, ladies and gentlemen, he sings beautiful, doesn’t he? It’s awful quiet in here.”
“2000 sky-5,” was up next, featuring Michael Parlett.
Michael joked.
“Say hello to the CD and
if it says hello back, run!”
Michael opened this one on the EWI (Electronic Wind Instrument),
and teamed up with Larry on the keys.
Dunn is second-to-none on the keys!
He played with one hand in the air raising the entire stage of eleven artists
to join in. Michael took over
momentarily on the EWI then showed his stuff on the soprano. Everyone gave this one their all!
Sheldon stepped forward.
“Michael Parlett!”
From there, Michael took the soprano and dueled with Larry in a
spectacular show of music. Between the
two of them and the band, they had the place rockin’ inside and out!
Sheldon joked.
“Lloyd Jeffrey on guitar!
Hey, hey, did anybody see that train come through? You guys wanna hear “Get Away? You already gave it away.”
Sheldon sang vocals with the Luisa and Lana. What a great trio! Larry popped up, waved Winston Byrd on
trumpet to join in the mix. Winston took
clear and crisp to a new level. In the middle
of his solo, he hollered.
“Hah!” Then bunny hopped, “Hah!”
Sheldon commented.
“Winston Byrd, he plays
so beautiful, eh?”
Things went from ‘holy cow’ to manic. Michael took hold of the EWI again, then the
also the alto, showcasing his deep talent. The music was insanely good. Michael really went to town with some
frantically-crazy blowin’!
Sheldon critiqued.
“That is what we call jazz!
Thank you for your support. How
y’all feelin’? That was three of you,
now how ‘bout the rest? God bless you and
we’re glad you came.”
Sheldon asked.
“Has anyone ever had a
fantasy? We dedicate this to you!”
The Morris White song, “Land
of Make Believe,” was up
next. A great dose of nostalgia entered
the room on this tune. No words needed
here, it was stellar!
Sheldon added.
“Thank you. Thank you.”
He introduced the band.
“I just don’t know
everybody’s last name!” Sheldon cut up
on the intros, and had everyone chuckling.
Larry Dunn commented.
“And, to the guy that called us all up, Q. And, the guy that got this all together, Mike
Parlett.”
Parlett talked about days gone by when Larry joined him on his
solar radio show. They talked fondly of
Steve Baxter. He joked about the bass
player pasting on a mustache then kidded about Tony Moore strolling in tonight
at four p.m. They kidded around about
mud ball, the bass player.
“I think you guys might
know this one!”
They played snippets of “Wish Upon a Star,” “Shining Star.”
Sheldon took the mic.
“Let’s see if you know this one.
Anybody ever say thank you?” They
played, “Thank You For Lettin’ Me Be Myself.” We got any singers in the
house? I got a friend of mine in the
house, I know he can sing! The ones in
the front have to sing!”
Everyone joined in.
Sheldon joked.
“We got some pasta over there?
Where’s the guy with the pasta?
Okay, all the ladies. Okay, all
the gentlemen down here.”
Larry chimed in.
“You ready? We’re about ready to take it home.”
Sheldon closed.
“Thank you and God bless you.
We’re gonna take a little break.
You guys enjoy yourselves, but not with too much pasta.”
Bill Dudley came back up.
“Are we having a good time?
Let’s give it up for Spaghettini.
Let’s give it up for Q! Let’s do
what we do at Spaghettini, eat and drink!”
Set II
Bill Dudley introduced the second set.
“Good evening. At the intermission I was talking to some
band members.” He talked about the Solar
Radio Show and the history that was there that night.
“Let’s give it up for
Earth, Wind and Fire!”
Sheldon rejoined the group.
“Is everyone feeling good
and havin’ a good time?”
Larry added.
“Is everybody having a good time?
I can’t sing, so I’m gonna play through this thing.”
The awesome Earth, Wind and Fire tune, “You Can’t Hide Love,” was
up.
Larry Dunn was back on the FaderFox, simply amazing. The crowd went wild over the synthesizer
sound of the ‘magic box’.
Larry said to the guys.
“A minor.”
And, back to the box it was for him. Tony went crazy on a drum solo.
The guys all commented.
“You can run, but you
can’t hide. Tony’s still goin’ strong!”
Michael had some EWI time while Sheldon was ‘Oh, wa, Oh, wa’ing his
way through the tune. Larry tore up the
keyboard once again!
Sheldon boasted.
“Of course, that’s Larry
Dunn on keyboards!”
Larry said.
“That’s Sheldon Reynolds
on vocals!”
Sheldon added.
“Michael Parlett! Say what?
Say what? Say what?”
It was back to Larry and George Evans for a duet. Larry entered a zone of his own for this one
and we were all happy to join! Larry
popped up one finger to cue the end.
Larry asked.
“Everybody get up on this one, or I’m not playin’! Can I get a little less keyboard in the
monitor? I’m serious! Everybody’s got to get up! If you don’t know how to boogie, this is the
time to learn!”
“Boogie Wonderland,” had everyone dancing, including me!
Larry said.
“So, y’all do know how to boogie?
Y’all are some of the best dancers I’ve seen. What about a devotion?” Three ladies at the bar had a request. Sheldon continued to joke, “I’m so old I once
owed Jesus a quarter! Come on, we had
five days to whip this into shape. We
grew up with this song. We have a
request.” A lady in the audience called
out a dedication to Alan. “Is Alan
messin’ up? It’s so pertinent and the
music is so doggone purdy. Don’t laugh
though! Great memory here!”
Lana was a superstar on, “Can’t Find a Reason.” She belted it out and the crowd adored her.
Larry said.
“Come on, Michael, check
on it.”
Michael did an alto solo with one foot on the rail and dished out
one hell of a number!
Larry commented.
“So beautiful, don’t you
agree?”
Lana added.
“You don’t mind if I take
my time, do you?”
Michael and Lana created a lovely duet together, with perfectly
timed volleys.
Larry added.
“Alright now, don’t start
nothin’.”
Joey chimed in.
“Do you remember when they used to say it like this? Larry Dunn used to say it like this.”
All three joined in on vocals.
Larry commented.
“Good Lord, the lovely and extremely talented, Miss Lana
Turner. If you can go home and practice
on that one! This is another one. You should feel free to stand up on!”
One of my personal favorite Earth, Wind and Fire tunes,
“September,” carried the night away with it.
Everyone was dancing.
Sheldon hollered.
“Break it down! Break it
down! Ladies, I need you. Gentlemen, take it down. We’re havin’ some fun now! This guy is good. Give a hand for George Evans. Are you guys ready to sing, again?” He repeated, “Are you guys ready to sing,
again?”
Larry exclaimed.
“Bebop, bump, be ah yeah, ah.
Play a little jazz. It’s
Spaghettini! We can play a little
jazzy. Come on, Michael!”
Michael did a great solo, followed by Winston Byrd on trumpet! The two were spectacular.
Larry Dunn commented.
“Winston Byrd, ladies and
gentlemen!
Steve Baxter gave it up on his trombone solo. Joey on vocals stood by in awe. A full bunny hop ended it. Now, that was a whole lotta blowin’. He really ripped it up!
Larry said.
“Steve Baxter on
trombone! Come on y’all, give him some.”
Michael hit the alto and soprano sax simultaneously.
Sheldon couldn’t resist.
“Show off!”
Michael played, unaffected.
Larry on keyboard needed no introduction. Michael grabbed the EWI, Sheldon hit the
vocals and “After the Love Has Gone”, took every one of us down memory
lane. It was just beautiful! Parlett came front row, center and gave up
some full-bodied sultry!
Shelton exclaimed.
“Amazing sax! We got to
go! They said we got to go. Y’all want us to go? Y’all want one more? We might have one more! This song is our National Anthem. If you know it, sing along!”
It might have been after eleven p.m., but the venue came
alive! Everybody was singing. The entire venue was in a full ‘wave’. All hands were swayin’ side-to-side.
Larry asked.
“You feel good out there? We
want to thank you for coming out tonight.
Thank you and good night. You
wanna hear more? Before we go home, I
have to celebrate Michael Parlett and Bill Dudley’s birthdays!”
Music director, Q, brought up an enormous candle-laden cake.
Larry added.
“He’s the one who put
this together!”
Larry exclaimed.
“Come on, drummer man! You
go first. What song is this? Does anybody know?”
The encore was “Boogie Nights.”
The crowd went nuts! What a blast! Eric went nuts on the drums. Sheldon Reynolds stopped mid-song and said,
“If you’re feeling good say ‘Yeah! If
you’re feeling really good say ‘Yeah, yeah!”
Bill Dudley came back up.
“Y’all had a good time, right?
Thanks for joining us. Thank
y’all for coming!”
Wow, Earth, Wind and Fire!
What a night of jam-packed music.
This one will go down in music history, at least for me! Thanks guys, you outdid yourselves!”
© July 2009 Lynn M. Olson ALL RIGHTS RESERVED
Saturday, August 22, 2009
Special Event Michael Parlett with
secret guest Jeff Lorber
Spaghettini: Seal
Beach, CA
Saxophone: Michael Parlett
Piano:
Jeff Lorber
Keyboard: Hans Zuermulin
Guitar: Blake Aaron
Bass: Earnest Tibbs
Drums: Eric Valentine
Bill Dudley from THE WAVE was tonight’s emcee.
“Good evening, welcome to Spaghettini. Are you all having a good time? Michael, I’ve worked with you every night
this week! Let’s give it up for our
waiters and waitresses tonight! Let’s
give it up for Michael Parlett and his all star band!”
The opener lit the place up tonight! Michael initiated a full audience clap with
his overhead pep talk. They were on fire
from the first note. Hans Zuermulin’s
mini solo brought it home, and led us straight to Michael on EWI (electronic
wind instrument). Blake Aaron on guitar
lifted his solo to the heavens and the audience was completely engaged. Parlett cut back and finished off an
incredible music round robin had going on this one.
Michael announced.
“Blake Aaron, Mr. Blake Aaron.”
He quipped jokingly, “Thanks for comin’ out tonight, that’s been our
show! How many of you came to see Jeff
Lorber? Please put your hands together
for Jeff Lorber. I’d like you to meet
Jeff Lorber!”
“Night Sky,” (Heard That CD, Jeff Lorber), showcased their amazing
band cohesion. Lorber sliced, diced and
doled it out! He spread musical genius
across the stage and permeated every seat in the venue. Jeff stood up and started clapping while the
Earnest Tibbs on bass grabbed an off-the-hook solo. What an amazing artist! From there it was wailin’ sax from Parlett,
with a quick volley to Hans, and back to miraculous Michael. Meanwhile, Jeff had one hand on the keyboard
and one on the piano with Michael blowing his sax like crazy all over the
stage. A fiery drum solo by Eric
Valentine, yielded a “One, two,” scream.
He was unplugged!
Jeff took the helm.
“Thanks, so much for coming out tonight. I’m lucky to be here with these cats
tonight.”
Lorber dedicated, “Hudson,” (He Had a Hat CD, Jeff Lorber), to New York City. Michael was playing the flute with the alto
sax strapped on. If it sounds a little
crazy, it was! Parlett opened on flute,
then switched to sax and the audience was having a blast! Michael can really blow! He passed it to Blake Aaron on guitar. And Aaron rounded it out perfectly.
Michael Parlett said.
“Jeff Lorber, Jeff
Lorber! Come on!”
Jeff Jorber shared.
“This band and Jeff have never practiced together before. Clap your hands!”
A full audience clap had the place hoppin’ and boppin’. No group practice, that’s amazing! Jeff stood up, sat down and played like a mad
man. The audience went completely
bonkers over Lorber. A volley to red-hot
Eric Valentine on drums then back to Michael finished this one off.
Jeff Lorber said.
“These guys are going to do a song we played back in the
eighties. You might have heard it. This is called “Raindance.”
Parlett asked everyone to clap.
A thunder of applause rang out as Michael hit the soprano sax. Jeff joined in, lifted one leg and pounded
the keys.
Michael Parlett revved everyone up.
“We hope you’re havin’ a good time tonight! We’ve got Jeff Lorber in the house. And, we know you’re havin’ a good time
tonight!”
He had the soprano slung across his chest when Earnest Tibbs hit it
hard.
Michael exclaimed.
“Ain’t no body does it
better!”
Tibbs dug to the bottom of his soul for this one! Jeff was hand signaling the band while
Michael plunged into the audience. There
goes Jeff again! What a talent
powerhouse. He had one hand on the
keyboard and one on the piano again!
Michael popped back up on stage and really did this one up right!
Michael exclaimed.
“Jeff Lorber, Jeff
Lorber!”
Bill Dudley took the stage again.
“Thank you again! One more time for Jeff Lorber! Let’s give it up for Jeff Lorber, Michael
Parlett and a great band!”
Set II
Bill Dudley took the stage for the second set.
“Good evening,
everybody!”
He joked about brunch, inviting everyone to spend the night and stay
for the a.m./afternoon fun.
“In case you’re wondering who put this great music together tonight
and plays sax. Please, give it up for
Michael Parlett and Jeff Lorber!”
The opener proved the boys were back. Jeff was wailin’ on the keys while Michael
was pointing a ‘look-at-that’! Parlett jumped
on sax with a trillin’ and a thrillin’ vibe.
He played a brilliant solo and handed it to Blake Aaron. Blake was off-the-chain on guitar, showin’ us
what he’s made of. Lorber was back at it
with one hand on the keyboard and the other on the piano. It was phenomenal to watch.
Parlett proudly stated.
“Blake Aaron, Mr. Blake
Aaron!”
They turned it over to Tibbs, who ran away with it.
Parlett added.
“Alright, Earnest Tibbs,
Earnest Tibbs!”
Hans was up, and what an artsy-smooth solo he played!
Parlett exclaimed.
“Hans Zuermulin, Hans Zuermulin!”
Drummer, Eric Valentine introduced.
“Wendy Brune.”
Wendy exclaimed.
“I’m not easily intimidated, but aren’t these guys great? Let’s do the thang! Did y’all with me luck like ya promised? Okay, just checkin’!”
Wendy on vocals belted it out Southern
style. A little scattin’ and a fabulous
voice thrilled everyone in the place.
Jeff looked around the venue then at
Wendy and said.
“Wendy, thank you very much!”
Parlett took over on alto.
Wendy commented.
“Parlett, Michael Parlett!”
Parlett quipped.
And, back to Wendy Brune. Jeff and Wendy paired up for a stellar
performance.
Parlett added.
“Ladies and gentlemen, it’s Wendy Brune! Now, we’re gonna hand it to Jeff. This is a song he doesn’t play very often called,
“City”, also, tonight, sitting in we have Blake Aaron! He’s never played with the band before. So, make it funky for Mr. Blake Aaron.”
Lorber spread some smooth as butter our way and ran with it until
it was red hot! He was a hot chili
pepper tonight! Earnest Tibbs melted
some buttery bass and we all joined them in their zone. Jeff was one-handed again with Hans on the
side showing us his chops.
Michael Parlett announced.
“Hans Zuermulin, Hans Zuermulin.”
Parlett took on the EWI then joked with
bassist Earnest Tibbs who gave up a little bass heaven for the eager crowd. Michael got downright silly on the EWI. We all had a blast watching him repeat a
pixilated, “Jeff Lorber, Jeff Lorber, Jeff Lorber.”
Parlett added.
“Thank you very much! If we
all manage to end the same it helps!”
Lorber chimed in.
“This is a title track. You
need to google this one for the story!”
“He Had a Hat,” had Lorber and Parlett
ping ponging back-and-forth until we were dizzy with jazz euphoria!
Parlett announced.
“Jeff Lorber, Jeff Lorber is in the
house! This one we haven’t played in a
while. It’s another old classic.”
Lorber chatted about being impressed
with Blake Aaron’s foot pedal. So were
we!
Blake joked.
“This thing could launch the space shuttle!”
Lorber gave the one-two, one-two and it
was Michael Parlett back on the soprano.
Valentine cut in on the drums and tore it up. By the end of his solo, they had the house
turned on its side with Eric blindfolded by a white dinner napkin! The band hovered and the house howled. Everyone went nuts!
Lorber said.
“I haven’t played this one for a while
either, but I think you’re gonna recognize it.”
The “In Crowd,” had Michael leaning on
the side rail and playing directly into the crowd. Parlett started playing the alto and soprano
simultaneously while Jeff went back to his one-handed kickin’ it style.
Lorber hollered.
“Yes!”
Parlett suggested.
“Why don’t we do “Mr. Magic,” the old
way?”
The finale ended the night perfectly.
Parlett closed by saying.
“We’ve been layin’ down the groove all
evenin’. You normally have to pay big
bucks for this! We’re very privileged to
have Mr. Jeff Lorber!”
Jeff asked Michael to plug his radio
show. He, of course, obliged. They then thanked Wendy and the band.
Thanks guys! That was a great night of music! Are you sure you never practiced together
before?
© August
2009 Lynn M. Olson ALL RIGHTS RESERVED
Spaghettini,
Sunday, September 6, 2009
Guitar: Special Event, Chris Standring with Tony
Guerrero
Guitar: Blake Aaron
Bass: Ron McDonald
Trumpet: Tony Guerrero
Keyboard: Billy Steinway
Drums: Eric Valentine
Mark Stanley, host of Jazz Matrix Sound
Track, hit the stage.
“Good evening everybody! Welcome to Spaghettini! We’re glad you’re here! The founder of Jazz Matrix is here tonight!”
The crowd was hoppin’ when Blake Aaron
opened with his stellar guitar magic.
Billy cut in with a fantastic keyboard
solo and we were musically off and running.
Blake added.
“Billy Steinway, on piano!”
“My name’s Blake Aaron and I have the
pleasure of playing with, Mr. Tony Guerrero and Chris Standring tonight.”
Blake introduced the band and talked
about the Chris’s success, having a number one song for ten weeks.
“First, I’d like to bring up someone I
play with in church every Sunday, Tony Guerrero.”
“We’re gonna play some Latin tunes. This is a song called “La Cumba” that we’d
like to do for you.” Blake talked about
the influence Tony’s father had on his music.
Tony hit the flugelhorn and rocked it up for us! His playing is spectacular! He added just the right amount of spice for
their Latin dish. Back-to-back solos by
Tony, Blake and Billy, triple headed the night!
Guerrero quipped.
“It’s always a lot of fun here! Not all jazz clubs are this nice! This is the birthplace of jazz. And now, I’m gonna do a little Bossa Nova for
you.” The guys were at it again. From Billy on keys to Tony on Flugelhorn, to
Blake on guitar, the guys gave it up.
Tony rounded this one out perfectly on flugelhorn.
Tony said.
“Now folks, I have the great pleasure of
introducing a very nice guy. Please
welcome to the stage, Mr. Chris Standring.”
Chris joked.
“I’ve never heard such a bunch of
nonsense in my life! You’re gonna get a
bang for your buck tonight. We’ve got a
great band!” He reintroduced the
fantastic band he brought with him.
“We’re gonna play the title track for
something I had a little hit with. And,
I believe it goes something like this.”
“Love and Paragraphs”, was up.
“You guys wanna help out?” He repeated, “You guys wanna help out?” Everyone joined in for a full audience
clap. Chris dished out some off-the-hook
guitar and wowed the audience. Everyone
was bopping and clapping along.
“Thank you, that was, “Love and
Paragraphs.”
Chris said.
“Oh, here’s another one from my CD. When we get to that point, you guys sing it
up!” Chris showcased his talent on this
tune. There wasn’t a still foot in the
place. Everyone was fully engaged and we
were all having a blast.
“Thank you. That was “Ooh Bop”. Just making sure you guys were paying
attention!”
Chris announced.
“Now, we’re gonna play, “Constellation”
from an album released a couple of years back called, Soul Express. Chris was the shining star on this song!
“Thank-you, don’t go away, we’ll be
back!”
Set II
Blake took the stage at the beginning of
the break to announce what he termed a commercial interruption.
“Chris and Tony have CDs to sign for
you.” He then invited everyone to his
September 11 Spaghettini show. “We’re
really honored to be up here with Jazz Matrix tonight. Jazz Matrix is a really British thing. So we’re really honored to be a part of it.”
Mark Stanley took the stage.
“Folks, we’re all very glad you stuck
around for the second half of the show.
Please welcome Blake Aaron.”
Blake said.
“You guys havin’ a good time so
far? We’re happy to be here with Jazz
Matrix Live. You guys wanna hear
something funky?” “Keepin’ it Real” was
made for Ron on bass.
Blake quipped.
“Bass player’s got a tune!” The boys funked it up. Tony on Flugelhorn got funk, funk, funky with
it.
With an outstretched arm and fanned
hand, Blake announced.
“Tony Guerrero!” Blake stepped up to the plate for a triple
wow on the guitar, and gave one fine dose of funky, leading to the boys really
serving it up. Another solo by Tony prompted
Blake to again announce.
“Tony Guerrero on Flugelhorn! Meanwhile, I’d like to turn it over to my
good friend and fantastic musician, Tony Guerrero.”
“Let’s do a song I didn’t send
them. Hopefully, you’ll all know this
one. It goes something like this.” “Just The Two of Us” immediately invited the
rockin’ George Benson tune to our gig.
Tony hit the trumpet with his mute on the opener. This guy can really blow. And, that he did, he blew us all away! Billy took the keyboards head on and showed
everyone what he was made of. Sexy, sexy
Tony still trumpin’ it up led us straight to Blake on guitar.
Tony said.
“Thank you very much. Now please welcome to the stage the lovely
and talented, Chris Standring.”
Chris asked.
“What are we doing? What about these guys? Without these guys,
there’d be no jazz in the world. So, I
thought I’d play a little electric guitar.
This one is from Love and Paragraphs.
It’s called, “Have Your Cake and Eat It.” It was out for nine months and then six
months later the radio shows put it in their rotation. Anyway, it goes like this.”
The crowd went wild, seemingly having
their jazzy cake and eating every bite of it!
Chris was doing his signature guitar paddling and everyone loved it.
“Thank you. I believe you can have your cake and eat it
too. This is from an album I did called
Hip Sway. I’d like to bring back up Tony
Guerrero.” Tony was on flugelhorn and
teamed up with Chris. Their solos and
duets hit the each spotlight magically.
Chris announced.
“Tony Guerrero!”
“We’re gonna do another song. Actually, this song, “Qwertyuiop”, was
named after the top row of the keyboard.
It’s kinda funky, so you guys wanna get with this?” The back-and-forth on this tune went from
mellow, to fired up and followed with funky.
Chris ended by saying.
“Thank you. We’ve got one more before we finish and we’d
like to invite the wonderful Blake Aaron to the stage. You guys wanna have fun? You gonna come back? This is off an old album called Hip Sway,
“Big Pant People”. We’re gonna feature
Billy Steinway. He’s tryin’ to get out
of it. We’re gonna get funky for ya!”
Their finale was the best of the
night. Billy was insane on keyboards and
everyone joined in on this one. People
started dancing and Billy just wouldn’t quit.
He paddled the keyboard like a mad man.
Chris turned into funky boy and teamed up with Valentine on drums. They were off-the-chain!
Chris asked.
“You guys all right? Please give it up for the amazing, Bill
Steinway, on keyboards, the inimitable Eric Valentine on drums, Ron McDonald on
bass. And, for the first time on Jazz
Matrix, Blake Aaron. And, a special
thanks to my good friend, Tony Guerrero.
Thank you guys and good night!”
Thanks guys, for the can’t-sit-still
jazzy night!
© September 2009 Lynn M. Olson ALL RIGHTS RESERVED
Saturday, August 8, 2009
Antonio Ponterelli Nouveaux Rock Show
Spaghettini: Seal
Beach, CA
Electric Violin: Antonio Pontarelli
Piano:
Russell
Berkley (Seal Beach)
Guitar: Matthew Rodriguez
Bass: Yon Flouron (Holland)
Drums: Cal Drako (from Greece)
We had added excitement at Spaghetti tonight! Bill Dudley was in the house to introduce
Antonio Ponterelli on electric violin.
Bill shared fond memories of his first introduction to Antonio.
“When Antonio was only
fourteen years old, he shared the stage with the
likes of Seal at the WaveFest celebration. Antonio was only four years old when he
started playing. He’s been on the
Tonight show and the Grammy awards. Born
in Temecula, California, ladies and gentlemen, Antonio
Ponterelli.”
On his opener, (‘Soldier’), Antonio grabbed his electric
violin and ran away with it the second he started to play. Honestly, I felt like I was at Woodstock! He hit the stage with the passion of a full
orchestra, rock-style that is! He blew
everyone in the audience away making love to his violin. His vocals delivered tear-wrenching wow moments
as his heart and soul were laid out for all to share. Wispy hair strands flew and filaments of his
violin strings dangled in the air while he played with electric energy. He offered jazz unplugged, uncorked and
undone!
“Thank you very much and welcome to Spaghettini. We’ve got rock, classical and jazz. Well, the jazz is somewhere in there, I
swear. I hope you enjoy the rest of the
show.”
Antonio’s version of ‘Almost Cut My Hair,’Crosby, Stills,
Nash and Young tune brought it home to mama!
Nostalgia, ah, nostalgia.
“Thank you, very much! So,
how many of you heard it back when Crosby,
Stills, Nash and Young performed it?” he quipped.
‘Saving Face’, is an Antonio original song.
“This is a song about decisions in life. Everyone makes mistakes in life and sometimes
you have to own up to them. So, here it
is, ‘Saving Face.’”
The genius of the unique lyrics he creates at age eighteen are mind
boggling and the crowd loved him.
“Thank you, for a long
night of family, friends and alcohol.”
‘Find Me Waiting’, opened with keyboard player Russell
Berkley initiating an overhead clap.
Full audience participation brought the house down.
Bill Dudley took the stage again and gave a quick goodbye,
reminding everyone about the CD’s and autographing with Antonio in the lobby.
Bill was back up for Set II.
“Is everybody havin’ a good time?”
He repeated. “Is everybody havin’
a good time? That’s what is called a
brunch cheer! I’m kinda reminded of Ion
Anderson of Jethro Tull, then I find out he’s played with ‘em. Give it up everybody.”
Antonio opened with ‘All That I Am’, then slipped into ‘Fades
to Black’.
“We have an international
band tonight.” Antonio introduced band
members that literally have covered the globe then reinvented an all-time
favorite of mine, ‘Ain’t No Sunshine’.
“Thank you, thank you,
very much!”
‘Things Fell Apart’ transitioned to ‘Wake Me up’, in
a musical frenzy, Ponterelli-style. The
crowd was on its side by now, everyone drinking in every ounce of Antonio. He is an unbelievably seasoned performer, at
his ripe-young age. He just turned
eighteen. His vocals and electric
performance were off-the-chain. He
pointed downward to our front row, center perch.
“Thank you to this table for saving my bow.” (I had handed it to
him after it slipped away from one of his musical crazy moments).
He talked about it being an older song that he hadn’t done
much. No one would have known that! He was spot on, not rusty in any sense of
anyone’s imagination.
‘Happy Together’, was saluted with the arched back and phenomenal
electric violin prowess of Antonio Ponterelli.
Back in Woodstock
I was, again! He rocked this one up
until no one was sitting still.
Nostalgia entered the room and I was immediately reminded of a high
school gym dance! Antonio’s dual with Mathew
Rodriguez on guitar was unbelievable.
Antonio ended the song with arch back and giving it his all.
Bill Dudley was back for set III.
“Hello Spaghetti! Welcome to
Spaghetti, the best jazz club in the world.
I’m lookin’ over the set list and your gonna hear some Jimi Hendrix
tonight. Let’s welcome back Antonio
Ponterelli and the band.”
“Alright, for these next few songs, I’m gonna do something I only
started recently doing and that’s playing the piano and singing.”
On, ‘Seconds Away’, Antonio took to the piano and vocals.
“In the spirit of playing
songs I don’t usually play, this is called, ‘Summer Pitch’. His insanely good electric violin had the
entire audience engaged and swinging their arms to the beat.
Antonio’s finale, ‘All Along The Watchtower’, was
incredible. He blew the doors, windows and roof off the place with this
one! What a perfect way to end a perfect
performance. Off-the-hook, again, was
Antonio. It was a battle to the
end. The band was in sync, all playing
it up with everything they had. Violin
and guitar, not sure who won that dual, but we sure had a great time watching!
I’m certain now I was at Woodstock!
He gifted an encore of, ‘Always Searching for Love’. We were in the bonus round now! All eyes were on Antonio and the band. We were awestruck again!
A huge thank you to my favorite young genius electric violin
player, Mr. Antonio Ponterelli! Thanks
also, to the loving support of his dedicated parents. Who, by the way, have never missed a
performance that I know of!
© August
2009 Lynn M. Olson ALL RIGHTS RESERVED
Spaghettini, Friday, June 21, 2009
6:00
AM to 9:00 AM
Wayman Special Event: The 94.7, The WAVE, 94.7 live broadcast
Die-hard jazz fans lined the Spaghettini in the wee hours Friday morning, June
21, 2009, for an invitation-only live taping of 94.7, The WAVE’s Wayman Tisdale
tribute. Wow, what a spread! We all shared spectacular food and jazz
fellowship.
Q
talked fondly of his nine years at Spaghettini and announced, “Right now, we’re
gonna warm you up with a little DW-3, our most requested band here at
Spaghettini.” He proudly referred to them as the boys from LA. Eric Mondragon
said, “We’re gonna start out with a little Sam Cooke. Is that ok?” They
definitely brought their sweet lovin’ on home to Spags with this tune. “How ya
feelin’ out there, feelin’ good?” In reference to the six AM start time they
joked, “We gotta play somethin’ to keep y’all awake.”
“Alright, we’ve got a little technical issue. We’re workin’ it out.” A good
morning was offered to the WAVE’s morning DJ, Pat Prescott. “You’ve got it,”
Eric commented, confirming their sound snafu was rectified. They smoothed in
some more mellow with ‘I Got a Thing For You’.
The
beautiful Pat Prescott said, “Morning everybody, we’ve got four minutes. I
wanna hear lots of excitement from Spaghettini, okay?” The ON AIR light was on
and we were up!
Brian Mcknight said, “Um, yeah, let’s get rollin’. I
had no idea we had such a good looking audience!”
Pat quipped back, “I had no idea we had so many fans
that would be willing to get up at o’dark thirty!” She talked about the
celebration of the live and music of our dear friend, Wayman Tisdale. They both
joked about being up to their usual on-air shenanigans.
DW-3
was back up with ‘Lovely Day’. They encouraged their semi-awake fans,
“Come on, we gotta make some noise Spaghettini. Come on, everyone clap your
hands.”
Pat
let us know today’s guests would include Eric Marienthal, Dave Koz, Peter White,
Marcus Miller, Karina Nuvo and Ramon Islas. They were all on stage when Brian
went back on the air saying, “We’re Smooth Jazz 94.7, the WAVE.”
Pat hinted of a Talaya Trigueros citing and joked,
“Amazing, what happens when you offer a free breakfast.” They cut to a
pre-recorded Father’s Day dedication Brian Mcknight sang.
Between the live cuts, Brian referenced a Tisdale tune they were playing. He
said, “We’re here to celebrate his life and he’s blowin’ it down!” Spaghettini
owners, Cary Hardwick and Laurie Sisneros, came forward to say a few words about
their fondness toward Wayman.
Lori commented, “At 3:45 AM people lined up for this
event and I find that heartwarming.” Cary talked about Wayman’s dedication to a
Cerebral Palsy Golf Event years ago and shared how Tisdale stayed there until
the tournament was completely over, raising nearly 100K, the most ever.
Lori added, “Everyone thinks of Wayman as a big man
because of his size, but it was because of his heart. We really miss him.”
Eric
Marienthal and Peter White were following Prescott cues while we all looked on.
Brian said, “Looks like Eric Marienthal has made it
here.”
Pat retorted, “Who’s that guy on your left?” She
joked in a deep voice, “Mr. Peter White.” They talked about the Saturday
Afternoon Live Show from days gone by and how sweet Wayman was. Marienthal
added that he and Wayman were among the first to grace the stage at Spaghetti.
Eric warmed up to accompany Mcknight on his solo.
Pat
warned, “A minute and a half. “You can stay there to do your thing,” she said
to Brian who was poised at the keyboard.
“Pat and I are broadcasting live from Spaghettini.
We’re here to celebrate the life of Wayman Tisdale.” They talked about the many
cruises they enjoyed with Tisdale and offered up his hit, ‘Come On, Cruise
With Us’. It couldn’t have been more appropriate. My first-hand experience
has me agreeing wholeheartedly with all the lovely things that were said about
our favorite giant bass player.
Brian announced, “Peter White on guitar.” Peter
offered up some of the best guitar playing I’ve heard in a long while.
Always-stellar Eric Marienthal joined in and blew it out!
It
was back to Pat on the air. “Thanks, so much for joining us.” Between songs
Brian talked about hearing from Wayman’s family.
Brian continued, “We’re joined b y Wayman’s brother
Danny.” He asked him for a few words of wisdom.”
Danny said, “Well, you know there was so much wisdom
from Wayman at a young age. Even when he was battling his sickness he always
made you smile.” He shared that the last text he received from his brother
said, “Bro, I’m alright.”
During downtime between the live, on-air sets Pat asked, “Aren’t you guys
eating? Do you feel sorry for us because we’re up here and can’t eat?” A
pre-recorded Father’s Day sunrise serenade of, ‘Ordinary Love’, played.
Off
air, Pat made mention of a Dave Koz citing. Wayman’s, ‘Way Up’, played
via the live broadcast. She talked about a fund raiser for the Wayman Tisdale
Foundation and offered some clothing items Dave donated to have auctioned off
for the cause. When Dave joined in the banter, the crowd roared. He joked
about seven AM being an ungodly hour. He and Peter White kidded
back-and-forth. Peter lowered the microphone and joked about Dave’s height, the
crowd again bellowed. Dave talked about the wonderful work the Tisdale
Foundation was doing for cancer victims and amputees.
Pat
mentioned Brian and Dave would be staying for an autograph session after the
broadcast.
She said, “We need more noise when we go on the air,
alright?”
Brian announced Dave Koz and Peter White.
Peter quipped, “I’m usually asleep right now!” He
shared a fond memory from a cruise he took with Wayman. They were each supposed
to play a song they don’t normally play.
Tisdale said, “Cruise directors know about cruises,
not about music.” He talked him into playing, ‘Bueno Funk’. The two
joined in that night and wowed the audience with the tune.
While Peter warmed up on stage, we grabbed a little extra bueno funk of our
own. DW-3 asked, “Y’all going to put your hands together for Peter White?”
White and Marienthal blew the lid off the venue with ‘Bueno Funk’.
Everyone loved it.
Marcus Miller came forward with a story about helping Wayman get started in his
music career. Miller recounted their meeting in 1987 and said Tisdale asked for
his help.
Tisdale said, “I play a little bass. I just need to
know what I need to do to be successful.”
He joked with him, “Play a little bass? You play a
whole lotta bass, this is good!”
He told him, “If you can let people know who you are in three notes, better yet,
two, you’ll be successful. As soon as you heard his bass, you could see
that big smile!” They played a Waymans favorite, ‘Ain’t no stoppin’ Us Now’.
Miller thumped and bumped this one in the spirit of their camaraderie. The
moments were heartfelt and the music, stellar.
The
talent that filled the stage was overwhelming. Brian Mcknight said, “Mr. Dave
Koz everybody!”
Eric from DW-3 said, “Break it down.”
Pat chimed in, “Celebrating the incredible spirit of
Wayman Tisdale.”
Brian added, “In just a few minutes, we’ll be hearing
from the Tisdale family.” He introduced Tisdale’s daughters Tiffany and
Danielle, wife Regina. He talked about Tiffany’s sociology major and Danielle’s
personal shopper business. Brian reminisced about the times he visited the
Tisdale house.
When Danielle was asked for an antidote from her dad
she said, “Never give up, quitting is not an option. You must fight until your
very last breath.”
Pat
and Brian’s third, and final, sunrise serenade was a request from Pat for her
dad. “Losing your dad is a club you don’t want to be a member of.” She lost
her dad when she was just nineteen. “The greatest thing you could ever learn it
to love and to have it returned.” Brian did ‘Nature Boy’, live. His
performance was amazing, everyone went crazy! The audience joined in to sing
the WAVE jingle.
Back
up live, Brian reintroduced, Music Director, Q. Q talked about the many great
times he spent on the high seas cruising with Wayman.
“He always made everyone feel like a kid.” We all
laughed at Q’s retell of a boat story about Wayman knocking him down after
talking him into shooting hoops onboard. Tisdale just picked him right up. He
talked of a personal call Wayman made to him when his own father passed away
recently. Tisdale sang him, ‘It’s Alright’, over the phone.
On
the air again, this time with Dave Koz.
“It’s great to see so many people and family members
here today. Wayman was like a brother to me. The first time I met him was at
the Wave of Peace after 911. Some guy walked on stage with an American Flag tee
shirt.” Dave joked about never having seen anyone so big in his life before.
“I come from a family of small people.” His nickname for Tisdale was Wayzilla.
“He was bigger on the inside than the outside and reflected the world in his
smile.” Regina asked Dave to say something at Wayman’s memorial. He shared,
“It’s not the number (year) on the left or the number (year) on the right. It’s
all about the dash in the middle, (years spent on this earth).” These powerful
words seeped into the souls of all fortune enough to attend.
They
announced thirty seconds to air and Pat was up. “We’re here with a tribute to
the life of Wayman Tisdale. Dave just talked about his memories of the Wave of
Peace and everyone’s joined in to play a song from it. Dave Koz, Eric
Marienthal, Marcus Miller, Karina Nuvo, Ramon Islas, Peter White and Karina Nuvo
shared in the moment. ‘You Can’t Hide Love’, brought us to our knees.
Marcus Miller played his love for Tisdale, each moment was spectacular. Koz did
a beautiful solo. His love was apparent and the music was fantastic.
“Ladies and gentlemen, Dave Koz.”
Pat
was up, we were back on the air.
Mcknight said, “This has been one of the most fun
things I have done since I have been here.”
Pat thanked everyone, especially his family. “We know
there ain’t no stoppin’ us now!” she exclaimed. They played the song live.
Wayman was most definitely in the house. His smile and spirit attended the
entire event. We miss him, but were thrilled to have just a few more minutes to
share with him.
My
heartfelt thanks to everyone involved for one of the most spectacular memorials
I have ever attended. “We’re all smilin’ Wayman and we miss you!”
© June 2009 Lynn M. Olson ALL RIGHTS RESERVED
Spaghettini, Saturday, June 6, 2009
Joyce Cooling Special Event
Keyboard: Jay Wagner
Guitar: Joyce Cooling
Bass: Victor Little, from Chicago
Drums: Billy Johnson
Percussion: Roberto Quintana, from Puerto Rico
The
excitement of the crowd pushed an ‘Oooh’, through the room. Music Director, Q,
reassured an anxious crowd, “Music fans, Joyce will be along a bit later, but
first, give it up for my boys from DW-3.”
They
opened with, ‘Amazing Love’, reminding us of our love for the incredible,
Luther Vandross. They joked around about being Latin Luthers. “Alright, is
everybody doin’ good?” They gifted a little Marvin Gaye and we were all getting
into it. ‘Georgie Porgie’ led to ‘Me and Mrs. Jones’. Everyone
was having a rockin’ good time with these familiar tunes. “Are there any Stevie
Wonder fans in the house?” Nice set guys!
Q
commented, “You gotta thank the owners of Spaghettini, Cary Hardwick and Laurie
Sisneros.” He went on to introduce tonight’s special guest, Ms. Joyce Cooling.
“You’ve got a great new CD out called Global Cooling. I just got a call from
Peter White saying your new CD is some of your best work! Ladies and Gentlemen,
please welcome the Joyce Cooling Band.”
Joyce put her hand to her heart and said, “You guys are the best jazz audience.
You guys look marvelous!” She tore it up with, ‘Mildred’s Attraction’
(Revolving Door CD) and ‘Daddy O’ (Third Wish CD). Her drummer shone
brightly on the opener. Cooling had the audience fully-engaged and lovin’ it,
ending with a mini bunny hop.
“We
haven’t been to Southern California in a long time. Where’s my set list? I
don’t know what we’re playin’ without my set list. I turned it over and don’t
know what we are playin’ without it,” she joked. Joyce was strutting her stuff
and having a ball while playing ‘Come & Get It’ (Revolving Door CD), on
her silent guitar (unique open-body guitar). Her vibe is sensational. The
crowd adored her.
“Thank you so much. We’re gonna do a tune called, ‘Cobra’. It’s got an
Eastern vibe to it.” The congas were exceptional on this cut. Roberto on
percussion was off-the-chain! His expertise on the chekere (African beaded
gourd-like instrument) was amazing. Jay Wagner’s keyboard solo had everyone
boppin’ in rhythm. At song’s end she asked, “Now, you don’t know that song do
you? Yes, you do, bless your hearts. Radio people, they know everything!”
‘Expression’
(A Girl’s Gotta Play CD) and ‘Batucada’ (unrecorded), had Joyce making
her guitar moan beautifully. She started an overhead clap that was contagious.
Her chemistry with Roberto was out-of-this-world. She was kinda scattin’ with a
mouthpiece and the two really got into it. Their rockin’- and percussion-style
was genius.
“Hey, we have some folks here from KSBR. They said they’re playin’ our
single!” Vienna was, of course, close at hand thumpin’ to the beat. A guy from
KUCI 88 came forward, presented his card and clarified, “They’re not the only
ones that are here!” She answered, “We’ve got a lot of celebrities in the
audience!”
“This is from my Global Cooling CD. She introduced, ‘Grassroots’. “I
have my ear monitors in. So, I can’t hear you, but you’re smiling, so it must
be good.” Her vibe was bluesy. The rhythm section really pumped it up on this
one!
Set
II
“Thank-you, alright, we’re gonna attempt something brand-new. It’s got a lot of
words.” ‘We Can’, was up next. She shared someone wrote her and said
she was getting’ political. She commented, “This came before the presidential
inauguration. What can I say?” She repeated, “Lot’s of words.” The back and
forth from bass to percussion, bass to percussion was awesome. She chuckled,
seemingly tickled by their expertise.
“Thank-you!” She talked about her dedication to the National Alliance for
Mental Illness, and how some of the proceeds from her CDs are earmarked for the
cause. She elaborated saying, “There are no words, so I put it into a song.
The title track, ‘Revolving Door’, told all. “Thank-you, thank-you! I
haven’t introduced the band yet. We’re gonna do an oldie next.” She introduced
the band and joked she was going out of order just in case she finds her set
list. “Here’s an oldie, hopefully a goodie.”
When
she introduced Jay on keyboards she referred to him as her partner in crime.
“Okay, here’s the oldie-but-goodie.” ‘South of the Market’ (Playing It
Cool CD), displayed amazing band cohesion. Everyone was in sync, smiling and
playing. A keyboard solo by Jay put the place on its side, everyone was
clapping. She hollered out while he was tearin’ up the keys.
“We’re gonna do a brand-new one from the first time. We appreciate the Seal
Beach crowd taking the time to come out and spend your hard-earned money. We
haven’t been to Seal Beach for a long time and we thank everyone who’s treating
us so nice. Here we go, we gotta wing this!” There was no evidence of newness
on, ‘Save This Dance For Me’ (Global Cooling), they played it like it was
a standard. Everyone was rocking out to the Latin flavor of this cut.
The
final song was, ‘Callie’, (Keeping Cool CD). Percussion was a triple wow
again! Victor Little on bass hit it hard and showed us how it was done. Joyce
voiced a long, “Ough”, in answer to the band’s perfection. She reintroduced the
band and Jay on keyboard added, “Joyce Cooling on guitar.” Q thanked Joyce
again and asked, “So, what do you guys say, wanna come down from San Francisco
again?” © June 2009 Lynn M. Olson ALL
RIGHTS RESERVED
Spaghettini, Friday, May 8, 2009
Jackiem Joyner on Sax
Band:
Keyboard: Les Butler
Guitar: Kay-Ta Matsuno
(plays with Keiko Matsui)
Bass: Tom Witt
Percussion (congas): Gary
Stanionis
Drums: Ray Johnson
Q said, “Alright now. How
we doin’ tonight? Are we ready for a big
party? Tonight we’re here to celebrate.
It’s great to see him break through the smooth jazz genre. Its great Jackiem calls this place home. His title track is already number one. Please put your hands together for ‘little
man soul’, Jackiem Joyner.”
Jackiem hit the stage with a boisterous, “What’s up
Spaghettini?” ‘Step With Me D’,
had the place on fire and rockin’ from the minute Jackiem’s lips touched the
mouthpiece of his sax. The crowd was
excited and ready for our resident music-making machine. The place was packed, and everyone was
groovin’. His vibe is incredible. Joyner has a can’t-sit-down,
gotta-at-least-chair dance style. He was
really givin’ it up. I could tell early
on this was going to be the kind of night that would make us long to hit the
dance floor. Gary on percussion was hopping like a jumping
bean. He was in the groove and the
zone. What a vibe!
“Joyner again repeated, “What’s up?” ‘Say I Do’, from the Lil’ Man Soul CD,
was up next. A little slow-and-easy
pumped through Jackiem’s veins on this cut.
He’s got the heart, he’s got the soul, the groove and he’s got the
vibe. This guy is off-the-chain! Jackiem Joyner’s music arrived special
delivery. Enthusiasm for his CD release
party spun him in circles musically tonight, his energy was contagious. Every band member hit the zone from the first
note, and never left. Gary
on percussion suspended his hands in mid-air grabbing his piece of the groove. He passed it to Joyner who drove the nail to
the wall. “Thank you,” was his parting
comment.
Kay-ta Matsuno on guitar opened with the hip sway and the strings
on the Stevie Wonder song, ‘Another Star’. His expertise wowed the audience as he danced
and played his Yamaha silent guitar. He
took ownership of the front, corner pocket and showed us all how it was done. Joyner proudly announced, “Kay-ta Matsuno on
guitar.” By song’s end Kay-ta was dancin’ up a storm. He really broke it down, and again Jackiem
gleefully said, “Kay-ta Matsuno.” The
crowd roared. From there it was back to
wailin’ on the sax for Joyner. Meanwhile
Kay-ta was still dancing! Jackiem said,
“Give it up for Kay-ta Matsuno on guitar.”
Jackiem was full of CD-release-party energy tonight as he said,
“I’m so excited to be playin’ this music live!
This song is entitled, ‘Where’s the Love Gone,’ (‘Lil Man Soul CD).” His CD title describes him perfectly. Joyner is truly a man with soul. This twenty-six year old dynamo has it goin’
on! I’m not sure about the’ lil’ part of
the descriptive. His cup runs over with
deep-down soul. He talked about
recording some of his new CD in the Ukriane with Keiko Matsui and Kay-ta. A wow moment was had by all when Kay-ta
switched guitars and brought the twang to life.
Gary
took hold of the percussion corner and dished out his own personal triple
wow. He was shake, shake, shakin’ it up.
Joyner said, “Give it up for Kay-ta
again.”
The Nestor Torres cut, ‘Human Revolution’, opened with a
whole lotta soul from drummer, Ray Johnson.
He was off-the-hook. Joyner and Kay-ta
were sharing a musical chemistry moment when Kay-ta took off dancing. Gary’s solo then gave life to the congas,
prompting Joyner to announce, “On percussion, Gary Stanionis.” The band stood
back while Stanionis took a stronghold on the beat, and wrestled it to the
ground. He wasn’t quite done with his
magic just yet. He paused momentarily,
grabbed the drum sticks and reinvented rhythm.
Jackiem asked, “Anyone want to hear some Spanish guitar?” “Can I get some Spanish guitar Kay-ta?” Kayta transported us directly to Spain with
his Yamaha silent, and Jackiem asked, “Y’all havin’ a good time?”
“How about if I play the title cut to my new CD?” He demonstratively bobbed his head and danced
around saying, “This one’s got a groove to it.” He proudly reiterated, “This is the title cut
to my new CD called, “Lil’ Man Soul.”
Everyone in the venue was feelin’ the vibe and movin’ with the beat. Gary
on percussion clapped his rhythm overhead, and strummed the chimes on the
finale. It was beautiful!
‘Mercy, Mercy’, opened with Les on piano. Gary
was overhead clapping when Jackiem added his touch. Have mercy on me guys, I thought when
they delivered yet another wow moment.
Les laid out a keyboard solo showcasing his incredible chops. He put it out there, and gifted a whole lotta
Butler soul. Joyner said, “Give it up for Les Butler.” Les earned front row center, head of the
class status for that stellar piece of art.
Joyner repeated loudly, “Les Butler.”
It was back to the sax from there. Gary
muttered, “Yeah.” Joyner was tearin’ it
up, trillin’, thrilling and a thrillin’ come more. It sounded like a classic ‘Sanborn scream’ if
I ever heard one. Wow! At song’s end, he again asked the audience to
acknowledge Les Butler.
Joyner explained, “I heard someone in the audience request this
one from my first album. This one is
titled, ‘Share My Tears’ (Baby Soul CD).” He quieted things down. His eyes were closed, and he rocked with a
gentle sway. It was an ‘ah moment’. It was a tune that puts you right in front of
a roaring fire in your living room, glass of cabernet in hand. Near the end, Gary on percussion fished
a little whistle out of his bag of tricks, and made the sound of a tiny song
bird. Kay-ta switched guitars, and took
this one home to mama. When the rest of
the band joined in, it sounded like a symphony.
The band cohesion was miraculous.
Jackiem toyed with his high note and said, “I just wanted to see if you
were awake. I really don’t have to go
that high.” He hit note, note, note and
note…then paused. Note, note, note…paused. Then he joked, “I’m just buyin’ time, because
I can’t go that high.” During his stall,
he joked, “Isn’t it time for a break?”
The audience egged him on, and he kidded along saying, “I’m definitely not
going up way up there. That’s up in the
sky.” Another band member joked, “Don’t
hurt yourself guy.”
“Come on, give it to the drummer.
Y’all want to hear the drum? Give
it up for Ray Johnson.” Ray pounded it
out. He pumped the beat right out of those
skins. He was on fire with ‘Elevation’,
(Baby Soul CD). Jackiem stood back
beaming with a Cheshire cat smile while Gary hit the cowbells, the skins and
took his sticks to the rims of his drums to belt out the beat. Percussion and drums teamed up for an awesome
duet. Gary leaned one elbow on the congas, and
said, “Come on guys, give me a clap.” He
put his hand up cupping his ear and exclaimed, “I gotta have it loud!” He soon had the entire audience fast
clapping. The energy was fabulous. If the audience clap faded slightly, he would
cup his ear enticing a rhythm revival.
Gary and Ray went completely nut with their beat. It was a blast, and what a team! Joyner said, “Thank you, my name is Jackiem
Joyner and we’re gonna take a short break.
We’ll be autographing and signing CDs in the lobby. We’ll be back shortly.”
Set II:
Lights were up and they were rollin’. ‘Just Groove’, transformed
percussionist Gary Stanionis into a tambourine magician. Gary
was in the rhythm groove and Jackiem was blowin’ us all away, literally! After percussion and drums rocked it, they
passed it over to Les Butler on keys.
“Les, Butler everyone,” quipped Joyner.
Kay-ta was on vocals singing, “I’m into it baby, I’m into it baby…I’m
into it baby.” Jackiem demonstrated the
overhead clap and said, “We get into it like this, come on.” Then he hit the sax like a hurricane!
“What’s up?” he asked. ‘Stay
With Me Tonight,’ Baby Soul CD was up next.
He shared, “It didn’t make it to number one like my current new record,
but it made it up to number eleven.” While
playing his Yamaha silent, Kay-ta savored one of his long, drawn out notes making
the audience go wild. Jackiem trilled
the ending, with his eyes closed, and hard at it. Kay-ta offered a silent guitar solo that had Gary on percussion
saying, “You play boy, yes.” Kay-ta and
Joyner had their way with this one, prompting Kay-ta to say, “I guess this is a
duel. It’s a battle to the death.” Wow, what a duel it was! Joyner growled the sax through it until they
were toe-to-toe. Jazz mania at its
finest was enjoyed by all, each in their respective zones…then together…zone,
then together. Jackiem responded to
Kay-ta’s left hook on the guitar by saying, “Ok, so you went there, ok!” Joyner clenched his sax, and growled it like
a rabid dog. The rebuttal was fantastic. An anonymous band member joked, “He gave up
dude.” Kay-ta threw some twang in the
mix after a rapid-fire guitar switch.
The two went back-and-forth until they turned the place on its ear. It was a fight to the finish. I think a stalemate sums it up nicely. Jackiem proudly announced, “Kay-ta.” He added, “That was off my Baby Soul CD. Thank you.”
“I’d like to give a shout out for a Happy Birthday to Mark and Dr.
Mougi. Here’s a special song for you.” He appropriately gifted, ‘Happy Birthday,’
via sax. After the intimate birthday
party he played, ‘Lost Without You’ (Lil’ Man Soul CD), adding perfect
chill to the mix. Gary on percussion was
an animated genius, still in his zone, of course. Jackiem announced, “That’s on the new CD.”
“We’re gonna pick it up a little bit.” ‘Every Little Step’, did just
that. Jackiem pointed to percussion and
drums. They enlightened us with their
rhythm. These two had the venue kickin’
it. The hand off to Jackiem on sax was
timed perfectly. Joyner asked, “How many
of you wanna hear some bass? He’s also
on my new CD. Give it up for Tom Witt.” Tom’s one-gloved approach introduced us to
his thump. His black-gloved hand
expertly slid up and down the neck of his bass.
He filled the room with his resonating curve. Joyner said, “Beautiful, Tom Witt.”
“Are you guys having fun?”
Apparently he missed a birthday, announcing, “We got another
birthday. You want me to play? Alicia, I’m gonna make it special for you.” Joyner took his growl straight into the audience
and made a beeline to Alicia’s table. He
sat on her lap and played the entire, ‘Happy Birthday’, song to her from
that vantage point. She was thrilled and
the crowd went wild. “We have more
birthdays, that one I gave for everyone.”
“This is my first number one single. I am very proud of it, because it is a song
that I wrote. It is the first song I
wrote that went to number one. This song
is entitled, ‘I’m Waiting For You’, (Lil’ Man Soul CD).” There was no wondering about how this one got
to number one!
Jackiem said, “I love to come to Spaghettini. I love to play here.” He proudly reintroduced the band, and
announced their upcoming engagement at Jazz Alley in Seattle, Washington. “We’re gonna change it up. Hope you guys had fun tonight.” He announced, ‘Take Me There’, a new
one from his Lil’ Man Soul CD. Les
Butler gave it up on keys for the opener.
Jackiem repeated twice, “Give it up for Les Butler.” It was back to Joyner and the band, and they
did this one up!
“I think I’m gonna switch to something different. Is it ok if I do something different? The band is used to a set list, but someone
in the audience wanted me to play one.
This is dedicated to Francine.
The title is, ‘Say Yes,’ (Baby Soul CD).” His eyes were closed, and he was into it. A heartfelt performance oozed from the soul
of Jackiem Joyner. Gary opened up his percussion toy box, and
displayed his bag of tricks on the backdrop.
He was amazing, the audience agreed.
Joyner said, “Take me there,” just before he went crazy on sax. He pounced on it, and squealed it. The audience roared with applause, everyone
was into his beat. “I had such a good
time with Y’all. I’m sure that I’ll be
back at Spaghettini sometime soon. Did
you guys have fun with us? You guys
wanna hear one more?” He asked again a
little louder, “You guys want one more?
Are you guys gonna buy a CD?”
Jackiem carried this one full circle with his finale.
‘I Want You Back’, ended the night and took every one of us
to a jazzy euphoria. One last solo from
Kay-ta, and the band going crazy had the venue sittin’ sideways carrying us out
the door. The entire band was
groovin’. Jackiem closed by saying, “Thank
you. I had fun. You can go to my website.”
Thanks so much to Jackiem Joyner for sharing his fabulous
chair-dancing, foot stompin’, soul-enriching music with everyone at Spaghettini
tonight. Here’s to your new CD, and
wishing you continued success.
© May 2009 Lynn M. Olson ALL RIGHTS RESERVED
Canadian
Smooth Jazz Awards,
Friday,
April 26, 2009
Up
close and personal by Lynn M. Olson
Fasten your seatbelts for a smooth and
jazzy ride along with jazzy firefly, Lynn Olson, to the 2009 Canadian Smooth
Jazz Awards, held at the Living Arts Center
in Mississauga, Canada.
What an experience this was! We arrived at Pearson International
Airport, grabbed a car rental
and headed straight to the Novatel Hotel. Dinner was the first order of business. I immediately felt at home as I cozied up to the
table of Vickie van Dyke and her good friend Judy.
As we settled in Mary Kirk (owner, WAVE
94.7), Thirsty Howell (artist up for three Canadian Smooth Jazz Awards) joined
us. Shortly thereafter Doug Kirk from
94.7, the WAVE meandered along. Great food, lovely conversation and a bottle of
sparkling wine invited the buzz of jazzy to our conversation. After sharing stories and making plans to
meet for breakfast at nine Friday AM we all scattered to our rooms. The first rehearsal was slated for 10:45 AM.
Event excitement was already filling the
air when we all met for breakfast. What
a blast we had! After meeting with Vickie
and Mary briefly I decided to take the fly-on-the-wall position and enjoy the
idol musician chatter and more that seeped from the adjoining tables. I first spied Thirsty seated at the counter
and gave him a quick ‘what’s-up’ wave and subsequent good-morning hug. Nick Colionne, Carol Ray and Dolores
sauntered in and were greeted with the “Hey man,” and “How ya doin’?”
After having the pleasure of meeting some
of Warren Hill’s band members; Third, Vernon
and James, I settled in. The band's
breakfast banter was priceless. One
eager band member clad in headphones with laptop in tow chimed a melody right
there at the breakfast table! They
passed the musical laptop around the table as they chattered something like
this:
“He’s the cat with the guitar.”
“He just gets it.”
“He’s so clean.”
“You’re sure he is not secretly a tuba
player right?” they joked.
“They was full brothas.”
“He was west coast man.”
“He showed up in full jeans.” The table roared with laughter.
“Maybe you could bring the cowbell.”
“He’s played for Mary J.”
“Man, he’s the best.”
“He plays a five-string.”
“You gotta keep listening. He plays all kinds of beats.” They all chimed in, “Do, da, dad it………..”
It was straight from the hotel restaurant to
the WAVE van where I met beautiful Lindsay.
She smiled and introduced herself as the event coordinator for the 94.7,
the WAVE. Sharing the van with Michael
Lington was a special treat. Lindsay’s announcement
of her upcoming plans to move to Scotland for an education course started
a lively international conversation with Michael. Everyone enjoyed stories of his Danish
heritage.
We arrived shortly at the Living Arts
Center for the morning
rehearsal. This venue had a personality
all its own, deeply historic. The cement
hallways were laden with posters that went something like this:
Bob Newhart
Thursday, October 21 (curiously, the year
was not posted)
8:00 PM
$89/$79/$69/$59/$10
Nostalgia ran deep while touring the
greenroom, dressing rooms, backstage and the event center. Excitement continued to swell.
When I arrived at rehearsal Alexander Zonjic
was already there rocking out on flute.
I had never experienced his music live.
It is definitely a wow! What a
flute master he is, I was blown away!
Michael Lington soon joined in and the drummer rocked our socks off. Mary and Vickie stood corner pocket onstage
and watched with amazement. What a beat! Darren Rahn came up side stage hitting the
sax like crazy. The bright stage lights led
to the threesome of Lington, Zonjic and Rahn all blowin’ excitement our
way. And the video rolled. They then broke away for a few and everyone
chatted.
Vickie coached giving script instructions
while everyone practiced inflection and delivery of jokes.
She repeated part of a joke, “I’m busy with
your girlfriend.”
Vickie said, “You gotta scream it
out.” Horns echoed and drums rolled
while everyone clustered here and there practicing on their own. Michael Lington meandered around, sax in hand
warming up and practicing. Mary Kirk entered
side stage and blanketed her expertise across the stage.
“We’re gonna start with this,” Vickie
called out.
“You are gonna come in from here,” she
instructed.
“I want you to have a big entrance,” she
said while leading Darren along the skirt of the stage.
“Those lights are on. These jokes, we’ve got to practice and really
punch them.” Her genius was priceless.
Karen said, “We’re gonna go to 74-A.”
“What’s gonna happen now? Camera will split, then you’ll be on your
own, alone.”
“Are you at 74-A, or are we….?”
Vickie asked, “Where’s Darren? Are these paddles off again Karen?”
Mary took the stage. After admittedly forgetting her glasses, she
responded with regard to the teleprompter cue, “I can’t read this one.”
Vickie said, “This way, to the right. Keep going.
I’m not getting the full screen.
Do you guys know where Earl is?”
Someone responded, “He’s in the box.”
Vickie joked, “Earl, you need to practice
walking on stage.”
Karen increased the font size for the
teleprompter so everyone would read it easily.
Doug and Mary took the stage and introduced
Earl Klugh for the George Benson Lifetime Achievement Award. Earl, Vickie and Mary rehearsed.
“And then Mary says.”
“And then Alexander where are you? You are gonna be here.”
Alexander attempted to clarify, “So, I
don’t go anywhere with Earl, Ray and Michael?”
“We don’t actually have a walk-in for
Alexander, so he is just going to pop in.”
Alex quips, “Yes, that’s perfect.” Vickie and Zonjic continued to work together.
Vickie said to Karen, “I’m gonna do the
number three. We will always come stage
right because there’s always gonna be a traffic jam on that side. Number three.
So Karen, are you going to run number three on Alexander’s opener?”
Karen answered, “I can play the VOG that
Bob has for his entrance. Ok, anytime
you are ready.” They played a tape.
Alexander said, “I’m cool with this. Do you need more?” They chatted about Dénate
and Alexander requested a phonetic version and continued practicing. Vickie walked tirelessly around the venue
coaching and assisting everyone with everything. She’s amazing! Alexander practiced going over his lines and
double checking to be sure he was spot on with pronunciations for the long list
of sponsors.
Vickie said to Karen, “We’re gonna run
Thirsty.”
“It’s seventeen.”
“You’ve got three nominations. Over here.”
Thirsty practiced with Vickie and joked with him, “You just blew my
first line. Now you’re fired.” Thirsty told the story about his nickname.
They playfully warned, “You’ve gotta keep
to the script. There is an announcement
then you walk off.”
When Michael Lington worked with Vickie she
asked, “Can you read it?”
He answered, “I can.”
“Scoot in.
When you come out they will give you the envelopes so you guys can
announce the winners.”
“Who gives us the awards?”
“We call them the Vannas. The girls will be running around.”
Vickie asked, “Karen, how are we for time?”
“Its 11:30.”
“You guys take a moment. Practice walking if you want.”
Karen asked, “Are there any other
presenters here? At the top of the show
can Alexander come in stage right? We
don’t have any walk-up music for him.”
“Are you sure?”
Karen replied, “Yes, I’m sure. Stage right would be better without walk-up
music.”
Everyone took a much-needed break, most
chatted on stage. The camaraderie was
awesome. Cameron Smith arrived. Vickie and Cameron practiced without the mic
while Ray Parker Jr. warmed up on guitar side stage.
Ray quipped, “Alright thirsty, wear
‘em out.” They shook hands.
While perusing backstage I noticed a large
stack of boxes that looked like pizzas to go stacked high on a side table. I had to chuckle when I discovered they were
the awards. Betty Miner did a
magnificent job. They were
gorgeous. We enjoyed an awesome lunch and
quick cocktail in the green room. Artists
continued to arrive and the music was still playing when we took off in the
WAVE van.
The van returned to the hotel later that
afternoon to pick us up for the second rehearsal and the show, promptly after
our call I might add. We rode over with
three-time nominee Thirsty Howell. He
gifted to me a copy of his new CD Music From Somewhere Warm, very cool (at the time of this
writing I might add, the CD rocks and is a must-have.***please pay special
attention to the song, ‘Weather Balloons and Satellites”, one of many still
on repeat in my car!). The van delivered us back to the venue
without a hitch.
When I arrived Vickie said to Bob Farrow,
“You go ahead,
be-bop
Bob. The teleprompter has to reboot.”
Farrow introduced twelve year-old sax sensation,
Jay Kassay. Kassay jammed with Warren
Hill. These two were great!
“You’ll be entering from this side.”
“Hey Vickie, are we good on this one?”
Bob said, “I’ll be Cameron on this one.”
“Everyone enters from here. You have a thirty-second intro.”
“Karen, track twenty-five and I’ll be
Cameron. Are you ready?”
Stu Berketo and Steve Kassay came forward
to practice. It was practice, practice and
more practice at random. Different
people took the mic to be sure pronunciations were done properly.
Vickie said, “Winner accepts the award
and leaves. Ok, we’re gonna go to ten
now. Your numbers are different than my
numbers.”
Bob Farrow said, “Ok, track five.”
Vickie asked, “Is Karen ready? No, wait stop. Stop.
We’re doing male vocalist here and that wasn’t male vocalist. I believe they were searching.”
Karen said, “I’m sure they will get the
right one.”
“That was still the wrong one.”
“We are working to rectify it. We cued the wrong message.”
Vickie said, “Do you know what number that
is? Seventeen please.”
Bob Farrow said, “Bring it on Vickie.” Vickie practiced. Bob and Steve joined in. They joked around about the Thirsty story.
Bob requested clarification from Karen,
“Winner leaves with you, or winner leaves with Thirsty?” Bob practiced putting more emphasis on the
word Heat when mentioning Michael Lington’s new CD. He continued to practice.
Vickie said, “We’re gonna jump to the
second act, 53.”
Bob responded, “Are you guys ready?”
Karen asked, “If you two could find out
where she is sitting.”
“Oh yes, I’ll get that for you.”
“We’re all working together here aren’t
we?”
Vickie helped Bob with the pronunciation of
Julie Crochetière.
“If just one of us knows what we are doing
that would be good.”
“Do we have anymore presenters? Something has gone funny with this
teleprompter. And I don’t know how to fix it.
I can see my toes and I don’t know what happened.”
Bob asked, “What are we doing?”
Vickie answered, “forty-one.”
“Are you set Vickie?”
“Are you ready Karen?”
Vickie said, “La, la, la and winner
will leave with award. Warren and
Olivia, we’re ready for that.
Twenty-two, twenty-eight, Karen are you ready? Karen, did you want to go to
twenty-eight? Are you waiting for a
teleprompter?”
Bob asked also, “Are you waiting for a
teleprompter?”
Warren and Vickie practiced. Olivia joined in and sang a snippet from her
upcoming gig, ‘Annie’, this summer in Boulder, CO.
“Ah, ha, I think we’re done and on
time,” Vickie announced.
Karen answered, “I love you.”
Vickie said, “I love you too shoogie,
boogie, woogie.”
Almost
show time!!!
We broke for a quick dinner sandwich and
to-die-for desserts in the green room but were back at it before we knew
it. Dressing rooms began to fill and the
pre-show primp began! Backstage I must
say was fly-on-the-wall seating of the finest variety! I felt truly honored.
The stage manager asked Violet on the
teleprompter, “You feelin’ strong tonight?”
Vickie emerged from her dressing room
polished and smiling. She wore an amazing,
a black-and-white polka dot dress with incredible attached sleeves. She was beautiful and the dress fit her
bubbly personality to a tee. Everyone
scurried around like ants as we edged closer to show time. The stage manager was busy checking the stage
to be sure it was right for each artist.
The stage manager called out, “Hey Shawn,
the flipper is open.” They quickly
closed the side flap to block audience’s view into the backstage area.
The 5th Annual Canadian Jazz
Awards at the Living Arts Center
in Mississauga, Ontario Canada.
The crowd began to trickle into the
venue. The artists continued to gather
backstage readying themselves for the Fifth Annual Canadian Jazz Award. The audience went bonkers when Bob Farrow
introduced, “Here’s Nick, a former Canadian Smooth Jazz winner and the
snazziest dresser I know.”
Nick hit the stage dressed in a white suit,
white hat with black brim and purple suede shoes. The crowd went completely nuts when they saw
him. Nick talked briefly about Tim
Bowman and his unexpected illness. A, ‘No
Limits’, medley had Colionne rocking and rolling until he turned the inside
out. Vernon Barbary on Bass, Gerry
Johnson on guitar and Nick were all dancing up a storm. There is nothing in the world like a Colionne
vibe. What a groove! Everyone loved Nick. Just as Frank Richardson (Third) turned it
out on drums I spun my chair and noticed my dear friend Carol Ray (Nick
Colionne’s manager) scooting alongside the backstage curtain to shutter bug a
few photos of our wild and crazy geniuses at work. It was priceless. Ah, the perfect flash of black-and-white,
surely she captured it. Nick really
played his number up right and was all over the stage doin’ it to it. As the crowd roared he grabbed the front,
corner pocket and dug deep into his soul leaving us with a beautiful
finale. His gentle, “Thank-you,” was
perfect.
Lights, action, Camera: “He wakes up Detroit every morning. He’s the gifted musician, turned smooth jazz
mega star can be found on Smooth jazz WVMV.
Here’s the man with the golden flute, Alexander Zonjic.”
Alexander was smiling when he said, “That
was an amazing introduction. Can we have
that again? I can’t believe it has been
five years.” He headed near the center
of the stage for a CD giveaway. A guy in
the audience shouted, “Just give it to her.”
Alex joked with a hint of sexy in his rebuttal, “What does that have to
do with giving away a CD?” He continued
to kid around about birthdays until he found a gentleman who was celebrating
his birthday that night. The CD was
gifted, and went on to talk about new categories for the Canadian Smooth Jazz
Awards. He promised lots of surprises
for those who attended previously, then chatted about Nick’s suit. Then he discussed the upcoming entertainment
with Brian Culbertson on trombone and Earl Klugh receiving the George Benson
Lifetime award.
He thanked John Beaudin and Smooth Jazz Now
then exclaimed, “Warren Hill is in the house!”
He thanked FACTOR, The Foundation to Assist Canadian Talent Recordings,
and promised he would be fluting around too.
Thanks went to 94.7, the WAVE and a long, impressive list of
Sponsors. From BMO Bank of Montreal to the Old Mill Inn in Toronto and 94.7, the WAVE Alexander credited
the supporters.
“Isn’t this one of the most beautiful
venues?” he asked.
“Please give it up for Mary Kirk. She is one of the hardest working people in
this business. Come on, where’s
Mary?” The crowd cheered loudly in
support of Mary Kirk from the WAVE radio station.
BMO Bank Senior Vice-President Mr. Bob
Bissett was welcomed to the stage. He
gave a speech thanking everyone there, then handing the mic to the newest BMO
supporter, twelve year-old Jake Kassey.
“Jake proudly announced he switched all his
banking to BMO because they support smooth jazz. He
said, “I listen to the WAVE 94.7 all the time.”
He talked about idolizing Warren Hill.
His adoration was more-than-evident.
Alexander asked him since he switched banks had he considered the flute
instead of the sax. He wholeheartedly
replied, “No, I never gave it any thought.”
When Alexander asked him to play his saxophone he exuberantly replied,
“Are you kidding? I’d love to!” When Jake played with Warren the crowd went nuts. That was some duet! Alexander Zonjic took the stage at the end of
their performance asking for another round of applause for the amazing saxy
pair.
Alexander said, “She was named the 2007
Female Vocalist of the Year and will be performing the William Hawkins song, ‘Merry
Go Round’.” He welcomed Kellylee
Evans to the stage. Her long black dress
and gorgeous voice mesmerized the crowd.
The yellow spotlight lit her up, and what a crowd pleaser she was! The band was off-the-hook with Andrew Scott
on guitar, Vernon Barbary on bass (Warren Hill band), Steve Heathcote on drums
and Don Breithaupt on keyboards.
Alexander Zonjic introduced Amy Sky and
Marc Jordon to present the first award of the night, Male Vocalist of the Year. He talked about Mark’s work writing for Rod
Stewart, Cher, Amanda Marshall and Holly Cole
to name a few. He added Amy’s worked
with Olivia Newton-John, Anne Murray and Cindi Lauper. Krista from Factor took the stage to assist
and talked about how happy she is that the smooth jazz radio format has been so
successful. The nominees for Male
Vocalist of the Year were announced as follows:
Michael Dunston, Thirsty Howell, Ian Julsun, Chris Smith and Robin
Thicke. After Robin Thicke won the award
Zonjic joked, “Robin couldn’t make it. This
is gonna look great on my piano.”
Amy Sky and Marc Jordon presented Mr.
Warren Hill with Best Original Composition.
The nominees for Best Original Composition were: Allister Bradley for ‘The Tip of My Tongue’,
Nathan East, Sam Perkin and Warren Hill for ‘La Dolce Vita’, Thirsty
Howell for ‘Lorelei’, Peter Linseman and Lorne MacMillan for ‘Beautiful
Feeling’, and Sharon Washington for, ‘Little Wonder’. The award went to Mr. Warren Hill for ‘La
Dolce Vita’. Warren graciously accepted and talked about
Sam Perkin and their collaborations the nineties. He proudly thanked his mom and dad that had
flown in from LA and also Nathan East for pouring his heart and soul into
everything he does.
Amy said the next guest produced an
impressive new album with Jeff Lorber which earned double nominations for Wind
Instrumentalist and Best Album. Mark
called him Canada’s
best kept secret. Vancouver trumpeter, Gabriel Mark Hasselbach
strutted on the stage with his muted trumpet blow, blow, blowing the tune, ‘Cool
Down’. Alexander Zonjic joined in and
they broke it wide open. Gabriel blew it
up and the crowd went nuts. This guy can
really blow! His stage presence was
electrifying. Alex kidded, “You let go
of that audience too quick!” He then
thanked the band; Andrew Scott on guitar, Vernon Barbary on bass, Don
Breithhaupt on keyboards and Steve Heathcote on drums.
Alexander introduced WAVE 94.7’s morning
man, Bob Farrow, and calling him the man who gives you a smooth breakfast every
morning. He referred to Bob as the voice
of God. Alexander said, “He’s the mystery voice at
this award show every year. Let’s give a
big round of applause for Bob Farrow and newcomer, Thirsty Howell.” Bob offered congratulations to Thirsty and
threw out a few Gilligan’s Island jokes referencing
Howell’s nickname. Bob asked Thirsty
(Robert) about his nickname. Thirsty shared
a story about a flashing sign in a Ft.
Lauderdale bar and how
the slogan stuck as his nickname. The
two then teamed up to present the Keyboardist of the Year Award. Thirsty said, “We have four fantastic piano
men on this category.” The nominees were: Steve Barakatt, Don Breithaupt, Rob De Boer
and Fred Engler.
The winner was Fred Engler. He took the stage asking, “First, please
disregard my accent. I’d like to thank
the committee, especially Mary. This is
totally unexpected. I’d like to thank my
parents for dragging me to music lessons.
And to my wife, thanks for listening to my piano practicing. Thanks to the wonderful musicians and my
producer. I am proud to be a part of the
Canadian Smooth Jazz Community.”
Bob invited International Instrumentalist
nominee, Michael Lington to help present the Wind Instrumentalist of the Year
Award. Michael expressed appreciation
for being there and Bob joked about the ‘heat’ generated by Michael’s new CD
Heat. The nominees for Wind
Instrumentalist of the Year were:
Gabriel Mark Hasselbach, Warren Hill, Vince Mai, Phil Poppa and Darren
Rahn. Warren Hill won the award and came
forward and said, “It was such an honor to do that with Jake. When he shared with me how nervous he
was. I told him I was you once. I can see the same light in his eyes that was
in mine at that age.” He reminisced
about his parent’s upcoming fiftieth anniversary coming up and gave a thank you
to Steve Kassay. He mentioned his
ten-year old daughter, Olivia, and shared that she calls the award the ‘windy
instrument award’.
Bob welcomed Julie Crochetière
by saying, “This next very talented lady has played with Sugar Jones.” She sang, ‘The Only Thing I Know For Sure.’ She was a red-haired ball of fire. Her vocals melted our souls. She
rocked it up and belted it out. Phil
Poppa on saxophone and Gabriele Mark Hasselbach on trumpet were having their
way with the tune when Michael Lington appeared front and center stage. Julie and Michael shimmied in sync while
delivering a fiery duet. She said, “Wow,
thank you very much.” Alexander Zonjic hit
the stage and said, “Give ’em a hand everybody.”
Warren Hill and Vickie van Dyke took the
stage. Vickie leaned in with a,
“Helloooo. Hey guys, how about my
multi-award-winning partner? First of
all, thank you to Warren Hill for standing in for me last year,
literally.” She joked about last year’s
injury, then introduced Warren’s
daughter Olivia. When Olivia took the
stage she first curtsied, very sweet.
The audience gave her a warm welcome.
When Vickie invited Olivia to sing she answered, “I’d love to
Vickie.” Olivia talked about receiving
an award herself someday. (I honestly believe she will someday, and very soon!)
Vickie and Warren announced the nominees
for Female Vocalist of the year as follows:
Chantal Chamberland, Angelica Di Castro, Julie Crochetière,
Kellylee Evans and Daniela Nardi.
Vickie asked Olivia, “Will you do the
honors?” The winner was Daniela
Nardi. Daniela came forward and said,
“Ok, I was totally not expecting this. I
have to thank Mary Kirk for supporting the Canadian Artists.” She talked also of her mother who recently
passed away. She mentioned making a CD in
her honor. “Seriously, she was a
force. I really can’t believe this is
happening to me. Thank you, thank you
very much.”
Vickie took the stage again and said, “It’s
great to see Olivia. It reminds me how
important it is that music programs in our schools survive. Let’s watch this video and you’ll see what I
mean.”
Next up was Guitarist of the Year. The nominees were: Justin Abedin, Lou Bartolomucci, Jesse Cook,
Rik Emmett and Greg Kavanagh. The winner
was Jesse Cook. They played a pre-pre-recorded
video of Jesse saying, “I’m very sorry I cannot be there with you. As you can see I’m on the road. I’m in the trenches doing what I’m supposed
to do. I’m gonna play a little
song. It’s my way of saying I’m sorry.” The song was beautiful.
Vickie said, “We’re gonna wrap up the first
half. Oops, I didn’t spit on anyone did
I?” She giggled and the crowd
roared. “I’m sorry if I got anyone.”
Warren and Vickie took the stage. Vickie said, “Please welcome on of my buddies
on guitar and vocals, Chris Smith.” ‘Go
To My Head’, was up with Chris Smith, Don Breithaupt on keyboards, Vernon
Barbary on bass and Steve Heathcote on drums.
They had the audience twisted in a jazz frenzy.
Second
half of the 5th Annual Canadian Smooth Jazz Awards, 2009
DéNate opened with ‘Sweet
Dreams’. Deborah Connors said,
“Come on folks, clap your hands. Let’s
go!” She was off-the-hook and the crowd
loved her. Darren Rahn went nuts on sax.
Alexander Zonjic said, “Welcome back folks. That is DéNate and we’re back
with more great music. Come on folks,
they’re called DéNate.”
Alex did one more CD give away.
“I have time to kill,” he quipped.
He asked for the oldest audience member and eighty-four year-old Janet
Harding went forward to receive her new CD.
He then talked about the George Benson Lifetime Achievement Award.
Alexander introduced presenters Gary James
and Daniella Nardi. He mentioned how
exciting it is to have this new category.
The nominees for International Group of the Year were: DéNate, Fourplay, LA
Chillharmonic, the Sax Pack and the Teri Disley Experience. The award went to Fourplay. They played a tape of Nathan East who was
touring in Japan.
Nominees for BMO Broadcaster of the Year
were: Stu Berketo, Ted Hasiuk, Walle Larsson, Cameron Smith and Alexander
Zonjic. Gary James presented winner Stu
Berketo with the award. Stu said, “If I
woke up with my head nailed to the carpet I couldn’t be more surprised. It was thirty-seven months ago I did my first
show. First thanks to Doug and Mary Kirk
for putting their passion behind the music.
Thanks to my friends, family, Face Book and my fans.”
Gary James made a surprise presentation to
Mr. Bob Bissett, Sr. Vice-President of the BMO Bank of Montreal.
Gary
then introduced Mr. Warren Hill. His
performance of number one hit, ‘La Dolce Vita’, brought the house
down. He grabbed that soprano sax and
took it all over the stage. His entire
band was amazing. He switched to the
alto and hit it even harder. The
audience was insane with Hill fever. It
was audience time as he bounced up the aisle and danced with his favorite fan,
eight-four year-old Janet Harding. She
was really shaking her money maker while he saxed it up. Oh what a couple of jazz maniacs they
were! He growled the sax at her and she
growled her dance back to him. Her eyes
were closed and her arms flailed in the air.
She was in heaven. Warren continued to go
crazy playing every inch of the venue.
Alexander announced, “Warren Hill and his amazing band.”
We enjoyed a Fourplay video after Alexander
talked about the new International category.
The band was headed from Japan
to Korea.
Zonjic questioned, “Did you love that new
category?”
To preface his introduction of Vickie van
Dyke and Cameron Smith Alexander said, “They’re like Sonny and Cher, Laurel and Hardy or Ricky
and Lucy. You never know what you are
gonna get with these two. Please welcome
Cameron Smith and Vickie van Dyke to the stage.”
They joked and chatted about Vickie being in
a wheelchair last year. She exclaimed, “And on crutches too!” They joked back-and-forth about Texas, Jack Daniels and
treble-trouble. They then introduced the
nominees for International Instrumentalist of the Year. The nominees were: Tim Bowman, Nick Colionne, Brian Culbertson,
Kenny G, Michael Lington and Jeff Lorber.
The award went to Brian Culbertson.
He came forward and said, “Thank you.
I had no idea I was gonna win!
This is awesome up here. Thank
you to GRP Records, to all the amazing artists that helped me on the CD and to
my wife Michelle.”
They acknowledged Betty Miner for the
fantastic jazz-impression artwork she created for the awards. Cameron talked about her amazing Giclees
calling them gems of art. He went on to
talk about her talented combination of photography with impressionistic and
expressionistic art. They thanked her for
the passion she has for jazz.
Cameron Smith and Vickie van Dyke presented
the International Vocalist of the Year Award.
The nominees were: Mick Hucknall,
Kenny Lattimore, John Legend, Maysa, Seal and Victoria White. Seal won the award. Seal was on tour and a pre-recorded video was
played with his acceptance of the award.
“I’m jealous because he has a hot wife,” was Cameron Smith’s green-eyed
quip.
Cameron and Vickie Cameron referred to the
next performer as a Chicago
cat. Vickie said, “He’s the only one I
know who can make the trombone sexy.”
The pair introduced the 2009 Instrumentalist of the Year, Brian
Culbertson. Brian lit up the stage with,
‘Get it On’. Special guests were
Darren Rahn on saxophone and Gabriel Mark Hasselback. Brian started things off as a madman on the
keyboard. He played back-and-forth from
keys to trombone turning the venue upside down.
He pranced, danced and crouched down with the blow reinventing the song
with a true Culbertson vibe. He did a
stand-off with Darren that was off-the-chain and out-of-this-world. The dueling horns had Brian, Darren and
Gabriel chasing each other all over the stage.
Wow, what a race and what a song!
The finale with trombone, trumpet and sax was amazing.
Cameron joked, “I’m Alexander Zonjic
without the hairpiece.” He asked, “Are
they great or what?” Cameron introduced
Stu Berketo and Steve Kassay saying Steve has the sexiest voice on 94.7.” After the comment he admitted, “Vickie told
me to say it.”
The nominees for Album of the Year
were: Gabriel Hasselbach for the Cool
Down CD, Warren Hill for the La Dolce Vita CD, Thirsty Howell for the Music
from a Warm Place CD, Phil Poppa for the What you See is What You Get CD and
Robin Thicke for the Something Else CD.
Stu Berketo and Steve Kassay announced winner, Warren Hill.
Warren took the stage and
said, “Wow, this is too much guys. It
has been a long time since I put an album out in 2005. This is just so much of a surprise. Thank you to my manager Jack Forshet. Thanks to Koch Records.” He thanked the artists on the album and said
to the audience, “Thank you guys so much.
I’m gonna have to build another wall.
Doug and Mary, thank you.”
The last award was an exciting new category,
Drummer-Percussionist of the Year. Steve
introduced NuGrove recording artist, world-class producer and double nominee sax
man, Darren Rahn. Steve went on to say,
“Whether he’s solo or with Dénate, he is the
talk of the town.” Darren commented
about how honored he was to be presenting this award because he’s been working
with drummers for so many years. Several
drummer jokes flew through the air before they announced the winner. The nominees were: Jerry Adolphe, Tony Albino, Art Avalos, Steve
Heathcote and Mark Kelso. Steve Kassay
and NuGroove recording artist Darren Rahn presented the award to Steve
Heathcote. Steve came forward and said,
“I’m totally out of my comfort zone here.
I’m usually in back making people sound better. I love playing. I’m making music sound good from the bottom
up. When I sit at the drums you get to
hear who I am.” He thanked his wife and
twin sons. He thanked also his family,
love of music, friends, late mom and dad Dick and Kathy Heathcote.
Steve Kassay introduced the Alexander
Zonjic Band.
Alexander Zonjic said, ‘Come on, my flute
is ‘goldie’. She’s eighteen karat
gold! Are you having fun tonight guys? Come on.”
Alexander Zonjic shared his amazing flute playing. He earned a triple wow for this
performance. The entire audience was blown
away. Everyone clapped wildly and was happily
engaged in the Zonjic groove. Alex
switched to the guitar for a brief while mid-concert and again wowed us. Then it was back to the flute to stir up some
more crazy.
Cameron came returned to the stage joking
with a flaming
cigarette
lighter poised in his raised hand, he said he felt like he was at Woodstock.
“That’s good. I think I saw you at Woodstock,” Zonjic toyed. The fantastic Zonjic Band members were Chris
Codish on keyboards, Wayne Gerard on guitar, James Simington on bass and Kenny
Brooks on drums.
Cameron introduced Earl Klugh by saying,
“We have the privilege of honoring one of the finest guitar players in the
world.” They showed a video and talked
about Bob James. He went on to discuss
what a legend Earl Klugh truly is. He
added, “He is a man with great integrity and music in his life.”
They played a Bob James clip. Cameron invited Ray Parker Jr. to the stage
and they joked about his number one hit, Ghost Busters. In rebuttal Ray said, “I ain’t afraid of no
ghosts. Is this an unbelievable show or
what? Thanks to the Kirks for keeping
the music alive.”
He told stories of when he first got to
know Earl and when they were playing asked, “Let’s plug up and get goin’ here.”
Earl then replied, “I don’t plug in.” He talked about Earl’s use of plastic strings
and joked, “Black guys don’t play guitars with plastic strings.” He talked in awe of the unique quality of
Earl’s music and how sticking to something leads to great music. He thanked Mary and Doug Kirk for tonight’s
show. Mary and Doug hit the stage. Mary said, “Earl Klugh is one of the finest
guitar players in the world.” Doug added
that he is one of the sweetest guys.
Alexander introduced Earl Klugh. Earl said, “Thank you all so much. I wondered if I was gonna cry. I’m ok, but I’m deeply honored.” He talked about the George Benson song, ‘White
Rabbit’. He went on to share stories
about his mother allowing him to follow his dream and how much it meant to
him. He stoically offered thanks to Ray
Parker, Alexander Zonjic and his mother.
After offering a ‘Get well’ to Tim Bowman, he thanked his wife referring
to her as the love of his life. He
received a standing ovation.
Alexander Zonjic said, “Now we’re gonna
show you why Earl Klugh is a legend. He
has a wonderful medley for you.” Ray joined
him and the stage quickly filled with every musician imaginable. The music was life changing.
Alexander admitted, “You know we love
finales.” ‘Freddie Hubbard’s Little Sunflower,’ turned the place into a
jazz lover’s paradise. The entire stage
was vibrating. Every horn was in gear
and blowin’. This thumpin-bumpin’,
string-poppin’ medley of crazy got a double wow from me! The drum beat clapped time with the
unbeatable groove. They all kept
playing, playing and playing. This
tribute to Earl Klugh and Smooth Jazz produced a stellar miracle of music.
In the end Alexander Zonjic brought out
Warren Hill and said, “Come on, he won a lot of awards tonight.” He said, “Come on Michael,” coaxing Lington
on stage. Dressed in all black with a
too-cool hat Nick Colionne joined in.
Brian Culbertson on trombone took his place. Darren Rahl on sax popped on stage. Trumpeter Gabriel Mark Hassel and Chris Smith
joined in. Ray Parker Jr. and Earl Klugh
slipped onto the stage. It was a priceless
moment when all stood back respectfully for Mr. Earl Klugh. What a crazy, jazzy finale. A VIP party followed directly afterward with
live music, Bernard Callebaut Chocolates, appetizers, Chateau des Charmes wines
and some of the best jazz conversations around.
Smooth
Jazz Super Saturday
Saturday,
April 25, 2009
Old
Mill Inn
“Are we ready?” asked our energy ball emcee
Vickie van Dyke. She offered an
exuberant, “Hellooooo.” After sharing just-enough
detail about last night’s jazzy soiree that lasted until 4:30 AM in her hotel room
she asked, “How many of you were at the Smooth Jazz Awards? Did you like it? I’m on my thirty-seventh hour in high
heels! Should we get to the music? What do you think? This guy brought the house down three times
for Wind Instrumentalist of the Year, Best Original Composition and Album of
the Year. As far as I’m concerned he is
the man of the year, Mr. Warren Hill.”
Warren started things off
with a bang. He asked, “How are you guys
doing out there? Sing along with me
ok? One more time I really want to hear
you.” He got the party started from the
moment he hit the stage. The entire
crowd was singing the Beatles classic, ‘Come Together’. Hill blew it out. He clapped his hands over his head and
chimed, “Over me.”
Here is a 1993 tune. You’ll know the tune. Third, Warren
and Vernon were
three peas in a musical pod. Warren continued the
overhead clap while the string guys were unplugged. Johnson was great on guitar. ‘I Still Believe in You’, had us
believing.
“How you doin’ out there? I’m so thrilled to have song of the year last
night. This is ‘La Dolce Vita’.” The crowd went completely insane. Everyone loves this rockin’ tune. No one dared sit still and rightfully so!
He explained the 1991 hit, ‘Kiss Under
the Moon’, was one of this favorite tunes and asked us to go way back with
him. He took to the soprano sax for
this number. James went bananas on the
keyboards. Warren pointed to the keyboard and said,
“Let’s hear it for James on the keyboard.”
Hill cut back in with the soprano and held a note from screamin’ to growling
to trillin’. It was saxy, saxy and more
saxy. The crowd was off-the-hook
already!
“I don’t know, but I’m getting’ a little
vibe that your’ in the mood for something Latin.” He prompted the audience and I believe answered
his own question, “Oh yes, you’re in the mood.”
He must read minds because we certainly were. Still sporting the soprano he gave it up on, Mombo
2000’. His high-pitched vocal
squealed, “Yeah, yeah, yeah spiced the place up until he met the challenge with
a growling sax. He got down and dirty
with his bad self and the audience frenzied.
James and the guys stood back when Frankie Richardson (Third) let loose
on an amazing drum solo.
He was still mamboing when he said,
“Where’s Brian Culbertson? Come on
Brian. Culbertson appeared toting his
trombone and hit it hard. Brian went
nuts with his slide. He thrashed to the
left and to the right. He was up, he was
down and he was crouched. He took it to
the left and to the right again trashing that trombone like crazy. After a small tumble, but got right back up
fighting. The audience vibrated. Warren and Brian ripped into it showing
everyone how it is done. Culbertson then
stood back directing the band while Warren
went crazy on the sax. He was on alto
sax while Brian was reinventing the word trombone. At song’s end Hill bellowed, “Brian
Culbertson.” Brian feigned innocence and
joked about his fall being well-planned.
Warren reintroduced the band as
follows: James Burt on keyboards, Vernon on bass, Jerry
Johnson on guitar, Franklin Richardson Jr. (Third) on drums.
Warren acknowledged a
high school group in the audience. He
talked about playing a lot from the group Rush while growing up. He added, “Listening to Rush was mandatory in
Canada
while I was growing up. Right from the
beginning my music teacher let me play what I wanted. It started my passion.” He shared, “Growing up my parents sang to me
every night.” He dedicated the next song
to his wife, Tamara, and daughter, Olivia. “This takes me back to how I started in
music.” He encouraged us to sing along
saying all we needed to know was the word ‘do’.
He played the guitar for ‘Sunshine’. “The do’s were good guys.”
“I want to give Olivia a chance to come out
and sing for you guys.” He proudly talked
about her upcoming role playing Annie at the Boulder Colorado Playhouse for
forty-six shows this summer. He said, “She
would like to dedicate this original song to her grandma and papa.” Olivia took the stage and in her very grown-up-but-young
voice she talked about the pain in the world.
The song and performance were priceless.
“Love, love love in our hearts,” resonated through the venue. Warren
stood back when she took it into the audience.
It was lovely. She said, “One more
time now, sing along.” She had the
entire audience singing and curtseyed in the end. A standing ovation marked her tune.
Warren said, “That’s my
ten year-old daughter Olivia. I’m going
to be opening for her one day.” The bass
player said, “You just did.” The crowd
roared.
Next up was a song Warren wrote for his tenth wedding
anniversary. He commented it was fifteen
years now and talked about renewing their vows during a jazz cruise years ago. He shared about they eloped first time they
married, but his entire family came on the cruise for the renewal of vows. Hill joked about his wife making arrangements
for the ceremony at a place called Little Dick’s Bay. He hinted with a seductive raised eyebrow
that he sports a size eleven shoe. He
talked about his wife asking him if he thought he was going to win an
award. He shared with us he jokingly
said, “By the sound of the speeches, do you think I knew?” He talked more about the cruise and their
second wedding. “We all had a beautiful
time there. I can never thank you
enough. This is for you honey. You are my rock. I love you.”
He played, ‘Our First Dance’, on alto sax. The passion in his song was
unmistakable. He took it to a growl and
back again. Hill gave a rather large piece
of his soul on this one.
“Right now I think it’s time to get a
little funky. This is a song I wrote
when I got an idea while I was taking a jog in Boulder.
I was freezing from a run, so I call it, ‘Skinny Dipping’. Vernon from Denver and Third from Tampa has their own version of how they do
the funk. So, scream if you wanna hear
how they do it. Here we go guys.” Warren
took it into the audience and announced, “This is eighty-four year-old Janet
Hardy. Come on Janet.” Warren and Janet got down and funky. They danced and danced. Warren
serenaded her for a better part of the song.
After the dance he removed his coat.
Janet got crazy with the Vernon in the
audience and Warren
finished it off with the soprano sax. Warren said, “Give it up
for Janet Hardy. Come on everybody.”
“This is a song I wrote for my CD Dolce
Vida. It is called ‘Mojo’. What a great blow he gave up on this
tune. The house was on fire. A back-arched soprano sax double wow came our
way on this tune.
A little more from the Dolce Vita CD had
him all over the venue. Vernon was off-the-hook thumpin’ and bumpin’
like there was no tomorrow. Warren came up and around
to our table stopping for one of his many multiple serenades he offered along
his journey across the entire venue. The
guys were bunny hoppin’ and in the end Warren
spun in circles while playing. What a
finale! They earned a standing
ovation. Warren said, “Thank you so much. One more, do we have time for one more? Ok, everyone don’t sit down now.” Before we knew what hit us we were ‘playin’
that funky music until we died’. Funky
white boy Warren Hill and had everyone dancing.
Gerry Johnson dished out a guitar solo second-to-none. His hand-off to Vernon showed us all what the bass is all
about. The guys got crazy and silly side
stepping across the stage. “We can’t
get out of there without Brian funkin’ it up on trombone. You guys want to hear Brian on trombone?” he
asked. The audience screamed for more. Daughter Olivia was dancing up a storm
center, front with a large group on the dance floor. Brian was on stage doing all he could to
defend my newly-designated title for him title as thee funkiest white
boys ever. He kicked up on leg, then the
other while blowin’ hard and mean. The
house was rocking, vibrating and it was dance mania throughout the venue. In the end Warren yelled, “Brian Culbertson. All right y’all, we gotta get off stage
now.” The proposed plan to vacate the
stage was quickly abandoned when Warren
started an audience participation session.
It was Warren-audience, audience-Warren and so on and so on and so
on. “Are you with me?” he asked. “I said, are you with me? Bebop bebong,” he began scattin’. He brought Olivia up on stage and she belted
out, “Come on everybody.” This little
gem was really leading the pack! She is
an amazing bundle of infectious energy. Warren crouched down and
said, “We gotta quiet it down a bit. He
stayed low and calmed the house.
Culbertson was nearly layin’ on the stage by now when suddenly Vernon and Gerry Johnson
on guitar jumped up and started bunny hopping.
Warren
said, “I’m Warren Hill. Thank you so
much. We love you.”
Vickie van Dyke took the stage and
asked for one more song. Warren quipped, “We can’t
do better than that one baby.” Vickie
said, “What a band and, of course, Brian Culbertson and Olivia.” She talked about their upcoming Thursday
night Smooth Groove Dance Party night she would be hosting at the Old Mill and
asked everyone to give themselves a hand.
During the break Thirsty Howell brought
Vince Mai over to meet me. After a quick
introduction he slipped me his brand-new CD, very nice (*note: smooth jazz fans you owe it to yourself to
give the CDStretchy a listen-release date April 28. This fantastic award-nominee/Canadian
trumpeter does it up right. I’m currently hooked on the title track!)
Set
II
Our fearless and effervescent leader Ms.
Vickie van Dyke was back up. Anxious to
loose her high-heels she said, “Once I take my shoes off in ten minutes I’ll
return to normal.” She introduced Cameron
Smith. He said, “Here’s to the fantastic
2009 Canadian Smooth Jazz Awards. Here’s
to the Don Rickles of smooth jazz.
Alexander, you do a phenomenal job.”
Alexander asked, “Can we have a hand for
Warren Hill and his band? We’re gonna
have special guests, Michael Lington, Gabriel Mark Hasselbach and Earl
Klugh.” Zonjic came alive on flute. His fingers fluttered like a million
butterflies. He was phenomenal. He introduced his band: Wayne Chris Codish on keyboards, Gerard on
guitar, James Simington on bass and Kenny Brooks on drums. Please give a hand for Chris Codish on
keys. “That sounded like a song to me,”
he joked. “That was a single from my
Southern Blues CD.”
“This is a really cool song from an
album. This is one of the greatest bass
solos you will ever hear at the Old Mill,” he confidently added. Alexander was again fabulous on flute. He started scattin’ and said, “Now, don’t you
be tryin’ that one at home now. One,
two, three; this is James Simington on bass.
Give it up guys.” He was right
about the bass solo by James. During his
solo James said, “Oh yeah.” His
performance was off-the-chain. In the
end Alexander screamed the flute to the moon and stars above. Alexander announced, “James on bass.” The crowd bellowed applause. It was back to Zonjic on flute. He did a stellar cut after James solo. He took it, rounded it out and added his own
handiwork to the piece. Alexander said,
“James on bass, James on bass already.”
Alexander talked about Herbie Mann and how
he got things started. He did ‘Memphis
Underground’, a tribute to Mann after inviting Michael Lington to join
him. Alexander commented it has a really
cool chord in it. Gerard went crazy on
guitar with great audience support.
Michael hit it hard and Alexander intermittently said, “Yeah,” then he
would play. He repeated this at least
three times. The last time he said,
“Wow.” Michael shared some crazy sax
licks as they heated things up.
Alexander joined him and they went nuts together. The dance floor was hoppin’ and Alexander
screamed, “Michael Lington.” These two
went back-and-forth so many times I lost count.
“Come on band,” Alexander said.
Zonjic had everyone clapping.
James Singleton took it and put his name all over it. He volleyed it back to Alexander who said,
“Oh yeah, James Simington on bass. The
volley continued between Lington and Zonjic ending in a grand finale. Alexander joked, “That was a vicious attempt
by Michael Lington to steal the show.”
Zonjic said, “We have not yet met our drummer. We want to feature Kenny Brooks on drums with
the song, ‘Isabella’. Alexander
opened the song and the audience was completely engaged. He played the flute one-handed, it was
phenomenal. Next up was a guitar solo by
Gerard. James backed him up. Alexander took the song back and said,
“Ladies and gentlemen, Gerard on guitar.”
The keyboard solo by Chris was sprinkled lightly with the Zonjic
flute. They showed off a duet of sorts
then handing it to Kenny on the drums.
What a finale. He said loudly,
“Kenny Brooks on drums.”
Alexander announced, “I want to bring out
one of the best guitar players in the world up here. He is one of my best friends on stage.” Earl Klugh came forward. Zonjic talked about playing with him in a
basement with a ceiling so low he couldn’t stand up. Alexander boasted about Earl. “He unconditionally supported everyone in Detroit. This song was written by Dave Grusin.” Earl carried this song away. The entire audience was clapping. Alex joined in with some crazy flute playing
while Earl was still giving it up. What
a team, they have amazing chemistry together.
Alexander said, “Earl Klugh everybody, thirty plus years.”
Earl stayed on stage for another song. “Here’s a tune called, ‘One on One’. This Bob James song was a Grammy Winner for
Earl. Alexander had the entire venue
clapping. Earl has a perpetual
smile. He is genius on the guitar. Alexander commented, “The entire band did a
beautiful number.”
“Ok, if you were at the award show last
night, you know we did a medley of Earl Klugh’s many songs. They took it from, ‘Midnight in San Juan’
to ‘Mr. Macumba’ to ‘Living Inside Your Love’. Earl shone brightly as did Zonjic. What a medley! Earl to Alexander and back again told us
genius was truly in the house. Earl
thanked Alexander Zonjic and everyone gave Klugh a standing ovation. Alexander said, “Yes, yes.”
Alex called, “Gabriel Mark Hasselbach,
Michael Lington, Brian Culbertson… Does
Brian have his trombone? Ok, so let’s
get some musicians up here. Let’s do a susa medley. Come on everybody give ‘em a big hand. Come on up.”
Zonjic filled the stage quickly and commented, “Nice horns guys.” From trumpet to trombone, sax to flute the
tireless playing of these guys was a live bin of crazy cats in a bag all gettin’
down and funky. Zonjic said, “Here’s
Gabriel Mark Hasselbach.” His trumpet
solo was clear and crisp. The crowd
begged for more. He was thrillin’ and
blowin’ hard while having a great time.
Alexander said, “Come on, everybody give it up for Gabriel Mark
Hasselbach.” Zonjic announced, “Brian
Culbertson.” Culbertson took front and
center stage giving trombone playing a new twist. Everyone was clapping. His funky, bad boy side emerged. The entire band stood back and clapped him on
to play more. Brian nailed it!
Michael Lington was up next. He gave up a whole lot more funk. His Danish lungs cut loose with a dose of
Lington-style sax. He was arch backed
and wailing. Alex took the flute to
chill for a few minutes saying, “Ah.”
Michael threw a little more sax at him and Alex hit the flute in
rebuttal. They continued to volley with
the crowd coaxing. What a funky battle
of the band. Out of center back Brian
Culbertson emerged his own version of trombone mania. He stole the show for a moment. Alexander Zonjic and all the horns carried
this one out the door and off-the-Rector Scale.
From keyboard to bass the house was insane.
Alexander Zonjic said, “Ok, here we
go. And, one, two; give a big hand to
Gabriel Mark Hasselbach, Michael on sax, Earl Klugh on guitar. Can we have a round of applause for Mary and
Doug? Alright folks, we’ve got one more
tune to get you on your feet. I want to
see you folks dancing this time.” The
venue was barely standing when Alexander said, “Here we go. Here we go.”
Bass, drum, guitar and keys were all perfectly coordinated. Everyone came together in the end. It was beautiful.
My heartfelt thanks goes out to Mary Kirk, Doug
Kirk and everyone associated with the making of the once-in-a-lifetime award
event, The Canadian Jazz Awards 2009. I’d
like to send also an extra special thank you to Vickie van Dyke and the genius
that is her. My humble gratitude is
passed to all that included me in some of the best jazz in my life!
Spaghettini, Saturday, April
18, 2009
Special Event: CD Release
Party, Ronnie Laws
Band:
Tenor Saxophone: Ronnie Laws
Keyboard: Euko Tamara
Guitar: Craig T. Cooper
Bass: Aaron Mason
Drums: William ‘Bubba’
Brian
I was lucky enough to make
it in time for a little sound check tonight.
‘Always There’ and ‘Listen Here’, whet my appetite for the
Ronnie Laws Special Event CD Release Party at Spaghettini in Seal Beach, CA. Anticipation was running high and the crowd
was a beehive of buzz. I was perched front
row, center for the legendary Ronnie Laws.
It doesn’t get much better than that in my estimation. I am convinced I am living a dream here! The promoters canvassing the entire venue
prior to show time handing out free CD singles of, ‘Step Right’, from
Ronnie’s twenty-sixth CD called, Voices in the Water more-than-sustained the
excitement.
His Emcee commented, “Good
evening everybody. How are you doing
here tonight?” Q hit the stage and said,
“This is a special night tonight, Mr. Ronnie Laws. As most of you are aware this is his CD
release party brought to you by the WAVE.
He was one of the original members of Earth, Wind and Fire before he
went solo. You are the first to hear his
new CD. Ronnie will be out in a few
minutes. I want to introduce the Ronnie
Laws Band.”
They opened with ‘For
Your Love’ and showed us what they were made of. The cohesive energy they shared was
spellbinding. What a great band! The grabbed hold of the song and wrapped
themselves around it. A shush from Craig
T. Cooper took the end of the tune to as-smooth-as-butter. Craig T. Cooper is one heck of a guitar
player. His vibe was amazing.
Cooper announced, “Ladies
and Gentlemen, Ronnie Laws.” The
boisterous voice of the emcee chimed in, “Ronnie Laws.” The moment he hit the stage it was obvious he
has the ‘it factor’, and it is alive and well.
He swept the attention of everyone there from his first note. His magic begins the minute he gets his
groove on. He was in the zone-zone-zone
with eyes closed and mesmerizing the crowd with his wow-it’s-really-him sax
style. His sound is full-bodied and his
beat is stellar. He plays straight into
his microphone and the sound is off-the-hook!
Ronnie asked, “How y’all
feelin’? Put your hands together. Welcome to the CD release party for a
brand-new CD called Voices in the Water.
Are you all ready for this? We
have to start out with a little James Brown.
If you love James Brown say yeah!
Yeah! He hit it, and hit it
hard. The crowd was hooked and
completely engaged.
Ronnie said, “We’re gonna do
a little, ‘Freedom Jazz Dance’ (Live in Concert, Tribute to the
Legendary Eddie Harris CDs), by Eddie Harris.
We’re gonna do a little Eddie Harris later. We’re gonna do a little freedom jazz.” Craig T Cooper started things off on guitar
jand broke it wide open. Craig was a
maniac as he rode his hand up and down the neck of his guitar making the song
zing. Ronnie got so low and dirty he
made his sax sound like a foghorn. What
a riff! His passion and love of music
were gorgeous. It is no wonder he is a
living legend. Every eye in the more-than-capacity
crowd was on him. He stood back while
the band took over then created his own vibe.
“Bap, Bap Bap”, he queued Euko on keyboards. Then it was Ronnie jumped back on sax to round
it out perfectly.
“Ronnie said, “Alright,
thank you. So you liked that? We’re gonna do something from the new
CD. It’s called, ‘Down and Up Again’
(Voices In The Water CD). Come on.” He hit it with his soprano sax and muttered,
“Yeah, yeah. How do you like that? You like that?” he asked. He wailed the soprano sax straight into the
mic again then pointed to Cooper on guitar.
Craig gifted a stellar guitar vibe. His confident style looks like he could pull
it off blindfolded, and I think he could!
They were all giving up the back-and-forth with some of the best licks
I’ve heard. The still-can’t-sit-down
groove was doin’ it to the house! Ronnie
was reinventing the soprano sax while Euko beautified the keyboard with her
voice. Cooper added vocals to his guitar
and Ronnie said, “Thank you.”
He stayed on the soprano for
the next one opening without a mic until the band joined in. He was trillin’ like crazy. It was mystifying. Laws said, “Drum roll.” He walked over and asked, “Keep playin’.” Bubba’s drum solo took the doors off the
place. The crowd went nuts when he
dished out an extraordinary plate of mind boggling rhythm. Everyone in the band stood back including
Ronnie. The entire crowd was completely
into it and cheering him on. Ronnie
grabbed the tenor and soprano at the same time and played them both while the
drum continued to fly off-the-chain. It
was spectacular!
“We’re gonna take this
opportunity to honor one of the most legendary sax players of all time, Mr.
Eddie Harris. We all stand on the
shoulders of those who precede us. And
with Eddie Harris, those are some big shoulders,” he admitted.
Ok, fasten your seat belts folks. There comes Lynn’s favorite song of all time, ‘Listen
Here’ (Live in Concert, Tribute to the Legendary Eddie Harris CDs). If I was wondering before about living the
dream, I am certain now. This was
it! The entire crowd went crazy for this
classic. Ronnie rocked it home and
surely did Eddie proud. He wailed it,
belted it, kicked it and rocked it inside out!
Euko’s keyboard solo was stellar.
She pounded it, rolled it and jazzed it up. She just, plain did it to it. From there it was back to Ronnie for the
finale. What a wow!
Back to the soprano sax it
was. Ronnie said, “Ok, now I want to
have some audience participation on this song.
Come on. Yeah-Yeah-uh-huh. ‘Can’t Stop the Music’ had everyone
singing, “We go like this and we go like that.”
We were all having a blast with it.
Craig rounded it out with another guitar solo that rocked our socks off.
Ronnie proudly introduced
his band and went on to ask, “Are you having a good time?” He repeated, “Are you having a good
time? I’m sure you’re in for a real good
time.”
After Ronnie left the stage
ex NFL player Larry Graham on bass took the stage to show us how it was done
during the break. What a bass player! The venue was having more crazy-good fun when
he and special guest Dante Winslow tore it up on trumpet. The two had never played together
before. Their improvisation was
incredible, the synchronicity was top notch.
They talked about Ronnie being an icon and offered up an old school medley
of great tunes. From old school to
Motown they covered the gamete with, ‘Another One Bites The Dust’ to ‘I
Can’t Help Myself’ and on to. ‘My Girl’. In the end Larry said, “Thank you for letting
me have some fun.”
The spotlight was back up
and the emcee said, “Ok, California
how ya doin? Are you having a fun time
so far? Are you ready for Mr. Ronnie
Laws? Ronnie grabbed the stage one more
time with the soprano sax and did the long version of ‘People Make The World
Go Round’. The crowd went nuts.
He then said, “We’re gonna
do one more.” He repeated, “We’re gonna
do one more. “Put your hands
together. Everybody get up, come
on.” ‘Always There’ (The Best of
Ronnie Laws, Live in Concert, Tribute to the Legendary Eddie Harris, The
History of Blue Note-Seventieth Anniversary CDs), was his finale-of-all-finales. The house was on it’s and ear sideways. He worked the hip sway right into the back arch
and brought this one home to mama.
Everyone was standing and clapping.
A huge thank you and much
appreciation to the legendary Ronnie Laws for some of the best music I’ve ever
heard in my life. Here’s a toast to over
three decades of some of the most incredible music of all time!
©
April 2009 Lynn M. Olson ALL RIGHTS RESERVED
Spaghettini, Thursday, April
15, 2009
Percussion: Ronnie Gutierrez
Guitar: Blake Aaron Smith
I made a quick stop at Spaghettini tonight to enjoy a little
mellow. “So, do you have your taxes done
yet?” Ronnie asked. Welcome to
Spaghettini on Wednesday night. Ronnie
was ready to team up with Blake Aaron Smith on guitar. Blake said, “We’re gonna do a tune called, ‘She’s
So Fine’. We appreciate you being
here. There are a lot of places you
could be tonight. But, you’re here
listening to live music and we appreciate it.
We’re gonna do some tunes off Ronnie and my albums.” The pair revved things up and added their
jazzy flair to their first tune. Blake
said, “Ronnie Guttierez on percussion.”
“Seems like it is early like three or four o’clock, but we’re
gonna continue with a few more. They did
‘I’ll Be Around,” and said they’d be taking requests. The guitar-percussion vibe dished out a nice
chill for a tax-day, Wednesday night.
Thankfully, we all left the work-day chores at the door on the way in that
is for sure!
Ronnie said, “This is kind of a fusion, up-tempo little thing
called, ‘When I Saw Her’”. These
two teamed up and wowed the crowd. Blake
said, “Thanks you guys. Thanks so much.”
Blake said to Ronnie, “This is kind of a salsa version of ‘Fragile’. We’re gonna feature Ronnie on this next tune
and I’m gonna disappear. We’re gonna
play a song by Sting here.” Ronnie asked
the audience, “How many of you play percussion?
How many of you play the pots and pans?” he joked. Ronnie grabbed hold of this one and carried
it away. His love of percussion was
evident as the passion glowed brightly through this one.
Blake said, “We’re gonna play a little Santana.” Ronnie added, “This is a little
‘hold-you-close music’.” The pair
offered a stellar rendition of the classic Santana genius, ‘Europa.’ The tune was gorgeous. Blake outdid himself and Ronnie followed
suit. At song’s end Ronnie said, “Put
your hands together for Blake Smith.”
Blake said, “We’re gonna do a tune of mine. It actually got a lot of airtime last
year.” He talked about his radio show
from three to six on Thursdays with KSBR, 88.5.
‘Bumpin’ on the West Side,’ had the chair dancing started and a
few couples doing a little of their own bumpin’.
Ronnie announced, “Just to let you know I have a Latin jazz
band.” He talked about his upcoming gig
on Sunday, May 17.
‘Keepin’ it Real’, was the last song of the set. Ronnie said, “Now we get to see all the chair
dancers.” He was right. This was a hoppin’-dancin’ song. The crowd loved it. He said, “All right, did you get that? We’re gonna take a quick break.”
Thanks so much to Ronnie Gutierrez on percussion and Blake Smith
on guitar for sharing a rockin’-good vibe with us tonight. I’m only sorry I had to miss the second set
this time! © April 2009 Lynn M. Olson ALL RIGHTS RESERVED
Spaghettini, Friday, April
17, 2009
Trumpet: Joey Sommerville
Band:
Keyboard: Bill Steinway
Guitar: Kat Dyson
Bass: Rhonda Smith
Drums: Larry Durell
Music director Q said, “Ladies and gentlemen. Can you believe it’s gonna be eighty-five
degrees in Orange
County tomorrow? Aren’t you glad that Joey brought good
weather with him? It’s a pleasure to
bring some new talent. He’s really not
new, just plays the East Coast more. He
has an all-star band with him.” Joey Sommerville
took the stage and said, “Good evening ladies and gentlemen. Clap your hands. We’re gonna ease into the festivities. This song is called, ‘All Night’
(CD). Trumpeter Joey Summerville hit the
flugelhorn with a smooth and mellow opener.
He dished out a nice vibe. Kat
Dyson took her guitar solo to the fullest.
She was screamin’ with her fire-engine read guitar. Joey took his free hand and circularly
motioned for the band to rev it up. Sommerville
asked, “Y’all show your love for Ms. Kat Dyson.
The audience engaged and was ready for more.
“Y’all know I’m from Atlanta
right? I’m gonna go way back to 1970,
um.” There was a little stage banter
between he and Kat over which seventy it was.
He continued, “seventy uh.
Anybody know about the Doobie Brothers?
We’re gonna try to represent them properly.” He offered up, ‘You’re the Only One’. They rocked the tune and did it proud! Joey really knows how to do it up right! “Thank you.”
“So, now we’re gonna get in touch with the sensitive side. We can’t be flashin’ it all night for
ya. This is for all the grown
folks. And, you know who you are. This is my favorite song of all time. You’ll know it when you hear it. And, I certainly did. ‘Funny Valentine’, (CD) melted the
mellow chill over the crowd and the band.
Billy Steinway showcased his talent with a phenomenal piano solo. Joey switched from flugelhorn to bright-red
trumpet mid-song. His flurry of trilling
was marvelous. “Thank you. And on the keys one more time for Billy
Steinway. He introduced Larry Durell on
drums and Rhonda Smith on bass.
“‘Ride to This’ is a title track. So, coincidentally enough this is called ‘Ride
to This’. There will be a quiz on
Monday. It was back to the red trumpet
for this stellar song. Sommerville stood
side pocket while Kat’s guitar solo proved her to be one bad, bad girl. She was off-the-hook! Joey announced, “Kat Dyson on guitar
y’all.” Billy Steinway did a crazy solo
on the keys that bordered insanity. The
crowd loved him. Joey cut back in with a
little more trillin’ mania. What a
hoppin’ song this was. “Y’all, show your
love for Billy Steinway.”
“Do we have any Earth, Wing and Fire fans in the building? I would think so!” Joey was out in the audience on this
one. Sometimes you just gotta let it
marinate for a little while”, he commented.
‘Can’t Hide Love’ (CD), had Sommerville sharing a table with an
audience member named Renee for a lovely serenade. He prompted quite a chair dance and
announced, “Renee just won herself a CD for helping me out there.”
Joey talked about his most recent CD and collaborations with
Marion Meadows and Phil Perry. “We’re
gonna do a ballad from this CD.” “My dad
was in the hospital for several weeks.
It was a very scary thing when they didn’t know what was wrong with him
for so long. Thankfully he is fine now
and at eighty-three is still barking orders.”
He explained his dad was the inspiration for this song. “As a result of many spiritual conversations
I had with him in the hospital.” ‘My
Father’s Eyes (CD) was a heartfelt number with Joey on flugelhorn.
“You know we are going to play a little song I call it
audible. Do we have any Miles Davis fans
in the house? I’m sure we have some
Miles Davis fans. Miles did a tribute to
Desmond Tu Tu and the song is called ‘Tu Tu’ (CD). Billy Steinway took to the keys in rare form
with a stellar solo. Joey went back to
the red trumpet and offered up a smoky-jazz-club feeling. “Let’s hear it for Billy Steinway y’all. We’re gonna do one more before we take a
break.”
“Here’s the title cut to, ‘Like You Mean It’. All you have to do is be one of the party
people if you want a CD.” Sommerville
was out in the audience again. One
serenade after another had people dancing in the aisles. “Come on Kat,” he prompted. She did a show-and-tell of just how a guitar
is meant to be played.
“Thank y’all. We’re gonna
take a short break to wet our jaws for the cause and have a little alcohol.”
Set II
“Check on two,” he said.
“So, ladies and gentlemen we are back after our brief intermission. We’re back!
So, are you ready? So, are you
ready?” We’re gonna feature Kat on this
one.” She offered up crazy-good solo on,
‘Bust It’ (CD check song title).
“Give it up for Kat Dyson on guitar.
Thank you.”
“Do we have any Marion Meadows fans in the house? This is gonna be a tough one because we’re in
Orange County.
This is the Orange
County version of, ‘Inner
City Blues’ (CD). Joey took the
flugelhorn to screamin’ on this one then volleying to Steinway. He invited “Bill, would you share your
percussions and revelations on ‘Inner City Blues’?” Billy gave it up on his solo. “Y’all, that’s Bill Steinway on ‘Inner
City Blues.’ You know when I think
Inner City blues I think of he guitar, don’t you? Y’all show your love for Kat Dyson.” Her solo was amazing. She left us straight for the zone with eyes
closed. She took it away and got down
and dirty. Joey cut back in on
flugelhorn and finished it off. “Y’all
share your love for Ms. Kat Dyson.”
“I mentioned Mike Phillips earlier. Some of y’all know Mike Phillips. This is from a group called Floeity. This is a song called, Say Yes’
(CD). Kat was up again adding some
vocals this time. It was most definitely
a wow performance. Joey said, “Show your
love for Kat Dyson y’all.” Joey added a
little flugelhorn for dessert on this one and said, “Y’all show your love one
more time for Kat Dyson.”
“We’re about to see if we have any old school fans in the
house. Do I have any old school party
people in the house”, he asked. He
brought out the red trumpet and said, “We’re gonna go back to, “an AWB
classic. We’re gonna get out a dusty
record. Anybody in the house know Wayman
Tisdale? Y’all out there? Y’all know what I’m talkin’ about?” He brought the flugelhorn back out prompting,
“Y’all gotta sing with me y’all.” The
finale was spectacular. They took it
from Michael Jackson and beyond to really rock the venue to the moon. He was out in the audience on this one
saying, “So, check this out y’all. This
is audience participation time.” He took
it in the audience and said, “Sing like you sing in the shower. ‘Cause I know you all sing in the
shower. Sing like you sing in the
car. I know y’all sing in the car.” Kat commented, “People don’t sing in Orange County.” When Joey found one eager audience singer he
commented, “You don’t look like you’re a stranger to the microphone.” The girl got up, grabbed the mic and belted
it out. The audience went nuts. A crowd member in a gorgeous turquoise dress
danced it up with Joey while the crowd eagerly looked on. They were cuttin’ a rug and the rest of the
group was lovin’ it. Sommerville was all
over the venue and the crowd was singing along.
He said, “Some people got it goin’ on.
I promise you we’re gonna party!”
And, party he did. He was still
spreading cheer in the audience and said, “If this song don’t get y’all up in Orange County,
we gotta get y’all up. By now everybody
was dancing and having a great time.
“Y’all show your love for this band.”
He reintroduced everyone and said, “I’m Joey Sommerville. We love you and appreciate you. He jumped up on a chair and kept it going on.
Thanks so much to Joey Sommerville and his rockin’ band for a
jazzy-good party.
LOOK UP LYRICS: Oh baby,
come on give me one more chance.
© April 2009 Lynn M. Olson ALL
RIGHTS RESERVED
Spaghettini, Saturday, April
4, 2009
Guitar & Vocals: Nils
CD Release Party Event
Band:
Bass: John Hart, Philadelphia (Philly
funk) aka John “big pocket” Hart
Percussion: Oliver Brown
(Gravity 180) (KC and the Sunshine Band), Keyboards & Vocals: Clydene Jackson, (Lion King) (Gravity 180)
Drums Cory Mason (R & B vibe)
Music Director, Q proudly announced,
“Ladies and Gentlemen, how are we doin’ tonight? Please welcome to Spaghettini Baha TSR
recording artist Nils. He has a new song
called Jazz Cruise. I wonder where he
got that idea. Do you think it could
have been a jazz cruise? Ladies and
Gentlemen please put your hands together for Nils.”
Nils said, “We gotta take it easy. Most of you guys are still eatin’ out
there. This is an older one. It is from my Pacific Coast Highway CD.” ‘Sneakin’, had Clydene Jackson painting
this one red with her beautiful voice. She
is one class act. Nils rocked it on
guitar while Oliver grabbed a hold of his groove. When Nils said, “Take it home,” the song came
alive. Jackson really turned it up on keyboards and
John Hart on bass showed us how it is done.
He closed by saying, “Sneakin’ up on ya.”
“Moving ahead, this next one I named after
the day I wrote it. Therefore, it is
called, Last Night’ (Ready to Play CD), he joked. We enjoyed a slow and mellow groove on this
cut. Nils dished out his stellar guitar
vibe while John Hart gave up the side-to-side sway on bass. Oliver on percussion never stopped moving! “‘Last
Night’,” he quipped at song’s end.
“I want to try some of my new stuff out on
you guys. This is, ‘Catalina’. It’s from our new CD. Ah, a nice vibe was offered up with the extra
bonus of ‘brand-new’ excitement. Oliver
remained in the zone with plenty of Brown madness seeping out of the percussion
corner. He has some of the most
phenomenal rhythm I have ever seen. Oliver
Brown is always a kick. He creates his
own little dance party every minute he performs. And man, this cat has some unbeatable rhythm!
John Hart beautified the bass with his
contented smile as Nils closed by saying, “This is a little thing we call ‘Catalina’
(Up Close and Personal CD). Thank you
very much.”
Nils said, “This is a song Clydene
co-wrote with me from her stompin’ grounds.”
He asked, “Anyone here from the Bay area? Well, this one goes out to you then.” Upbeat and happy everyone was groovin’. Nils ended it by saying, “Wooh, alright, ‘East Bay’ (Up Close and Personal CD),
makes you wanna go there doesn’t it?”
“I think we are finally warmed up. I think we can turn it up a little. You gotta remember some numbers, ’60-10-29’,
(Up Close and Personal CD). It’ll make
sense in a little while. It’s a new
track, so you gotta get along with this one.”
This song was just, plain fun.
Nils and the band kicked it right to the chill.
“Alright, it’s getting’ warm in here which
reminds me of some good, old summer nights.
Maybe you’ll remember this one.”
The song was, ‘Summer Nights’ (Pacific Coast Highway CD), and, in my
estimation unforgettable. John Hart took
it up and down the neck of his bass proudly strutting his talent. He is one bad boy. His performance thumped and bumped us to bass
heaven. “‘Summer Nights’,” Nils proudly
stated.
“Here’s another one for you. This is the only cover I put on the new one.
I had to lay it down. I had to play it
because it was such a beautiful song I hope you love it too!” Their version of, ‘Europa’ (Up Close and
Personal CD) was awesome. Oliver brown
took percussion to a new plain on this one.
He tore it up. The audience shared
euphoria with the band as Nils stood up on the speaker, balanced himself and
plunged over the rail into the crowd. He
covered the entire venue with mini serenades while camera bulbs popped
furiously. He really rolled this one home! His well-worn guitar and stellar vibe evidenced
his love of music as he drew the finale with perfect embellishment. They reinvented this 1975 Santana tune.
“We’ve got a new song off the new CD for
you. You guys are a great crowd!” he
exclaimed. “Thank you to Q. This is a great place in LA and our favorite
place to play.” He excitedly added,
“This is our CD release party and I’ll be out in the lobby to sign anything you
like. We’re gonna play one from our new
CD. Without further ado, ladies and
gentlemen I would like to introduce, ‘Jazz Cruise’, (Up Close and
Personal CD). Here we go!" he
shouted. The lyrics, “We’re havin’ a
party,” rang true! This one had “it’s-a-jazz-cruise-and-we’re-havin’-a-party”
written all over it! Everyone was
clapping and dancing. Audience members
sang along. This tune had magic
electricity. He ended by saying, “We’ll
be back after our break.”
Set II
“Alright, we’re back!” he exclaimed. Thanks for hanging out with us for another
set. Reaching back again to the Pacific Coast Highway
CD we have another classic, ‘Georgie Porgie’.” Clydene Jackson showed us what she was made
of on this cut. Clydene and Nils paired
their amazing chemistry on vocals while Oliver on percussion showed off a
little more of his wow factor. His is
unstoppable and his energy was off-the-hook.
Nils and Clydene shared a beautiful hug. He said a few words about her adding, “If you
have ever seen any Disney movies you’ve probably heard her! I wanna move into the Title Track of the
CD. I hope you like it.” He admitted, “I’m sensitive about this
stuff. Are we ready? It’s ‘Up Close and Personal’ (title
track).” Hart’s did it up right on his
bass solo from his corner pocket perch.
He smoked it, prompting Nils to introduce, “John Hart on bass.” Oliver’s fancy footwork continued to amaze us
all. Their finale was perfect. “’Up Close and Personal’!” he
exclaimed.
“This is a song that goes way back to 1989
to my first CD. It’s called, ‘Brazilian
Dance’. Clydene cranked it up and
was a shining star. The entire band
stood back in a huddle while Oliver’s solo on percussion wowed everyone. A collective awe was had by all. His vibe is incredible. The audience loved him. Nils exclaimed, “Oliver Brown!” The musical banter and camaraderie between
Hart on bass and Nils on guitar was priceless.
A perfectly-timed hand off to Cory Mason on drums opened the door for a
fabulous solo. The band members again
stood back respectfully watching. Everyone
clapped in unison to his beat. Nils came
forward announcing, “Ladies and gentlemen, Cory Mason.”
“We’re gonna calm it down a little bit
with, ‘Until I See You Again’ (Up Close and Personal CD).” They delivered some slow, sultry and sexy on
this cut. Nils picked up his guitar and
rocked it like a baby.
“This one is a fun song, it’s a fun song!”
he reiterated. “When I wrote it I had a
vision for how I wanted it to be. It had
a killer hook, so I had to rearrange it to put the hook in. It’s called, ‘Soul Mates’, (Up Close
and Personal CD). This is for all you
lovers out there.” He was right about
that hook and spot on about romance permeating the air!
“This one is from the Up Close and
Personal CD.” I thought I’d make it more
soulful than previous records. I asked
my guys are you ready?” He introduced ‘Ready
to Play’. Nils outperformed himself
on this one. He really put it out
there. He pointed to Oliver Brown and
his percussion dance party. We were
again in awe of his incredible energy. Clydene was grinning from ear-to-ear on
keyboards while John and Cory were nailing this one.
He asked, “Do we have any cat lovers in
the house?” A few scattered responses
echoed. “This one I had written in my
home studio. Just as I got it just the
way I wanted it both cats were on their backs with their feet up in the air. I had to call it ‘Catnap’ (Ready to
Play CD). I hope you enjoy it.” This one
took him up on the speaker again. With
one hand back he said, “Break it down guys.”
He jumped over the rail and pounced into the audience to do some crowd
pleasin’. And, that is exactly what he
did. “Woo, woo”, he quipped. He spilled guitar mania everywhere and the
crowd went nuts. When he rejoined the
stage they fired it up again.
“I got another one for you guys. You might remember 2005. This song was all over the radio. Everybody was grooving and rockin’ on
PCH! Here’s ‘Pacific Coast Highway’ (title
track). Thank you everybody. I want you guys to get up on this next one.”
He jumped into the crowd and shook it up!
They were off-the-chain. Oliver
Brown went crazy on the congas inviting all to join in, while Nils showed his
guitar prowess. Everyone was standing,
dancing and clapping. The venue was on
fire. He reintroduced the band and again
thanked Spaghettini. After a brief reminder
they had CDs in the lobby he said, “Check it out. Thank you, we love you guys. Don’t be shy.
Thank you very much.”
A
huge thanks goes out to Nils, his band and Gravity 180 members. That was a great CD release party
Spaghettini-style! © April 2009 Lynn M. Olson ALL RIGHTS RESERVED
Spaghettini, Sunday, March 29, 2009
Andy
Vargas Band Event
Vocals: Andy Vargas (Santana)
Vocals
(guest): Eric
Mondragon (DW3)
Keyboard/vocals: David de la Garza
Guitar/vocals: Artie
Guitar
(guest): Michael
Sanders
Bass/vocals: Tim Ruiz (La Mafia)
Bass
(guest): Dave Filice
Drums: Stevo (Villa Francisco
Pancho)
Percussion: Ramon Yslas (Christina
Aguilera)
Music Director Q asked Spaghettini,
“What’s happening music
fans? It’s always a
pleasure to
introduce the premier of a new band.”
He
offered musical background on Vargas, notably his position as the lead
singer
from Santana. He
then announced, “Ladies
and Gentleman, here is the Andy Vargas Band.”
Andy asked, “How you guys doin’
tonight? It’s an
honor to be here, always an honor.”
‘Ain’t Got Nobody’,
broke the place wide open with
Andy Vargas, his güiro,*
(see below), unstoppable rhythm
and unchained
energy. Lights up,
everyone clapping, dancing
was crazy, and Andy’s amazing vocals were all on tap for the maiden
voyage of
the Andy Vargas Band. The
spirit of
Carlos Santana was most definitely in the house tonight! Oh yeah, this guy’s go the
‘it’ factor and he
was all over it! Clad
in his
short-brimmed, black leather hat he had a distinctive aura about him. He jumped on vocals while
continuing to share
the unique sound of the güiro*.
From there it was double tambourines
and back again. ‘Dejala’,
had Andy dishing up the music with style and class.
Vargas has a way of clutching your
heart when he sings. His
vibe and energy remained unplugged as he
sang, the Santana song, ‘Corazon Espinado’, in
Spanish. The band’s
combine vocals were spectacular. Ramon
on percussion rounded out his tasty
groove while Andy muttered, “Yeah, yeah,” on the finale.
“This is a song I wrote for Carlos
called, Aye, Aye, Aye’.”
Vargas opened with a
pair of brightly-colored
yellow maracas and unmatched rhythm.
The
party was crazy-fun and everyone was dancing again.
The energy was
off-the-hook! Ramon
on percussion had it going on. What
a groove! Andy then
pointed to his right saying, “This
is David de la Garza on keyboards, take it.”
And, oh did he take it! He not
only took it, he ran away with it.
What
a keyboard player! It
was back to ‘music-in-his-blood’
Vargas with an aye-aye finale. This
was
a rockin’-great song. Vargas
then said, “Thank
you for all my friends joining us in the Seal Beach
area.”
For, ‘Evil Ways’,
he returned to his double tambourines.
David on keyboards
nailed it instigating
another dose of Santana frenzy. Ramon
played in perfect rhythm reinventing the conga skins with his work. The duo of Yslas on
percussion and Stevo on
drums was out of this world. Stevo
gave
it up on drums while Ramon shook it up on his chekere (African
beaded gourd-like instrument). His
percussion mimicked the rattle of a snake.
The place was still in
dancing heaven when Andy offered both arms
outstretched, shaking tambourines in each at songs’ end.
“We’re gonna do something not too
much, something tasteful.” They
slowed it down for, ‘Don’t Let No One
Get You Down’. The
mini solo Dave
gifted on keyboards was gorgeous. Their handiwork was a nice chill. Vargas said, “Thank you. We wanted you to get that
message.”
“Lots of us are doing lots of music. I like to keep things
tight to my heart and
to my soul. We want
you to feel free to
get up and dance,” said Vargas. He
shouted out, “Vamanos,” to open this one.
The Spanish number, ‘Un
Dia Carerra’, yielded crazy dancing and
everyone having a complete blast.
At
song’s end Vargas repeated, “Thank you very much.”
Double clapping split this one open
like an overripe
watermelon. He
prompted, “You guys
clapping, clapping on the spot.” The
entire audience joined in and everyone was getting tight with their
groove. A Spanish
tune opened with David
on keyboard and vocals. Andy
cut in and
sang a piece of his soul. From
his two
bright-yellow maracas to the double tambourines and stellar keyboards,
the
volleys between David and Andy were insanely fun.
Andy’s feet constantly
move like Mexican
jumping beans. Their
energy was
infectious and my chair dancing was out of control.
There is simply no way
to sit still when his
music is playing!
Andy stated, “This one I definitely
want you guys clappin’
hands and feelin’ good. It
is one of my
new songs called, ‘Alienz’.
Check
it out!” he exclaimed. Genius
flooded
the stage on his the last song of the set.
He offered up an
invite and promise, “Continue to enjoy your drinks and
food, we’ll be back.”
Set II
Rest period ended the second the
lights were back up. Everyone
started dancing with new-found vigor.
The party Andy Vargas
created was
unbelievable, reviving instantly.
Vargas
said, “Get out all the bad, put in all the good.
Get out all the good.” ‘Sacalo’,
proved there is no language barrier
when it comes to music, at least not the music of Mr. Andy Vargas. They opened with
beret-clad David de la Garza
on keyboards, and oh what a solo that was!
His unique presence
kicked things up several notches.
David on keys is a
true professional
overflowing with talent.
Andy offered, “This one is dedicated
to all the women in
the house tonight. There
are lots of
gorgeous women in the house tonight.
I
want you to feel appreciated tonight because you are appreciated.” The audience opened a full
clap to open the
tune, ‘Drop Dead Gorgeous’.
The
powerful bass solo by Tim Ruiz had Vargas standing in the side pocket
still
dancing while Ramon shaking it up in the percussion corner. David on keyboard
encouraged, “Y’all keep
dancin’ if you want.”
The party was going strong when they
shared the rocking
beat of Michael Jackson’s tune, ‘Rock With You’. The dance crowd thickened. Andy’s falsetto enamored
the venue and set
everyone into a Jazzy tailspin. Great
idea to invite the spirit of Jackson
to our jazz soiree!
Vargas said, “Ok, now I want to call
my hommies right
here.” Eric
Mondragon (vocalist, DW-3
band) took the stage. Andy
stood side
stage with double tambourines when Eric hit the vocals.
This was one hell of a
dance party with the
flavor of Jackson
lingering. ‘Don’t
Stop ‘til You Get
Enough’, had a bumpin’ vibe.
The
doors were off the place by now, windows blown out and oops, the roof
just flew
off! Kudos go to
David de la Garza for
his heart-catching falsetto. He
receives
a double wow for that fine riff. The
audience loved him. Andy
was still
rockin’ it out on his double tambourines with our unison clap egging
him
on. Ramon hit the
percussion and really
gave it up.
“We like to bring our friends on stage. We’d like to invite
Michael Sanders and Dave
Filice on stage. These
are our good
friends from LA. They
are from a group
called One Tribe Nation. Thank
you for
recycling your energy here. There
is
good energy in the house.” Vargas
acknowledged Davy, Rozanne, Sandra and Jimbo for their birthdays and
said, “We’re
gonna play some Earth, Wind and Fire now.”
‘Shining Star’,
had Michael Sanders tearin’ it up on guitar with
a back-to-back solo from Dave Felice thumpin’ the bass.
With guests still in tow it was time
for some more classic
Santana with, ‘Oye Como Va’.
The
moment hit a high point when Vargas adlibbed singing, “Cruisin’ to the
moon at
Spaghettini.” Michael
Sanders guitar
solo prompted dozens of dancers to remain hard at it.
His expressive, “Huh,”
at song’s end summed
things up perfectly.
Vargas said, “This next song it a song
we recorded in Houston
Texas. We recorded this one with
Remo Moreno.” He
added, “There is always positive energy
here at Spaghettini.” Dave
on keyboards
said, “Feel free to keep on dancing.”
Andy said, “This song
is called ‘We Can Work It Out’. Check
it out.”
He introduced the band
members and said, “Thank you man.”
“This is a special request.” The Santana tune, ‘Maria
Maria’, was
up and on fire. What
a night to be front
row, center for this Santana-inspired extravaganza.
I remained in awe of
his boundless
energy. Andy said,
“Play something
Ramon, play something.” Ramon
on
percussion cut loose on his huge solo, reinventing percussion
Yslas-style. The
crowd went nuts. De
la Garza on keys added, “Let’s give it up
for Andy.” Andy
requested, “Let’s give
it up for the band. Let’s
give it up for
the food.” After
the band introduction
by Vargas, Dave on keyboards said, “Last but not least, one of the most
talented guys I’ve ever met and dancer extraordinaire, Andy Vargas.”
Prefacing the finale he said, “It
ain’t about us. It’s
about us here. Thank
you very much.” ‘What
You Won’t Do, laced the night
perfectly. Everyone
was dancing and
clapping while the venue vibrated with a jazzy good time.
‘What You Won’t Do’,
had Tim Ruiz hit a rocking bass
solo then handing it off to David de la Garza on keys.
They applied the
don’t-stop-until-you-drop
theory to this one. I
do have a
perhaps-sage bit of advice for those who have never seen or heard the
Andy
Vargas band. Run
don’t walk to his next
performance! The
music of the Andy
Vargas Band is soul altering. An
enormous thank-you goes out to Andy and his new band.
Your unforgettable
music will remain etched
on the souls of all fortunate enough to share.
Thanks guys!
*(The güiro is believed to
have originated with the Taino
people. It is a
notched, hollowed-out gourd, which was adapted from a pre-Colombian
instrument.
Others maintain that similar instruments were also used in other parts
of
Central and South America, and brought to Puerto
Rico
by the Arawak
Indians). ©
March 2009 Lynn M. Olson ALL RIGHTS RESERVED
Spaghettini, Wednesday, March 25,
2008
Anne
Walsh, CD Release Party
Band:
Keyboard: Tom Zink
Bass:
Alan Deremo
Drums: Chris Wabich
Percussion: Tiki Pasilles
“Ladies
and gentlemen, please welcome Anne Walsh.”
Anne opened with the
one-note Samba called, ‘Samba
Una Note’. Her
Brazilian flair split
wide open on this tune. Her
voice is
gorgeous! The bass
solo by Alan Deremo
added another layer of smooth to the mellow vibe she began.
In
reference to her tall, cool drink she quipped, “It’s only
water!” ‘Pretty
World’, invited
Sergio Mendez to this mellow jazzy affair.
The title track to her
brand-new CD was amazing. There
is nothing quite like a CD release
party to add a touch of excitement to the mix.
She said, “It is fun,
light and romantic. For
just $10 it can be yours.”
The
Pat Metheny tune, ‘So May it Secretly Begin’, dished
out a large chunk of mellow as she displayed her stellar vocals. The audience was enamored
as was I. Husband,
Tom Zink, on keyboard parlayed a
marvelous mini solo followed by her, “Thank-you.
I’ve got kind of an
exciting story about the
CD. Joe DeRenzo
handed it directly to
Pat Metheny just yesterday. He
was
waiting for it,” she added.
Tom
rocked it on the piano with the tune, ‘If I Were a Bell’. Her vocals were
pitch-perfect. In
the end she added, “Very cool people are
here!”
“I
like change. I like
seasons. I’m from Boston.
We have seasons there.” An
audience member called out about their recent trip.
She asked, “Is it
still cold there?” I’m
gonna sing by Nani called, ‘Another
Season’. Tiki
on percussion took
this one too the moon. What
a vibe he
has. He had his
Cuica singing its own
tune! The audience
loved him.
Anne
said, “I think it’s time to introduce the band.
This is my producer
arranger and husband, Tom
Zink on keyboards. Here’s
the visionary
for my CD and a dear friend, on drums, Chris Wabich.
On bass, I have
another dear friend, Alan
Deremo.” She
introduced Tiki Pasilles
excitedly saying, “Isn’t he cool?
He’s
so cool.”
“I’m
gonna do a song from a musical. If
you can guess the musical’s name, you can
have a CD. If you
can guess the
composer, you can have a CD. If
you can
guess both the musical and the composer, you get a CD.
Her rendition of ‘Favorite
Things’, was
a crowd pleaser. Everyone
sat back and
enjoyed the chill. The
passion on her
face while she gifted us this song was priceless.
“Did
I already introduce the band?” she joked.
“Oh, I already did! She again kidded, “Its
water,” in reference
to her beverage. I’m
gonna do a Cole Porter
song called, ‘So In Love.’
If you
are looking for mellow after a long work week, Anne Walsh is your
ticket. Leave your
troubles at the door and enjoy her
buffet of the slow-and-easy. Tonight
she
successfully delivered us to sheer heaven.
The
last song of Set I was, ‘Pools’.
She co-wrote this one
with Joe DeRenzo. “We
will feature Alan Deremo on bass.”
Alan was a shining
star on this one. His
solo was off-the-chain. His
groove coupled with Anne’s vocals was
pristine.
A
big thanks goes out to Anne Walsh and her band for a great hang.
Spaghettini,
Saturday, March 14, 2009
Jessy
J,
CD release party
The
band:
Special
Guest on guitar: Paul
Brown
Keyboard: Eric Mondragon
Guitar: Joe Votello
Bass: James (?Genus)
Drums: Albert Burnett
Music
director Q said, “Alright good evening music fans.
How ya doin’?
Thanks so much for
supporting live music. Now,
tonight’s show we have a young lady
whose cut went to the top of the charts so fast she was asked to go on
tour
with Guitar and Saxes. Show
your love
for her tonight.”
Eric
Mondragon (vocals/keyboard) said, “We’re gonna warm up here with DW-3 before we bring out Jessy
J.” A little
Georgie Porgie and a little puddin’
pie started things moving. He
asked, “Got
any Stevie Wonder fans out there?
Well,
I am. Let’s see if
you remember this
song. You feelin’
alright tonight? Are
you ready for Jessy J? We’re
gonna break it down.” The
crowd was engaged and ready as they
melted into ‘Do I Do’.
Poised
just outside the glass side door, Jessy was strapping on her sax and
getting ready
to roll when Mondragon asked, “Alright, are you guys ready? I don’t think are ready. Ladies and gentlemen show
your love for Jessy
J.” The spotlight
was up and Jessy strutted
onto the stage in her hot, hot turquoise dress with hotter-than-hot
lavender
stilettos. She was
on, on, on it! Sultry,
hot and sexy were all in tow. She
was on fire from moment one. She
shimmied her sax up to the Joe Votello on
guitar and started rockin it while he masterfully laced his solo with
perfection. He gave
it up and we joined
them in their zone. Jessy
cut back in
and wrapped herself around front stage, center.
The spotlight was hers
for a trillin’ extravaganza. She
was really jazzin’ it up! Eric
said, “Over there on bass and how about
the drums y’all?” A
duet of solos mixed
it up.
“This
is
my new song, ‘Mr. Prince’, from my new CD,” Jessy
proudly stated. “You
are the first people to ever hear it!”
she exclaimed. A
keyboard intro welcomed
her sexy saxin’ style. What
a song!
Ok,
it
was salsa time. ‘Fiesta
Velada’,
had her shaking it up and giving it up!
Her feet never stopped
moving on this tune. She
was trillin’ crazy and the audience loved
every minute of it. The
back-and-forth,
to-and-fro of the guitar sax medley was spectacular.
She wailed that sax to
crazy! Jessy has
incredible stage presence.
Jessy
shared, “That was a song off my first CD and it was produced by Paul
Brown. Does
everyone here know Paul
Brown? I met him in
2006.” She talked
about her collaborative efforts
with him saying, “I think you guys will recognize this it when you hear
it.” Brown joined
her on stage and they kicked it
up and out the door. They
are a
marvelous team. She
turned up the heat
and blew this one out working the audience into a frenzy. In a flash of turquoise
and a bigger flash of
sax she emerged into the audience serenading the eager music fans
across the
front of the venue. The
house was packed
and the crowd was spellbound. After
rejoining the band on stage she watched Paul Brown in awe from the side
pocket. He wowed
the crowd with his stellar
guitar fingering. The
hand-off to Jessy
deposited her center stage prompting her to go completely insane on
this
one. J and Brown
dished out an
off-the-chain medley for their finale of, ‘Tequila Moon’.
Jessy
said, “Thank you so much. Give
it up for
Paul Brown. He’s
gonna have a new CD
called, Foreign Exchange soon with Marc Antoine. We’re
gonna have a little Bossa Nova now!”
Jessy exclaimed. ‘Sin
Ti’, put
the Bossa in Bossa Nova. A
huge wow here,
this song took J and Brown to party time.
The duet between them
was awesome.
Paul had his guitar
crooning and moaning in perfect synchronicity.
Jessy came back around
and borrowed ownership
of this tune. The
finale was exceptional
leaving a J-cloud of afterglow. She
was
rightfully proud of her work.
‘Mas
Que Nada’, was a samba-good time with Jessy playing and
showing off her
J-dance. She
grabbed the mic displaying
some finer-than-fine vocals. The
keyboard
solo by Eric was stellar. Paul
Brown’s
guitar solo was amazing. Jessy
said, “That’s
Paul Brown on guitar. Thanks
for making
a special surprise appearance. I
had no
idea he was coming. Now
we’re gonna get
you guys rockin’ and ‘salsa-ing’ at the same time with this song off my
CD
called, ‘Running Away’.
Eric
cracked it wide open on keyboards.
Jessy
pointed to him saying, “Eric Mondragon on keyboard.”
Joe Votello on guitar
parted with a rockin’
solo while Jessie on sax and James on bass were shakin’ it up. J was busy chair dancing
when James on bass took
over thumpin’ and bumping away. “James
on bass,” she announced at the end of his solo.
“Albert Burnett on
Drums,” she added.
“We’re
gonna take you back on this one.”
‘Besame
Mucho’, had Jessy and Eric sharing the vocals. Wow, this girl’s got some
serious
rhythm. She never
stopped moving for a
second. She really
poured it out center
stage. She did a
180, playing to Albert
(drums) and James (bass). Her
fluid
movement flitted her all over the stage while she clapped with hands
over
head. And yes, she
was still dancing! Eric
said, “That’s Jessie J everybody.
Show your love for
Jessy J.” Jessy
added, “We’ll be right back everybody.”
Set
II
Eric
opened on keyboards asking, “Are you still with us tonight? If you’re still out there,
let me know. This
song is an incredible Stevie Wonder
tune. He is one of
my main inspirations
in life,” he admitted. They
played, ‘Wonderful’.
Joe’s guitar solo
promoted Eric to say,
“Playin’ the guitar y’all.” Their
fine
medley included, ‘As If You Read My Mind’. “Break it down y’all,”
Mondragon quipped.
Eric
said, “Are you guys ready for some Jessy J?
Here is the beautiful
Jessy J.”
Jessy emerged from the
side pocket fired up. Mondragon
quipped, “Is everybody ready to
clap? Clap your
hands now, everybody
clap your hands now!” ‘Vamonos
pa el
Monte’, was a crazy jam.
The
audience was in a full-circle tail spin.
She was warmed up and
ready for set II to say the least!
“Jessy J,” Eric
proudly stated at song’s end.
The
Dizzy Gillespe tune, ‘Tin Tin Deo’, opened with a
delicious taste of
bass and drums. This
1956 classic had Jessie
dancing the entire time. She
clapped her
hands overhead in support of the stellar work of Joe on guitar. “That’s Joe Votello on the
ride side,” Jessie
happily boasted.
Jessy
said, “This was made famous by Santana.
I think you know this
one. She
ripped into the flute for ,‘Oye Como Va’, and tore
the place up. After
a great guitar solo by Joe, Jessy
gravitated back to her sax. Eric
on
keyboards had a nice hold on the vocals.
He nailed it!
“Alright,
how you guys feeling tonight?” she asked.
She said we’re gonna
do the Gloria Estefan song, ‘Conga’.
This is a fun song,”
she excitedly added. After
grabbing the vocals and sax and
twisting it into an awesome jazz frenzy she passed it along to Joe for
a guitar
solo that turned the house on its side.
She was right, this
song was fun!
Eric said, “Break it
down.” With
hands overhead Eric repeated, “Clap your hands like this y’all, clap
your hands
y’all, clap your hands y’all. Are
you
feelin’ it? he asked.
Jessy
said, “We’re gonna slow things down a bit.
It is time to get
romantic with the one you came here with.
This is the one thing
we like about being
musicians. We have
a chance to be
intimate with you. ‘Song
for You’,
has been sung by many musicians including Layla Hathaway. She came into the
audience, strutted,
serenaded and danced her way through this one.
She saxed it up like
crazy. A
wild and stompin’ duet with Joe on guitar wowed the audience and took
this one
down!
“Do
you
guys wanna hear, ‘Tequila Moon’, again, J asked. Eric added, “This song was
number one for
nine or ten weeks.” Center
stage guitar,
sax and bass were electrifying. James
on
bass was having some fun with this one and so were we!
The hand-offs were
many from guitar to Jessy
and guitar. They
were playing cat and
mouse with guitar and sax to the boiling point.
Jessy
J
said, “Muchisimos gracias. I
want to say
‘hi’ to my mom and dad. They
are
here. I want to
dedicate ‘Besame
Mucho’, to my mom and dad.
Thanks for
all the piano lessons and dragging me to the music lessons.” The dedication was
beautiful. The
multi-talented Jessy J played sax and
worked the vocals like crazy. From
there
a guitar solo by Joe led to the J-James-Joe trio center stage. Jessy rested each arm on
the guys for their
collaborative moment in the sun. It
was classic
musical camaraderie, an ‘ah’ moment that stage whispered ‘great job
guys’.
In
closing Jessy said, “I want to thank all of you for coming. I want to take this moment
to introduce the
band, Albert Burnett on drums, James on bass, Joe Votello on rock
guitar and
DW-3’s Eric Mondragon. I’m
Jessy J. Thanks for
coming to see us and we hope to
see you really soon.”
Thanks
so much to Jessy and her band for putting the electric into this wiring
CD
release party!
© March 2009 Lynn M.
Olson ALL RIGHTS RESERVED
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