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Accounts from Lynn Olson

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Front Row, Center by Lynn
Friday, August 26, 2010
USA debut: Canadian Smooth Jazz Guitarist of the Year, 2010, Rob Tardik, Canadian Smooth Jazz Wind Instrumentalist of the Year, 2010, Carson Freeman and Keyboardist, Davor Jordanovski
Special Guests: Drummer Tony Moore & Bassist, G Michael Merrifield
Spaghettini, Seal Beach, CA
 
Guitar: Rob Tardik
Keyboard: Davor Jordanovski
Saxophone: Carson Freeman
Bass: G Michael Merrifield
Drums: Tony Moore
 
Fasten your seatbelts for one of the best nights of music I’ve ever experienced in my jazzy life! What a day and night it was! First up, my Canadian artists and friends allowed me to sit in on their hotel practice. My fly-on-the-wall preview confirmed my suspicion. This would prove to be an experience I’d never forget. After a little over three hours of running through their hit parade, we broke to freshen up and hit Spaghettini for sound check.
Next up, my favorite time, sound check!
Excitement, anticipation and buzz filled the air. Guitarist Rob Tardik’s vibe, Tony’s perfect drumbeat, Carson’s crisp horn vibe, Davor’s key clicks and G’s thumping bass backdrop carried me straight to the zone.
Rob Tardik~
“That two-bar counter?”
Carson Freeman~
“I’ll play that melody right away! He’s ready for us, ‘cause he’s already done the monitors.”
Rob~
“Little more, little more, check one, two. Already.”
Carson Freeman~
“Let’s go mic-by-mic.”
The chemistry began. Carson started blowing while Rob hit the strings. Davor attacked the keys with the passion of Beethoven. G Michael’s bass bump resonated with Tony’s pulsating drumsticks. Hold on, a quick dinner break for the guys.
 
Gig time! Lights, action and Carson Freeman~
“Ladies and gentlemen, welcome to Spaghettini! We hear about Spaghettini all the time. We’re all here from Toronto, Canada. First, I want to introduce the Canadian Smooth Jazz Guitarist of the Year, 2010, Mr. Rob Tardik!”
Their opener was breathtaking! Guitarist, Rob Tardik hit it with everything he had, then slipped into the smooth and mellow. Carson cut in on sax and the first wow moment hit us head on. Tardik’s finger work is simply amazing. He tossed the tune back to Freeman for a sexy, saxy solo laced with expert trillin’. The dynamic duo ripped it up. Keyboardist Davor Jordanovski reinvented the keyboard with his zany fingertips. My ‘Three Muskateers’ nailed it! Center stage, Rob teamed up with Carson., and the round robin began. A jazzy volleyball game tossed the love ball around the stage like a hot potato. The synchronicity of bassist G Michael’s thump and Tony’s stellar drumbeat smoothed the vibe to finale.
Rob~
“Thank you! One, two, three, four.”
The next song needed no introduction. Rob invited Van Morrison to join their USA debut with Moondance. What a guest list and what a party! The sexy, sassy sax of Carson Freeman was off-the-hook! He handed off to Rob who twisted it into a frenzy. Freeman added a little throaty and slipped it to keyboardist, Davor Jordanovski. He laid it out! What a piano man! Carson and Tardik finished it off center stage ending the perfect tribute to legendary Van Morrison. I’d really like a rain check on one more Moondance, will you guys if you’ll indulge me? Pretty please?!
Tardik~
“A little Van Morrison. I want to say thanks to Cary, Q and the whole staff at Spaghettini for treating us so well. I wanna play live music for you. We’ll be out later to meet everyone. Q, Tony requests a little more sax and keys in his monitor.”
Rob took the next number to the moon within moments. Davor sparked
a keyboard inferno just before Carson decided to come unglued on sax.
Freeman~
“That’s how we do it in Canada!”
Rob~
“Yes, that’s how we do it in Canada! That was a track called, Flip Flop.”
Rob introduced the band.
Tardik~
“Here’s a tune called Virtue.”
I soaked this song up like a sponge. Each note took me back to the Canadian Smooth Jazz Awards. I sat in awe of a band I never dreamed I’d see again, at least not here in California and certainly not at my favorite hang. Each note suspended in midair as I savored the unbridled excitement of Rob and Carson accepting their 2010 honors. My heart skipped a beat when a sparkling memory of David Sanborn standing backstage in anticipation of his George Benson Lifetime Achievement Award flashed by.
Rob~
“The next tune is off my latest CD and its called Bounce.”
Ahhh, deep chemistry filled the space. Carson fired up a head shakin’ solo before Rob added the twang to his strings. The band bounced it up! Carson’s finale blow was mindboggling.
Rob~
“Thank you! Thank you, everyone! You guys havin’ fun so far? We’re gonna slow it down a little bit if you wanna dance grab a girl from across the corner. Girls, grab a boy from across the corner. It’s all good! This one’s called Summer Nights!”
A mellow chill enveloped the room sway. Center stage, Carson Freeman pulled every eye in the place his way when he blew the lid off the place. A tiny pocket of expertly timed pin-drop silence passed before Davor rolled out a one-handed shuffle on the keys. He added a sexy hip swivel while sharing the tune with the Dynamic Duo of Carson and Tardik. It was a triple wow moment with a triple wow band! Freeman broke into a frothy frenzy of trillin’ delight. Tardik leaned in with a string or two as Carson blasted the final blow.
Rob~
“We were shoveling snow last week!” Rob talked about the season changes in Toronto while mentioning he’d just returned from Reno. “Is there any room to dance here? We’re gonna burn it up a little here!”
Salsa music set Rob’s fingers on a magic carpet ride. Carson was bunny hopping while blowing it out of the water once again. His trillin’ mania continued. Davor spread his rockin’ vibe across the keys like sweet creamery butter. Rob foot stomped center stage while G’s consistent bass thumped the corner pocket and Moore-style drumming behind the plex screen took this one home to mama. Freeman and Tardik dueled center stage with a crowd gone wild!
Rob~
“I’m gonna feature Davor Jordanovski with a tune he wrote called On the Fly.”
Keyboardist Davor’s magic touch and million-dollar smile parlayed chair dancing opportunities around the room. His can’t-sit-still track coaxed Carson to kick it up several notches before Rob rolled it over.
Tardik~
“That’s Davor Jordanovski! I grew up listening to this gentleman. Anybody ever heard of Lee Ritenour? We’re gonna feature a favorite, Night Rhythms. A bass-laced opener with G Michael Merrifield’s soul deep thump led a path to Rob’s phenomenal vibe. Davor threw every inch of himself into this one. Carson walloped his spirited sax once again!
Tardik~
“One, two, one, two.”
Tony Moore’s drum solo turned the venue inside out. The crowd roared, clapped and begged him until he was spent.
Rob~
“Tony Moore! This is my band; Carson, Davor, Tony Moore and G Michael Merrifield!”
Carson Freeman’s Never Without You lifted my resting second-set pen and left his undeniable musical footprint on the stage of Spaghettini. Thanks to my treasured Canadian friends I’m truly honored to know. How can I ever thank you guys for turning it out?! There’s no one I’d rather have had introduce my family, friends and coworkers to Spaghettini. My son, his wife and I won’t soon forget the twenty-sixth birthday celebration you gifted. Your unforgettable vibe and presence will remain here until you return to revive it! And yes, that was a hint and open-ended invite…
© August 2010 Lynn M. Olson ALL RIGHTS RESERVED


Front Row, Center by Lynn

Wednesday, July 28, 2010

Jack Prybylski, Out of the Box CD Release Party

Spaghettini, Seal Beach, CA

 

Saxophone: Jack Prybylski

Keyboard: Tom Zink

Guitar: Craig Sharmat

Bass: David Levray

Drums: Winston Butts

Special guests: Blake Aaron, Greg Vail

 

The minute I walked in the door, I felt the energy. I arrived in time for a little warm up and it went something like this;

Drummer Winston Butts~

“A little less boom, a little more smack.”

Music Director, Q~

“That’s what I’m all about!”

The up-and-running energy of Jack Prybylski was contagious to say the least. A few back slaps and a healthy dose of band camaraderie were exchanged.

“How ya doin’?”, “What’s up?”, “Y’all good?” filled the air.

Headliner, sax man, Jack Prybylski~

“Can we bring the lights up a little bit?”

Q~

“One second.”

An intimate Jack pre-show pow wow~

“It’s an honor and pleasure playing with you guys. Just have fun!” I smiled at their jokes about forgiving each other for any musical mistakes that might occur during the performance. Their stage energy was smooth-as-silk. They clicked.

Drummer Winston Butts~

“One, two, three.”

Jack~

“Good evening, everyone. Thanks, for coming to my CD release party.

This first one is off my CD called Head Hunter.”

Jack fired up his deep, throaty sax and offered up the tune, Head Hunter. The crisp, clear trillin’ of sexy, saxy Jack started tonight’s jazz ball rolling. Keyboardist Tom Zink revealed his chops while the strings cats were head bobbin’ and drummer Winston Butts thumped his riffs. The true spirit of jazz took hold.

Jack~

“Thank you, very much! This one is the title track off my previous CD. It’s entitled, Window Shopping.”

Jack spoke to Greg Vail in the audience~

“You’d better get your horn, later Bro!”

The cut was a smooth, mellow glide on Jack’s soprano sax. His soul-piercing notes delivered an almost-indescribable experience. This guy can blow!

Jack~

“I want to say hello to Mr. Craig Sharmat!”

As they continued to play, the corner of my eye snagged a Jack hip wiggle as he cradled his sax watching guitarist Craig Sharmat’s solo. We were all in awe as Craig showed us what he was made of.

Jack~

“Here you go, here’s Tom Zink!”

Zink exploded with a foot stompin’ keyboard solo, then it was back to Jack in the sax zone. The man’s got the ‘it factor’! What more can I say? Stage-presence-personified describes Prybylski to a tee. Their finale included the beautiful music of Mr. Grover Washington.

Prybylski~

“Thank you, very much! So, you’re diggin’ that Grover Washington thing at the end? No??? At least Blake liked the Grover.”

Guitarist Blake Aaron (audience member)~

“Yeah!”

Jack~

“We’re gonna do a little Grover thing called Winelight.”

Jack hit it, nailed it and flew me to the moon with this one! They did Grover proud. Waiters were dancing and the crowd were loving it! Guitarist Craig Sharmat squeezed out an off-the-hook twang and the audience went nuts. He handed it off to Keyboardist, Tom Zink who earned a triple wow! A little magic anyone. Zink was amazing! The boys were all kickin’ it tonight! Tom volleyed it back to front stage, center, on-fire, sexy, saxy Jackzy. The man wailed on the sax, then took it down to sultry. Again, the crowd went crazy.

JP~

“Thank you. Another one off the CD is called Three Cats. I only have one at home!” he joked. Drummer Winston Butts shined his lovelight on this tune.

Jack~

“Are there any Duran, Duran fans in the audience? We’re gonna play one of their tunes. We’re gonna do some songs off the new CD, Out of The Box. This is the Duran tune, Save a Prayer.” Jack was back on soprano with his rock-solid vibe. The band was in sync. The tune was just, plain good.

Prybylski~

“Feel free after you’re done eating to get up and dance. On the table and chairs, please! This is another song off the Out of The Box CD. This is entitled, Hoodoo.” The guys carried it home to ‘mama’ once again!

Jack~

“Thank you, very much! Another song which is off the CD, available tonight.”

Audience member~

“Wooh!”

Jack~

“A fan favorite, Down To It.”

Prybylski knocked this one out of the park. I was enamored with his ability to have fun while he plays. There’s something innocent-yet-serious about New-York-Jack’s sax style.

Jack~

“Thank you very much! Before we play I want to mention what a nice group of guys I’ve got playin’ with me tonight.” He introduced the band. “Blake, how’d you get these guys so cheap?” Prybylski quipped. The crowd roared.”Here we go, back to it. This is the title track for my first CD. It’s called Soho Strut. This track proved Jack’s ability to make a sax strut, and he did! A volley to bassist David Levray thumped a short solo before the return to Jack. Guitarist Craig Sharmat’s sassy finale rounded it out perfectly.

Jack~

“While Craig switches guitars, we’re gonna play another tune called Bright Spot.”

Craig~

“Hey, Blake, thanks for the guitar!”

Blake~

“Yeah!”

Craig~

“Cool.”

Craig and Jack teamed up for another triple wow!

Jack~

“Craig Sharmat, ladies and gentlemen!”

Jack~

“Do we have any Jeff Lorber fans out there?” Jack joked, “Well, he’s not here! Here’s a tune from the days of jazz fusion. We’re gonna feature David Levray on bass.”

Bassist Levray had a cool-cat attitude as he gifted his thick bass vibe. Jack thwacked the tune on tenor while Zink lit up the keyboard once again! Jack sauntered through the audience, shaking hands, playing and crowd pleasing. Prybylski’s charisma flooded the venue as he covered every inch of the place. Jack P., you should know you made my writing job easy with the electricity that is you. Back to Levray digging deep into the bass. He was on it! Drummer Winston Butt’s style leveled a gut-rockin’ beat.

Jack~

“We’re gonna do another one off the CD. Are there any Rod Stewart fans in the house?” Jack went on to explain a hilarious story of mistaken identity he experienced at a cantina in Reno. He was mistaken for Stewart, sending a couple of fans running more than once for register tape signatures, convinced they’d stumbled upon thee Mr. Rod Stewart. “That night in Reno is the reason Do You Think I’m Sexy is on the CD. We’re gonna take a short break.”

I set my pen down for set two, but managed a few notes. From Grover Washington to Jack’s CD cuts, the music flowed on and on…These guys really kicked up some dust. Blake Aaron rocked it, rolled it and turned it inside out. The finale with saxophonist, Greg Vail and guitarist Blake Aaron took the elevator to the top! Drummer Winston Butts, now that was one fine solo, young man!

The most poignant song of the evening was Santa Faustina. Prybylski joined his special guest Blake Aaron to share the first live performance of his mother’s favorite song since her passing. Jack’s heartfelt performance set him above, ‘just-another-sax-guy’ on this tune. I am convinced, the spirit of love from a son to his mother remains on that stage. She’s smiling and proud! Thanks, Jack!

In answer to the question Jack poses, “No, Jack, I don’t think you’re sexy, I KNOW you’re sexy! Huge thanks to Jack Prybylski and his incredible West Coast band. Their debut was off-the-chain. Thank you, most of all, for your boundless energy and true love of Jazz. Our jazzy souls were full to the brim tonight. Thanks ‘mom’…

 

© July 2010 Lynn M. Olson ALL RIGHTS RESERVED


Front Row, Center by Lynn
Saturday, July 3, 2010
75th Birthday Bash, Pete Escovedo
Latin Jazz Orchestra featuring Juan & Peter Michael Escovedo
Spaghettini, Seal Beach, CA
 
Band Leader on timbales: Pete Escovedo
Piano:  Downtown Uncle Joe, Joe Rotunde
Guitar: Michael Angel
Bass: Juan Otaya
Saxophone & Flute: Justo Almario
Trumpet, Music Director: Mario Gonzales
Trumpet: Ramon Flores
Trombone: Humberto Ruiz
Trombone: Arturo Velasco
Drums: Peter Michael Escovedo
Congas: Juan Escovedo
 
The sold-out venue was packed and buzzin’ as the classy suit-clad group of eleven band members weaved their way to the stage.
Pete Escovedo~
“Hello, everybody! Thanks, for coming out! I don’t know if you’ve read our advertising, but we’re celebrating my seventy-fifth birthday! We’re gonna do some Latin Jazz for you and this first song is entitled, Esta Noche.”
Wow! The Escovedo sound was spectacular. The airwaves filled to capacity immediately. Standing, sitting, you name it, the energy was on high. The entire audience was in awe and enveloped their vibe. All eyes were on the band and every foot was tappin’ to the beat! Chair dancing, chair dancing and more chair dancing wiggled every chair! Pete shared his boyish smile with son, Juan Escovedo as they pelted a rhythmic beat into a swirled frenzy of percussion genius. Trombonist Humberto gifted a solo that scored all ‘A’s’!
Pete~
“That was Humberto Ruiz on the trombone solo!”
A woman strolled across the front row.
“Honey, that was good!”
Pete~
“That was my wife! We’re gonna do a number entitled, True or False. And before anyone asks, Sheila E is in Paris with Prince but will be performing with us in San Diego next week. These are my sons, Peter Michael on drums and Juan Escovedo on congas.”
The next tune was off-the-hook. First up was a stellar solo by guitarist Michael Angel. The entire back row of the eleven-piece orchestra swung a shift-footed back-and-forth in perfect unison. Drummer Peter Michael volleyed it to his brother, conguero Juan Escovedo. Their beat vibrated my front row, center chair!
Someone echoed~
“Michael Angelo on guitar!”
The sax man’s solo screamed the experience of his expertise. The entire band hung back while he blew. And blow he did! A collective cut in yielded a sassy finale.
Pete~
“Hey!”
The audience roared.
Pete~
“Michael Angel on that guitar solo! Justo on saxophone! He’s going on tour and we’re gonna miss him. Hopefully, he’ll come back safe and sound with pockets full of money. In addition to my sons, I have a daughter. She’s in the lobby selling merchandise. I thought it only fitting that I should write a song for her. This song’s called Zina’s Zamba.”
A full-bodied horn section hit this one straight up. They coupled it with a hefty dose of congas and every inch of the stage came alive! The drum chemistry between Pete and sons, Peter Michael and Juan was phenomenal. The camaraderie of their beat raced our hearts to the finish line while their stage full of boundless energy lit the place on fire.
Drummer Peter Michael Escovedo~
“Are you sure you’re seventy-five, pops? One more time for Pete
Escovedo on Timbales!”
Pete pointed~
“There’s my daughter, Zina!”
Zina~
“Is my daddy good or what?!”
She shamelessly plugged the birthday tee shirts for sale and kidded around.
Zina~
“These brand-new tee shirts are gonna go for his retirement fund! His birthday isn’t actually until the thirteenth!” They proudly spoke about his fifty-three year marriage.
Pete~
“Give it up for Zina!”
Pete introduced the entire eleven-piece orchestra. Hometown mentions covered the globe from Nogales, AZ to Puerto Rico and beyond.
Pete~
“We’d like to feature ‘Downtown Uncle Joe’ on keyboards!”
Joe Rotunde wrestled the keyboard like it was an alligator, earning a triple wow with his sizzlin’ licks. Pete’s drumstick signals led the way while Zina stood at the side door rocking out like it was the first time she’d ever heard them, evidencing the true passion she holds for her father’s music. The back row of the band never missed a beat as they continued shifting their weight from side-to side, swinging to the beat of the Latin musica with a perpetual sway.
Juan Escovedo~
“One more time for Joe! Com’on y’all!”
Conguero Juan dueled with Pete, both emerged jazzy winners with a smile-filled crowd. Horns wailed while a triple Escovedo percussion collaboration turned the venue inside out! Keyboardist Rotunde gave it up!
Pete addressed the band, then the audience~
“These are the boys, I’m telling you! Without the boys we wouldn’t sound so good!” Escovedo kidded about his age with his son. Zina slipped on stage and surprised her dad with a candlelit birthday cake. The crowd sang Happy Birthday.
Pete~
“We’re gonna take a little break.”
Drummer and son, Peter Michael~
“Com’on, Pop, don’t act your age!”
Pete~
“Well, I guess we can do one more!” He pointed. “This is my lovely wife and we’ve been on a honeymoon for fifty-three years.”
Wife Juanita~
“Don’t go home too late or drunk so you can go to church tomorrow!”
They cut the bassist no slack, kidding him mercilessly after he started the song with the wrong chart.
Conguero Juan Escovedo~
“Let’s give it up for the bass player!”
Someone echoed~
“We found the chart, Juan!”
They split the place wide open with this tune. Juan Otaya brought Puerto Rico home to mama with his solo.
Pete~
“We’re gonna take a break. The more you drink, the better we sound!”
A heckler~
“What about church pops?!”
Thanks to the entire Escovedo family for an unforgettable night of Latin jazz. Celebrating Pete Escovedo’s seventy-fifth birthday, talk about once in a lifetime!
 
© July 2010 Lynn M. Olson ALL RIGHTS RESERVED



Front Row, Center by Lynn
Friday, July 2, 2010
Nate Najar Debut Event
Spaghettini, Seal Beach, CA
 
Guitar: Nate Najar
Keyboard: Ron Reinhardt
Bass: Rufus Philpot
Drums: Third Richardson
 
I arrived well before sound check. Okay, my jazzy readers, a little warm up, anyone? Mark my words, from what I’m hearing this moment. Something good is coming our way tonight.
 
Drummer Third Richardson~
“The bass right where it’s at is perfect!”
Bassist Rufus~
“I can hear a lot of you.”
Third~
“How can we rectify this situation?”
Music Director, Q~
“I’ve got three right now.”
Rufus~
“As long as we can get enough drums acoustically.”
Q~
“You wanna just take that?”
Rufus~
“So, let’s just do this! Let’s try it! I don’t wanna hear the drums overpowering. Let’s try it.”
Guitarist Nate pointed to the speaker~
“Q, this one’s comin’ up again! Just a hair of drums and a hair of bass guitar, I think that’s good. Can I have a little more reverb? We’re good, thank you!”
 
Lights went up and hat-clad guitarist Nate opened with his blissful half-smile and jazzy guitar riffs. Najar strummed a sassy attention getter and handed the tune to a cool-looking cat, drummer Third Richardson. Richardson fired up the drum corner wearing mysteriously-fun sunglasses while the rest of a perfectly-timed band slipped in on their opener, Human Nature. Nate continued to share an amazing chemistry with Third. The final fade was stellar.
Nate Najar~
“How y’all feelin’ tonight? Glad you came out on a holiday weekend! My name is Nate Najar. I came all the way from Florida, so I’m really glad to be here! All the stuff we’re playin’ is from our new CD which we’ll sign and sell a little later. This is a tune called Samba De Noite.”
It was evident early on that guitarist Najar possesses an undeniable ‘it’ factor. Stage energy was on high when he ignited a fully-engaged audience clap. Drummer Third threw out a little primal music banter as he dished out his fiery licks.
Nate~
“Com’on, we need a little encouragement!”
The crowd stepped up to his challenge when bassist Rufus Philpot edged his way front stage, center and walloped a thumpin’ bumpin solo. Everyone in the audience joined him in the zone, clapping eagerly.
Nate~
“Rufus Philpot on the bass!”
Third called out amidst a drumming party he had going in the corner pocket. His head swayed from side-to-side while he thwacked and whacked a rhythm second to none.
Nate~
“Thank you!”
Najar turned to the band~
“Alright, guys!”
After struggling with an electric cord, Nate joked~
“Now, I’m all twisted up here. And I was trying to be smooth! We’re gonna play It’s a Good Day, not to be confused with the Peter White version. This is It’s a Good Day and I hope you enjoy it!”
The tune was smooth, smooth, smooth and Nate nailed it! Najar made a California name for himself tonight with this triple wow. Keyboardist Ron Reinhardt grabbed a stray volley and gifted an off-the-chain solo.
Nate~
“Ron Reinhardt on the keyboards!”
The crowd went completely nuts! Still playing while clowning around with Ron, bassist Rufus didn’t miss a beat.
Nate~
“Thank you! Thank you! This next one is my absolute favorite song to play. We’re not gonna start preaching to you tonight because it’s Friday night. Except to say, this is my ABSOLUTE favorite song to play! This is called What a Friend We Have in Jesus.”
A mellow chill seeped in when Nate covered the stage with his passion for this song. He played with his eyes closed through most of the night and this cut was no exception. He took his strings along with us to jazz heaven while Reinhardt outdid himself with another keyboard solo.
Nate~
“Thank you! Thank you very much! This next song is off my new record. This song is named after my cat. It’s called D’jango and Mowgli.”
After a slight string adjustment, Nate quipped~
“These instruments have a way of going out of tune when you least want
them to. Bear with me!”
Nate shook up a little percussion between the strings while keyboardist Ron tore into it.
Rufus~
“Oooow!”
Bassist Philpot hit it hard and rolled the house. Guitarist Nate’s scattin’ style entered on the sly while Ron added his musical two cents. What a vibe these guys have!
Nate~
“Thank you very much! Thank you! We’re gonna slow it down a bit and do a slow jam. I wanna introduce you to these wonderful musicians. If you want, you can take drummer Third home for a small fee,” he joked. “With the exception of Rufus who swam across the ocean to get here, we all came from Florida. We’ll be selling CDs and we’d love to get to know you. Okay, I’m done talking. This song is called Until Now.”
The ‘sway’ entered the room immediately on this one. Ron took us to Never Never Land with his chops, then handed it off to Nate and the band for a smooth ride to jazz bliss.
Najar~
“So, you know how I said I wasn’t gonna preach? You know, there’s a story behind every song. Sometimes you just get up on the wrong side of a day. I wrote this song because I got up one day kinda like what we’re talking about, adversity. Sounds like what you’re supposed to do to get through it.”
Najar’s band offered the slow and easy with a thick, steady beat of positive energy on this cut. Keyboardist Reinhardt took this one to the moon along with the band. Guitarist Nate slipped off the stage, leaving Ron whacking the keys, Third getting’ crazy on the drums and Philpot being his off-the-hook self on bass.
Third Richardson said to Ron~
“Wow, that’s alright now, boy!”
Bassist Rufus, drummer Third and keyboardist Ron played like mad dogs while Nate weaved through the venue serenading an awestruck audience. He rejoined the guys on stage and the crowd went crazy.
Nate~
“Thank you! Look who I found out in the parking lot, ladies and gentlemen! This is my dear friend, Jessie J!”
Jessy~
“Show ‘em what you got!”
Nate started things off with another overhead clap while Saxtress Jessie blew it out! Her surprise appearance sent the crowd into orbit.
Nate~
“Jessy J!”
Jessy pointed to Najar~
“Nate Nadar!”
J volleyed back-and-forth with Nate until the two successfully blew the doors off the place. The entire band rocked the house sideways and inside out!
I took my usual second set breather but the pen was tough to set down! They realigned the stars! Drummer Third was positively lit up! Rufus threw quite a few wows into the mix and Ron cranked it out. Guitarist Najar took it upon himself to wire in some funky funk on Cold Duck. His rendition of Always There reinvented the guitar. That was a triple wow, my new friend! What a jam, what jazz and oh, what a night!
Thanks, to guitarist Nate Najar and his band for a great night of jazz. “Okay, guys, my question to you. When are you coming back? We want more!”
© July 2010 Lynn M. Olson ALL RIGHTS RESERVED


Wednesday, June 9, 2010

Terje Lie, Urban Vacation CD release party

Spaghettini, Seal Beach, CA

 

Keyboard:  Barnaby Finch

Saxophone: Terje Lie

Bass: Earnest Tibbs

Drums: Tony Moore

 

I arrived at Spaghettini for the Terje Lie CD release party in plenty of time for sound check, so let’s share a little banter!

 

Keyboardist Barnaby Finch~

“Mix wise I’m on the same blend. Lemme know if you’re getting’ feedback.”

Sound director Q~

“You could angle it a little bit.”

Terje Lie~

“You gonna check the tenor?”

Q~

“Is that level good for you? Just give me ten minutes, the lights will go up and you’re on!”

 

Ten minutes later, the lights went up and Terje Lie introduced himself wordlessly with his alto sax intro. He immediately commanded everyone’s attention with his clear, crisp sound. The band kicked in. Smooth and easy drifted to our ears as the Lie-chill began. Tony’s drumbeat clapped time with keyboards and Tibbs thumpin’ bass laid it out. Terje’s screamin’ sax walked us to a stellar keyboard solo by Barnaby Finch. The audience was fully engaged and swayin’ to the keys when Terje put his final touch on the opener, Travelers.

 

They transitioned seamlessly to Pier Avenue with the entire band in motion. Barnaby was a superstar on this one. He got down and very funky with the keys, then handed it off to Terje who blew it out as he paced an arched pattern on stage. Suddenly, he jazzed it up Lie-style with arched back and an eager lungful. Barnaby took a mini volley a few crazy keys, then it was back to sax with a subtle drum ending.

 

Terje picked up the tenor sax for Runnin’ Outta Time. Keyboardist Finch was off-the-hook on the keys again while Tony Moore clicked a synchronized drum rhythm. Earnest Tibbs slow punched a resonating bass riff. Terje jumped back in and finished off the tune splendidly.

 

Terje~

“Thank you so much! Thank you for listening.”

 

Lie proudly introduced his band and remained on tenor sax.

 

Terje~

“We’re gonna play a selection from the Urban Vacation CD. This first track has nothing to do with our current economic situation,” he joked. “Jeff Lorber produced it. It’s a story about dog fights and fighter pilots.”

 

A little Terje trillin’ started Bail Out swinging side-to-side covering the stage with his sound. Finch showed us his chops on a stellar keyboard solo while Tibbs clipped a thick thump of his bass. Then it was back to Terje for the finale sax blow.

 

Lie~

“Thank you so much!”

 

Terje opened Funk Man on tenor with a solid beat. The song immediately crawled comfortably under my skin. Barnaby started out slow on the keys, then transformed into a madman with no warning. The crowd was bobbing their heads in the jazz zone when Lie’s foot tapping sound permeated the venue and remained there until song’s end.

 

Terje!

“Thank you! That was another one from the new album!”

 

Dance on the Water opened with a rapid-fire drum beat from Tony Moore. There was nothing sleepy about this tune! Keyboardist Barnaby started some musical banter that resulted in a Finch solo that knocked my socks off. Tony remained perched behind the plex divider and hit it with zesto. He was on fire and earned a triple wow with his explosive attack. He weaved in a marching band lick that reminded me, it’s been wayyy too long since I’ve heard Tony Moore live! The crowd went nuts!

 

Terje~

“Yeah, that was Tony Moore, the one and only! This is something from my former album called Traveler. It’s something called Lights are Low. The cut was a dim-the-lights mood creator that left me wondering about my next candlelight dinner with champagne. Lie’s sultry sax blossomed as he slipped it to cool cat Finch. Raindrops-on-the-window pane trickled from his magic fingers.

 

Lie~

“Thank you!”

 

The last song was You. The chair dancing beat of this song had me wiggling in my jazzy front row, center seat and made me wanna dance. He wowed the crowd with his final tune of the set.

 

Terje~

“We’re out for a little break and we’ve got CDs! If you’re not familiar with my name it’s the Norwegian spelling. T-E-R-J-E.”

 

My heartfelt thanks to my Facebook friend, Terje Lie, and his band. I’m honored to finally hear you live. That was one nice hang guys!

 

© June 2010 Lynn M. Olson ALL RIGHTS RESERVED

 


Friday, May 28, 2010

Lao Tizer and Chieli Minucci

The Baked Potato in Los Angeles, CA

 

Keyboard:  Lao Tizer

Guitar: Chieli Minucci (Special EFX)

Saxophone, percussion, vox: Steve Nieves

Special Guest on Guitar:  Jeffrey Marshall (Big Red)

Bass: Rufus Philpot

Drums: Raul Pineda

 

 

Wow, the Baked Potato was jazz heaven, a teeny tiny venue, with three of four dozen seats, at the most. It shouldn’t come as a surprise to anyone who knows me or my writing that I wouldn’t be able to wait for the nine-thirty gig to start! I arrived early to feed my love of sound checks. Talk about acoustics, they were unbelievable! While I was waiting for the gig to start, I chatted briefly with an employee who shared a few secrets about the sand-filled raised stage and wood covered windows, amazing sound quality! I was told the venue started out over forty years ago as studio musician hang out.

 

What an exciting night, Chieli’s debut at the ‘Potato’. For me, the place was reminiscent of the forty-five or so person capacity, Lowville Bistro gig I recently attended in Canada after the awards. There’s nothing like hearing live music in a living room atmosphere!

 

Here’s a snip of sound check chatter:

“How long of a fill do you wanna play? A bar or two beats, at the end of the bass solo we’re gonna have a false ending.”

 

Lao Tizer and company pounced on stage.

 

Lao:

            “You gotta clap louder than that if you’re gonna get Philpot to stand up! I’d like to welcome you to the Baked Potato. I’d like to introduce you to a good friend of mine, Mr. Chieli Minucci. We’re gonna play a tune called, Cruise Control.

 

Chieli hit it and he was on fire, WOW. Steve Nieves nailed a stellar sax solo rolling us straight to jazz euphoria! Nieves nailed the snare drum with the sax still hanging around his neck. His ‘it’ factor in full bloom! Back to Chieli on guitar, what an opener! Steve hopped back on congas, and off-the chain was he! The band chemistry turned the place inside out. Lao closed his eyes and gave it up on his stellar solo. Steve was back at it on sax when Lao popped one hand up in the air signaling a sax-guitar, back-to-back solo by Steve and Chieli. Talk about a jam, these two had an incredible volley going on while the band was rockin’ it full speed ahead.

 

Chieli:

            “It’s really good to be here with Lao! I’m from a group called Special EFX. We have a new CD called Without You.”

 

Lao:

            “This is the first time Chieli’s played here or been here! This one is called, Fire and Ice.”

 

They took a little Latin flavor a long way on this one! Steve threw a few hot peppers into his percussion rhythm and glowed in the dark on this tune. Every band member was in bliss, all eyes closed, blissfully emanating their jazz! Raul offered a fiery drum solo and reinvented his back corner of the stage. The crowd loved him! He passed it off to Lao on keys, who got down with his bad self, Tizer-style! Steve offered up some congas and lead us straight to Chieli on his well-worn black acoustic guitar. Another wow goes to Minucci for an amazing solo!

 

Lao:

            “The secret is red beans and rice—and you can play drums like that! I wanna bring up my good buddy Jeff Marshall. He’s kinda become a mainstay here at the ‘Potato’. This song is called, Uptown.”

 

Jeff Marshall (Big Red) turned it out on guitar. Steve brought out the tenor sax, scooted up to Lao and what a jam it was! Steve was blowin’ like crazy as a lead-in to Lao’s awesome solo. A nice slice of Rufus Philpot on bass rounded out this great song perfectly!

 

Lao:

 

            “Please, give it up for Steve on sax and Rufus Philpot on bass! This is the title track called, Diversified. We call this kind of music world fusion.”

 

Steve and Lao were on vocals, when Nieves picked up a set of car keys—and developed a unique percussion vibe, clever! Chieli gifted us some insanely good electric guitar. I can’t believe the talent on the spud stage tonight! Lao ended the cut with one hand in the air.

 

Lao:

            “Hey Chieli, you wanna hold up my CD?” He joked, “Rufus, can you sing on this one?”

 

Rufus quipped:

            “I can’t work under these conditions!” He walked off stage chuckling to himself. The audience belly laughed.

 

Lao:

            “This is off the second CD and its called Touch The Sky. We produced it in New York with Jeff Kollman, who is not with us tonight. He’s in Hawaii! Again, this tune is called Touch the Sky.”

 

Lao reintroduced the band before they came together for an amazing jazzy vibe with awesome vocals. Every one of them sparkled! Lao ended it with his swanky keyboard and the light percussion of Steve Nieves.

 

Chieli exclaimed:

            “Lao Tizer!”

 

Lao:

            “Steve Nieves and Chieli Minucci on vocals! As soon as the good ole boy is ready, we’ll get started on St. Stephens Green.”

 

Steve came in on soprano sax with an alto hanging from his neck. Rufus on bass joined the band, thumpin’ and bumpin. Steve edged up to Lao and immediately entered the Nieves-Tizer Zone. Chieli was electric on electric. We had a hot potato at the potato on this cut! Triple wow, again guys! Steve was still lit up on sax and made his way back to the Steve-Lao duo. They were smokin’! What a crazy jam. The house was on its side! Nieves energy was unplugged! He volleyed from alto to soprano, mixing it up with Minucci for an unforgettable finale.

 

Lao:

“Steve Nieves! Chieli Minucci! We’re gonna play one more song, then we’ll take a short break. But, we’ll be back! I wanna welcome ‘Big Red’ back to the stage. Remember, we have CDs for sale!” He pointed proudly, “Our merch table is right here! This is called It Is What It Is.”

 

Chieli hooked us up with some insanely good electric while Steve blew a little tenor. Raul added his licks to a brilliant solo by Rufus Philpot. There’s nothing like the thick thump of a great bass player wriggling under your skin! Minucci and Jeff ‘Big Red’ Marshall volleyed back and forth while Lao led the pack front, center. Screamin’ guitars eased into the finale with a studio-session vibe. Lao popped one hand into the air signaling an almost-end, just as Steve hit the tenor sax. Lao reintroduced the band and said, “We’ll be back in just a little bit. Stick around and we’ll be back in just a few!”

 

Second Set:

 

Chieli:

            “How’s everybody doing, alright? How about Lao Tizer?!”

 

Lao:

            “Chieli’s traveled the furthest, from New York!”

 

Rufus:

            “He doesn’t get out much, but he’s a great chap! He almost leads a normal life!”

 

Lao:

            “Who says we never give him the mic again?! This is a tune of Chieli’s called Body Heat.”

 

I set my pen down for the second set. From Body Heat, Olivas Adobe to Hui Hou, these guys kicked it out! We had a ‘Potato’ party goin’ with full-audience claps, solos to-die-for and some unforgettable jazz-crazy moments. Thanks guys, for a cozy, jazzy night I will not soon forget!

 

© May 2010 Lynn M. Olson ALL RIGHTS RESERVED


Saturday, April 4, 2010

Grant Geissman, The Cool Man Cool Band

Spaghettini:  Seal Beach, CA

 

Guitar: Grant Geissman

Upright Bass: Kevin Axt

Piano:  Emelio Palame

Woodwinds: Brian Scanlon

Drums: Ray Brinker

 

“Okay, let’s do it!”Grant said. “Thank you very much, and welcome to Spaghettini! We gave everyone a CD.”

 

Their opener was, ‘Say That’ (Cool Man Cool CD). Grant and The Cool Man Cool Band definitely have the ‘it’ factor. The audience was engaged from moment one.

 

Grant said.

“Thank you so much! Here’s a tune from it called, ‘What’s the Story’ (Cool Man Cool CD).”

 

Geissman’s smooth, natural guitar says, come along for a ride, let me play for you. I snuggled up to his at-ease style as it blanketed my front row, center seat with warm and cozy jazz. Brian Scanlon’s flute solo instantly pleased the crowd as he slipped it to Emelio Palame for a smooth chill.

 

Grant said.

“Thank you, so much! We’d like to play the title track from the CD you have on your tables. It’s called, ‘Cool Man Cool’. I had the pleasure of inviting Chuck Mangione and Chick Corea to play on this tune. Tonight, Brian will be playing the part of Chuck Mangione and Emelio will be playing for Chick Corea,” he quipped.

 

The guys kicked it up, all were in the zone and so were we!

 

Grant asked.

            “Are we havin’ fun so far? I’ve been writing for the show, Two and a Half Men. I co-wrote the theme, but they only play cuts that are either twenty-two seconds long or six seconds long. I kind thought that isn’t long enough, so I wrote a bridge for it, an extended jazz version. And, we want to play it right now.”

 

This song carried it home to mama for me! Emelio’s piano was stellar and the Brian’s finale on soprano sax blew it out of the water.

 

Grant concluded.

            “So, there you have the long version of ‘Two and a Half Men Theme Song aka My Cool Uncle Charlie’. Here’s a tune on the album which we were able to get the legendary Tom Scott to play. It’s called, ‘Chicken Shack Jack’.”

 

Grant rocked it out on this one! This guy’s really got some chops! Brian’s solo on tenor sax was amazing, truly amazing. Some genius surfaced on this tune!

 

Grant joked.

            “Pizza order number forty-seven is ready!” Grant chuckled as he reached for his grandfather’s banjo. “I wanted to write a song I could play on my grandfather’s banjo.”

 

The song was appropriately named, ‘My Grandfather’s Banjo’ (Say That CD). “Stand back, these things are loud!” he warned as he hit the strings with gusto. Brian Scanlon grabbed his clarinet out of his back pocket and it was an instant party!

 

Grant said.

            “Here’s one for the old bebopper guys. They have their own lingo. If they wanted to go listen to music they’d say, “Let’s go dig some sides.” That’s the name of the tune, ‘Dig Some Sides’ (Cool Man Cool CD).

 

We had some, fun, fun, fun on this one.  Brian outdid himself on alto sax. This guy had an amazing amount of rabbits in his jazzy hat tonight! The band was in sync, the audience was lovin’ it and I was a chair dancin’ maniac!

 

Grant reintroduced the band and said.

            “Depending on your point of view, it’s either rum in your drink or your political statement. ‘Cobra Libre?’” Emelio Palame on piano stole the show on this one and earned a triple wow! The audience went crazy and so did I!

           

Thanks guys!  What an honor to experience the music of the infamous Grant Geissman and The Cool Man Cool Band. We all hope you’ll be back to Spaghettini’s soon! By the way, thanks so much for the CD, we’re all still listening to it. And, it is most definitely on repeat!

 

© April 2010 Lynn M. Olson ALL RIGHTS RESERVED


Saturday, March 13, 2010

Global Kiss CD release party, Steve Oliver

Spaghettini:  Seal Beach, CA

 

Guitar: Steve Oliver

Bass:  KT Tyler

Percussion:  Humberto Vela

 

“Good evening, everybody!  How’s, everybody? As always, welcome to Spaghettini.  If you’re wondering what this bald guy is doing up here, I’m Greg Cozzo, from the morning show, Smooth Jazz in Temecula, with the one, the only, with his brand-new album, Steve Oliver!”

 

Steve pounced on stage with energy to spare!  He began playing with his eyes closed, and it was Steve Oliver magic time.  ‘Stevo’ bliss blanketed the venue.

We all shared an ‘ah’ moment.

 

Steve said.

“Good evening, how’s everybody doing?  We’ve got a lot of new songs to play for you tonight! He introduced, ‘Barcelo’ (Global Kiss CD).”

 

Steve kicked it up and out, earning a triple wow for his new music!  KT and Steve offered a double dose of jazzy fun.  Guitar and bass rocked it like crazy.  They tore the place inside out.  I immediately thought to myself.  Where’s the CD table?!  My fingers tightened around the double sawbuck as I earmarked it for a signed version.  I sat back thinking, this one is a must have!

 

Steve proudly concluded.

            “Ah, a little ‘Barcelo’.  That’s a new song off the Global Kiss project.  Tonight we have two amazing musicians here; KT on bass and Humberto Vela on percussion.  I’m gonna be making some sounds on my guitar.”  Steve gave a short demo of his piano, flute and orchestral sounds.  “I did bring my flute,” he joked.  “These are some Brazilian words I came up with while I was writing this song called, ‘Ba Aye’ (Global Kiss CD). I found myself lost in his tune, frozen pen in hand.  Humberto enveloped the entire audience.  Hats off to a stellar finale on this one!

 

Steve announced.

            “Humberto Vela, on drums and percussion!  That was a new song from Global Kiss!  We’re gonna merge a couple of songs.” Steve expressed his gratitude to Spiro Gyra and Marion Meadows.

 

They married ‘Angel Amore’ and ‘Fearless’.  From instrumental to vocals, the lyrics expressed Steve’s style and attitude perfectly.  He approaches his genius fearlessly, and it shows.  KT thumped this one out while Steve’s unique trumpet mimicking, created a finale that blew the tune out of the water.  I was left wondering. Did he have a horn in his back pocket?  He was truly amazing!

 

Steve quipped.

            “Let’s hear it for the trumpet!  I had a trumpet on the album, so I figured I’d bring it with me.  So, are you in the mood for ‘Chips and Salsa’? Com’on, Spaghettini!”

 

His hands went straight up, and a full audience clap began. It was time to grab a salt-rimmed glass and join in!  Oliver served the ‘Chips and Salsa’, hot, hot, hot!  If I didn’t know better I’d swear I was under a palapa on the beaches of East Cape in the Baja!

 

Steve added.

“Spaghettini, sing with me!” The venue rang, “Oh, say oh!” Steve exclaimed, “You’re hired!  Once again, we’re gonna keep it in Spanish mode.  Do we have any Spanish flamenco guitar lovers out there?” The crowd roared.

 

Steve opted for full-audience participation and revved this one up.  Everyone was having a blast with his “Ole…Ole…Ole…,” when a pleased Steve commented, “NICE!” Again, I was in awe, a perfect flamenco riff.  Thanks, Steve! The ‘Ole’ slowed a bit and Steve said, “We’re losing it, huh?” KT held up a paper ‘Ole’ sign.  Steve warned, “KT Tyler, behave!”  Humberto turned the place on its ear with his cajon drum solo (cajon: wooden box sit-on drum).  Humberto was undeniably in the zone and everyone there joined him.  He was off-the-chain, playing before a pin-drop silent crowd.  I have to say…no one does that like Vela!

 

Steve said.

            “Humberto Vela!”

 

KT jumped in while Humberto was still at it.  His deep, throaty bass resonated through every inch of the venue.  Steve turned to KT in a muted tone, and said, “Just me and him.”  The Vela-Oliver volley that followed was phenomenal!  Steve popped his guitar strings while Vela blew everyone away on the cajon drum.  The ‘Ole’ again, and we were wowed once more!

 

Steve said.

            “Once again, ladies and gentlemen, Humberto on the cajon! NICE!  You know Global Kiss isn’t coming out until March 30?  But, we’ve got some here at Spaghettini, if anyone is interested. All the songs on Global Kiss are my babies, this is a tune called, ‘Take Me Away.”

 

A smooth chill engulfed the crowd.  Everyone melted to mellow, nice and easy.

 

Steve said.

            “Take me away, here’s another new one.  This one’s called ‘True Vision’.”

 

This song exploded on stage and Oliver reinvented music!  KT’s solo carried this one home to mama.  They coached, “Let’s see some hands!” We joined in another overhead clap.  “Now, that’s the spirit!”  Steve electrified the house.  “Keep it going, NICE!”

 

Back to Oliver.

            “’True Vision’, off the new album.  Are you guys feelin’ good?”  He repeated, “Are you guys feelin’ good?  This one got most added on Smooth Jazz this week!  Vienna, Mike from WineandJazz.com and Smooth Jazz are all in the house tonight. Next up is, ‘Fun in the Sun.’ Are we havin’ a little fun in the sun tonight?”

 

Steve’s finger work was second-to-none. He owned this one. His outstretched arms and rockin’ music transformed the crowd into a boiling pot of toe tappers.

 

Steve concluded the first set.

            “Thank you, so much to everybody, KT on bass, Humberto on percussion. We’ve got a whole ‘nuther set.”

 

Second set took us from ‘First View’, ‘Good 2 Go’ to my all-time favorite ‘I Know’.  ‘Global Kiss’, final song for the night, had Steve bunny hoppin’, Humberto spicing up percussion while the pulse of KT the bass delivered the Asian-flair of this lick to jazz heaven.  A mix of stellar vocals ended the night with the finesse and style only Mr. Steve Oliver could pull off.

 

Thanks to Steve and the band, for a sparkling night CD release party. Steve Oliver, your infectious energy awestruck every inch of this venue and not one of you guys never missed a beat!

 

© March 2010 Lynn M. Olson ALL RIGHTS RESERVED


Friday, November 13, 2009
Lao Tizer with Karen Briggs
Spaghettini:  Seal Beach, CA

Keyboard:  Lao Tizer
Electric Violin:  Karen Briggs
Guitar: Jeff Kollman
Guest on Guitar:  Jeffrey Marshall
Bass:  Andre Manga
Drums:  Drew Megna

Lao Tizer hit the stage and warmed the crowd to simmer.
“Ladies and gentlemen, how’s everybody doing?  Come on, you can do better than that!  Welcome to Spaghettini, we have CDs for sale and we haven’t been here for a while.  We’re gonna start off with a tune called Flow off our first album (Diversify CD).”
The opener was a mellow mix of chill music.  Jeff Kollman gave us a rockin’ jazzy-style solo then passed it to Lao Tizer on keyboard.  They’d barely started playing when Tizer entered his zone, eyes closed, talent box wide open!  We all indulged and the hang smoothed over us like creamery butter.

Tizer added.
“We’re gonna bring up a special guest!  Please welcome, Miss Karen Briggs to the stage.”
Karen quipped.
“Always great to play with these amazing players.  We’re gonna play Olivas Adobe, (Diversify CD).”
Karen grabbed hold of her electric violin and reinvented music!  This latin-flavored tune had the entire audience in awe.  Her finger work is beyond phenomenal and has a sassy flair.  She volleyed to Lao whose raindrop-fingertip style blew us out of the water.  The entire band joined in for an amazing collaboration of rockin’ jazz.  Lao’s head was swayin’ and his eyes were closed while he offered us his heavenly Tizer-style keyboard.  Lao and Jeff joined as a duo of sorts while the entire band backed them up with an incredible beat.  Karen continued to play, adorned by the satisfied smile of an artist in love with her instrument and music.  Kollman and Tizer teamed up once more while flanking the keyboard.  Tao leaned back and mouthed to the music director with a finger popped in the air,
“Up a little bit.”
He never missed a beat!  They were not done with us yet, the volley was endless; Tao to Jeff to Karen, back to Tao, then to Jeff and finally Karen.  The solos were all laced with a volley so intense my pen could barely keep up.  What an incredible song.  Lao was in his element!

Lao announced.
“Miss Karen Briggs on electric violin and Jeff Kollman on guitar!  I mentioned Chieli Minucci before.  Well, he couldn’t be here tonight, but we’re gonna do a song off his called, Bodyheat (A Night with Chieli Minucci and Special EFX DVD).”
Jeff Kollman opened on vocals and owned this one!  From there the Lao-Kollman team took guitar and keyboard to the moon.  Lao’s outstretched hand prompted a full audience clap and the jazzy games began!
Jeff added.
“Mr. Lao Tizer on piano!”
Lao was foot tappin like a drumbeat.  Karen hopped in with lightening speed sailing across her violin strings.  What an amazing artist!  I was, again, awestruck!  She shook her head from side-to-side and her blissful smile filled the venue to overflowing.  Drew Megna’s fiery drum solo led us straight to the band’s synchronicity, timed perfectly.

Lao said,
“Drew Megna on drums!  Is everybody havin’ fun?  We’re gonna change the pace right now.  We’re doing an opening track called To Touch the Sky, (Passages CD).”  Karen on electric violin and Andre on bass sat this smooth tune out.  Lao and Jeff paired up again.  It was head turned to the side with eyes closed and intense keyboard from Tizer.  His finale sparkled.

Jeff added,
“Lao Tizer on piano!  We’re gonna feature Miss Karen Briggs on this next one.  She’s gonna crush it and she’s gonna own it!  You can tell she’s shy by the way she plays!”  He quipped.  “She lets her fiddle do the talkin’!  This is off Karen’s CD (Soulchestral Groove).  This is Loving You.  And, you’re gonna recognize this one!”
Karen, nailed, owned and rocked this one home!  No kidding, we’d recognize it, at least I did!  She displayed some of the finest finger work I’ve ever seen.  The violin was buzzing like an angry swarm of bees around a hive.  She was off-the-hook!  Andre Manga grabbed his bass solo, prompting Jeff to holler, “I love bass, yeah!”  Karen and the band took this one to an entirely new plane.  The Briggs-style electric violin matched this tune perfectly.  At song’s end, Karen offered her double outstretched hands to Manga silently saying, ‘Great job!’

They went straight into St. Stephens Golden Soul CD. 
Lao said to Jeff,
“You take the first solo.”
We enjoyed the mellow for a while until Jeff’s solo rocked it up several notches.  He took this one home to mama.  From there, the hand off went to Lao and snagged a cut in by Karen.  Lao was standing on one leg, playing like a madman, while Karen stroked her fingers along the neck of the violin, emitting one of the most unique sounds I’ve ever heard. Wow, they ran away with this one, simply genius.  Lao’s proud smile ended the song.

What It Is (unknown CD) was next.
Karen and Jeff offered.
“We wanna bring a good friend up, Jeff Marshall.  We call him Big Red and you’ll see why in a minute.  We saved the best for last and hope you’ll stick around.  He’s big and he’s red.”
The double guitars were a treat and what a team these two were!  We were in guitar bliss early on with this cut.  They passed the tune briefly to Tizer, then back to our double Jeffs.  Kollman soloed and showed us his chops with unplugged and crazy good!  Andre on bass sauntered to the corner pocket, thumped, bumped and paddled his way into every jazzy soul in the place.  The spotlight was on him.  Bass strings radiated to glowing under his guidance, stellar!  Right in the middle of the solo Lao started an overhead clap, taking the experience to mind boggling.  The crowd loved him.  His stellar bass fade with Jeff slipping into the chill factor and a slowed version of the overhead clap was nothing but a blast.  Andre’s eyes were closed as the audience joined his zone.  Lao was snapping his fingers lightly.  Andre owned it.  The volume came back up and so did the full clap.  Jeff and Karen offered a jazz-crazy assist, a triple wow!  They had the audience howling when two guitars and the entire band went nuts.  Tizer accompanied their intense battle of the strings and started the finale.  Both guitars cut back in and played it hard.  Lao proudly introduced his band.

Set 2

Lao said.
“Some verve on the violin.  Alright, how’s everybody doing?  Okay, we’re all liquored up and ready, especially Andre.” He laughed.
This is called Uptown (Diversified CD).”
This song was one great big volley festival.  Everyone was warmed up and offering their finest.  From Lao to Karen, to Lao and back to Karen, the two Jeffs had their way with it, passing it around like a jazzy hot potato!  It was just, plain fun!

No intro needed for, Fire and Ice (Golden Soul CD).  Drew hit the drums and before long both Jeffs were dueling again.  Tao put his finger in the pie while racing across his keyboard.  Andre and Karen kicked up this salsa-flared tune to chili pepper hot!  They all played this one like wild fire!

The title track for the Diversity CD had Tizer reintroducing his great band.  He offered this one and featured Karen on electric violin.  Jeff Marshall left for a moment and Kollman hit the vocals.  Karen went off!  This was one of the best songs of the night.  We were again, awestruck!

Lao joked.
“After that she gets a break!  And, we get to sweat some more.  We’ve got Jeff’s song up next, Greasy Louise.  This tune had a great beat.  An overhead clap started it rollin’ then a drum solo took it around the corner to another overhead clap.  Lao got down and showed us his chops.  We had another string battle, fabulous!

Jeff said.
“Give it up for the lovely Jeff Marshall!  Thank you, and good night.  I’m kidding!  We’ve got a few more.  Big Red, if you will!”
Lao added,
“This is a song I wrote after the first time I went to Kauai.  Anyway, it is inspired by my trip there.  How many of you have been to Kauai?  That’s more than usual.”  He chuckled.  “We played in Alaska and like two hands went up.  Anyway, A Hui Hou means until we meet again (Diversify CD).   Kollman hit the vocals and we enjoyed some mellow yellow.

Lao exclaimed.
“One more time, please welcome Miss Karen Briggs!   Thank you all for coming out and thanks to Q.  We haven’t been here for a while and hope to see you again!  This is called West Side (Golden Soul CD).”  He reintroduced the band and reiterated, “We hope to see you again.  We hope to see you next time!”
The finale was amazing.  Kollman was all over the stage.  They heated up the song and Jeff started flitting around like an electric butterfly.  From Karen to Andre to Marshall, he played with them all.  Karen Briggs reinvented genius here.  Her bow wailed along the strings with the speed of light.
Kollman added.
“Karen Briggs on the violin, give it up for her!”

My heartfelt thanks goes out to Lao Tizer, Miss Karen Briggs and their incredible band.  The soul-altering music they played left me breathless.  I hope we’ll meet again on a not-too-distant shore very soon.

© November 2009 Lynn M. Olson ALL RIGHTS RESERVED


 

Spaghettini, Friday, September 18, 2009
Keyboard/piano:  Oli Silk (United Kingdom)
Guitar:  Nigel Williams
Guitar, special guest:  Peter White
Bass:  Dwayne ‘Smitty’ Smith
Saxophone:  Gary Honor (Australia)
Drums:  L.J. Hollifield
 
Opening emcee and saxophone player, Gary Honor hit the stage, sporting a checkered Beret, Gary and his beautiful Aussie accent.
“Good evening everyone!  Welcome to Spaghettini tonight!”
Oli revved up the energy from note one.  Silk sat at the piano, strap-on in place and rolled it up!  He pounded the keys on “The Limit’s the Sky.”  The title called this one!  Nigel was makin’ sweet love to his guitar while Dwayne ‘Smitty’ Smith, clad in black beret, was thumpin’ and bumpin’.  Oli was on it, and all over it!  Honor was givin’ it up and the entire band had it goin’ on!
 
Oli said.
“Woo, how you doin’ Spaghettini?  So, in case you don’t know, I’m Oli Silk!  I’m here, all the way from London, England to entertain you.  Q, if you’re here, can I have some more tracks?  We’re gonna start out with an old one for you.  This one’s called, “Hats Off,” (So Many Ways CD).
Gary was on the flute, and was he on the flute???!!!  This guy can play!  Nigel was rockin’ and rollin’ his guitar while Duane and the guys were dishin’ it out!  L.J. Hollifield’s drum beat was spot on! What a band!
 
Oli talked about his first US appearance, when he played the 2004 Catalina Jazz festival.  He’s been in the states for six months now.
“I’m going back to the United Kingdom for the winter, but I’m not sure why!” he joked.  “A lot of people have asked, “Have you played Spaghettini?  Have you played Spaghettini?  This is a premier gig, and we’re happy to be here!”
 
“De-Stress Signal,” was up next.  A nice dose of mellow came our way with Gary on soprano and the chillin’ band.  The crowd sat back and enjoyed!  We were all mellow, yellow!
 
Oli said.
“We’ve got a lot of songs for you!  We were never much into cover tunes, but will incorporate them into the set later.  They do ‘em different in the US.”  He hinted of a special guest for second set, who has been his friend for a long while.  “You’ll know him!”
Oli added.
“Next is the second single off our first CD.  “Eve’s Song,” is appropriate because it is my five-year anniversary.  I met my wife at King’s Cross nightclub five years ago tonight!”
The song was a perfect musical toast, to a very special occasion.  Nigel’s guitar solo was off-the-hook!  The multitalented Gary Honor was on tenor sax this time, blow, blow, blowin’!  Oli carried us all away.  Ah, musical bliss, nothin’ finer!  Duane ‘Smitty’ Smith hedged over and started playin’.  His stellar bass resonated through the venue.  What a bass player!!!  Nigel joined in, eyes closed and two were genius!  Oli stood up, knocked out some insane keyboard.  Gary was on pixilated flute, blowin’ us away!  Gary and Oli are a quite a team, musical perfection, amazing!  Gary hopped over to the piano.  Oli stood up, sat down and played like crazy.  The guy’s got both style and class.  Gary played a wild sax solo.  He was a superstar and stole the show on this tune!  And, let the volley begin!  He passed it back to Dwayne, who nailed it!  From Smitty, it went to L.J. on drums.  The guys did a duet, of sorts.  Oli had the strap on and they cut loose with manic music fun!
 
Oli joked about his pixilated voice.
“This is the only way I can sing to you!”  His scattin’ was phenomenal.  The audience was fully engaged and lovin’ it!  Every band member supported a Cheshire cat grin.  The stage was lit up!
Oli exclaimed.
“That’s fun!  That’s fun!  Gary Honor was on keyboard, and he doesn’t even play the keyboard!  I can show you the notes he missed!  I don’t expect you to dance, because there’s not much of a dance floor.  We’ll get Gary Honor to do some break dancing!”
 
Oli said.
“We’re gonna take a break after this and I’ll sign CD’s!  Eat, drink and enjoy yourselves.”
“Rushmore Cafe,” was up next.  Gary was on flute, stellar again!  Nigel on guitar was thumpin’ like crazy and doing the William’s bump with his guitar.  Dwayne edged across the stage, joined in and it was perfection!  Gary walked his flute over to Oli then went back to his spot, back to Oli, into his spot and so on.  It was great fun!  In the end Gary gifted a marvelous center stage flute frenzy!  It was a very cool WOW moment.  Oli’s one-handed cease signal ended the set.
 
Oli promised.
“We’ll catch up with you in a little while.”
 
 
Set II
Light’s up!
Oli said to the band.
“Ready when you are!”  Gary hit the alto.
Oli hollered.
“Break it down!”  The song was ”S.O.S.O.S.”  The energy was intense, the crowd loved it.
Oli quipped.
“Thank you, thank you!  I’m out of breath!  Everyone thinks this is such an easy job because I’m sittin’.”  He clowned around about being in perfect physical condition.  “We’re gonna do a medley of a couple of tunes.  “London to LA,” is a fictional three-hour train ride from London to L.A.”  We’re gonna do Duane ‘Smitty’ Smith’s LA to London, back-to-back.  We’ve never done these two back-to-back!”
Gary hit it on tenor sax, handed it to Nigel while Oli was showin’ his chops with one hand on the keyboard and the other on piano.  It was something to watch!  Suddenly Gary switched to flute, trill, trill, trill and trillin’!  A nice hand off gave us more Nigel.  He was off-the-chain, as always!
 
Oli announced.
“Nigel Williams!  Nigel Williams!  One, two, Mr. Nigel Williams on guitar.  Hopefully, we’ll be able to cut that one pretty soon!”
Silk proudly exclaimed.
“It’s my great, great pleasure to introduce my special guest, who I’ve known for many years, Mr. Peter White!  Off my first CD, we’re gonna do “Easy Does It.”  B-sharp, sharp!”
Gary on soprano sax matched Peter toe-to-toe, both in the zone.  Peter played with eyes closed.  His finger work was phenomenal.  My front row, center perch was perfect.  I was in awe and in a zone of my own!
 
Oli said in closing.
“Peter White, ladies and gentlemen!  You can’t do just one song when you’re up here!  Maybe a Ronnie Laws tune, “Friends and Strangers?”
Peter took the helm and the band joined in perfect synchronicity.  Gary was on tenor, doin’ Ronnie proud!  Oli led them to play, stop, play, stop.  Peter and Nigel were fantastic together!  The entire band blew the venue out!
 
Oli ended it.
“Ladies and gentlemen Mr. Peter White!  I’m gonna invite Peter back again a little later.  What do you want to do next?”  He dedicated a song he wrote for his mother, “Latin Haze,” for Hazel.  This is from ten years ago.  The tune will feature L.J. Hollifield on drums.”
Oli was playing keyboard and piano simultaneously, again.  Gary opened up the alto, center stage when the drums hit it.  Some low bass from Smitty led into a tremendous performance from LJ on drums.  What a killer solo!
 
Oli exclaimed.
“Yes!”
Hollifield was playing every possible angle of the drums, sides top.  He threw a drum stick up, caught it and nailed his solo!
LJ said.
“One, two!”
He turned the place inside, out then the band joined in.  Oli stood with the strap on and played like crazy.  We were all having too much fun!
 
Oli hollered.
“That’s L.J. Hollifield.  Only a baby, he’s twenty-seven years old.  Thank you all for coming!”  He reintroduced the band.  “Okay, we’re gonna do a few more songs for you from our So Many Ways CD.  This is a jam called “Pens and Paper.”
Honor swung around his tenor sax and blew it out!  Nigel bumped in a guitar solo then off to Oli for some pixilated scattin’ while he played the strap on.  The entire venue was on fire.  The tune was a great jam session!
 
Oli joked.
“Ah, singing, singing, I’ll restrict my singing to the shower!  We’re gonna do “San Carlos,” for our San Carlos section.”
A chunk on the left side of the venue chimed in their approval.
“Put your hands up!”  This song was just, plain fun!
For the last medley, Gary switched to alto and strutted across the stage.  Honor and Oli dueled center stage, nothing but fun!  Their chemistry was amazing.
Oli said.
“Thank you, so much!  We’re gonna do one more.  I’d like to invite my special guest, Peter.  This song belongs to Peter White.  It’s called “Chill or be Chilled.”
Peter came back up, Gary was on tenor sax and the venue was shakin’ before long.  We got our dose of chill and much more.
Oli closed.
“It’s been a pleasure to share your company and the music.  It’s really been a pleasure and I hope to see you again!”
 
That was a great night of music!  Special thanks to Oli Silk, his incredible band and his amazing friends.  It was an honor to hear your music for the first time.  Hopefully, this was the first of many opportunities!  These memories are priceless!
© September 2009 Lynn M. Olson ALL RIGHTS RESERVED


Saturday, July 11, 2009
Special Event:  Earth, Wind and Fire
Spaghettini:  Seal Beach, CA
 
Vocal:  Joey Diggs
Vocal:  Luisa Dunn (Larry Dunn’s wife)
Vocal:  Lana Turner
Saxophone:  Michael Parlett
Trumpet:  Winston Byrd
Trombone:  Steve Baxter
Keyboard:  Larry Dunn (arranged music for Ramsey Lewis) (original member Earth Wind and Fire)
Guitar: Sheldon Reynolds (original member Earth Wind and Fire)
Guitar:  George Jorge Evans
Bass:  Hilliard Wilson (nickname:  Mud Ball)
Drums:  Tony Moore
 
Bill Dudley from THE WAVE welcomed a packed house tonight!
“Good evening, everybody!  Welcome to the best jazz club in the world!”
He introduced the band, glowing about the two original members we were fortunate enough to have with us (Larry Dunn and Sheldon Reynolds).
“Let’s give it up for all of them and enjoy the show!”
 
 
Larry Dunn opened it up, playing with one hand on the keyboard and one on the piano.  It was pin-drop quiet, everyone was in awe.
“Go on, George (guitar player), A minor.”
Every eye in the place was on him.  Larry played a FaderFox (tiny midi controller box), that had a phenomenal sound.  Talk about alive, I think it was!  Every band member stood there watching, deeply concentrating on Larry’s genius.  We were all wowed!
 
 
Sheldon broke the silence.
“Larry Dunn!”
Larry said.
“Hold up the you know what!”
I’m not certain what he meant, but the stage came alive.
Sheldon quipped.
“We’re pretty crowded up here, so we can’t dance!  Oh, yeah, Oh, yeah!”
Sheldon hit the vocals and the three other vocalists followed.  The stage was on fire with all eleven artists.
Sheldon hollered.
“Somebody say, Yeah!  Do you feel alright?  I can’t hear ya!  Do you feel alright?  Anybody know the, “Serpentine Song?”  Anybody know about Serpentine Fun?”
Sheldon grabbed hold of the vocals and rocked in place to this familiar tune.  Before long he had everyone boppin’ and thumpin’ in their chairs.
“Come on, right here.  We want a soul clap!  Come on, y’all.  Can you sing?  Don’t be shy now!  Okay, try this.”
We all had a blast and the place was on its side already!
“Take it home, y’all.  Take it home, y’all!  Somebody say, yeah!”
Sheldon enamored the audience.  Everyone was engaged.
 
 
Larry Dunn said.
“That’s what I’m talkin’ about.  Sheldon Reynolds, y’all!”
Sheldon announced.
“We’re gonna feature someone special on this one, Joey, right now on vocals.”
The tune was an original Larry Dunn creation.  Michael opened on saxophone and Joey carried it home with stellar vocals.  Sheldon joined in on vocals, and the volley began.  The four on vocals were a gorgeous medley; Joey, Lana, Luisa and Sheldon.  Larry rounded the corner with his chops, and the keyboard singing along too!
Larry Dunn quipped.
“Joey, ladies and gentlemen, he sings beautiful, doesn’t he?  It’s awful quiet in here.”
 
 
“2000 sky-5,” was up next, featuring Michael Parlett.
Michael joked.
“Say hello to the CD and if it says hello back, run!”
Michael opened this one on the EWI (Electronic Wind Instrument), and teamed up with Larry on the keys.  Dunn is second-to-none on the keys!  He played with one hand in the air raising the entire stage of eleven artists to join in.  Michael took over momentarily on the EWI then showed his stuff on the soprano.  Everyone gave this one their all!
Sheldon stepped forward.
“Michael Parlett!”
 
 
From there, Michael took the soprano and dueled with Larry in a spectacular show of music.  Between the two of them and the band, they had the place rockin’ inside and out!
Sheldon joked.
“Lloyd Jeffrey on guitar!  Hey, hey, did anybody see that train come through?  You guys wanna hear “Get Away?  You already gave it away.”
Sheldon sang vocals with the Luisa and Lana.  What a great trio!  Larry popped up, waved Winston Byrd on trumpet to join in the mix.  Winston took clear and crisp to a new level.  In the middle of his solo, he hollered.
“Hah!”  Then bunny hopped, “Hah!”
Sheldon commented.
“Winston Byrd, he plays so beautiful, eh?”
Things went from ‘holy cow’ to manic.  Michael took hold of the EWI again, then the also the alto, showcasing his deep talent.  The music was insanely good.  Michael really went to town with some frantically-crazy blowin’!
Sheldon critiqued.
“That is what we call jazz!  Thank you for your support.  How y’all feelin’?  That was three of you, now how ‘bout the rest?  God bless you and we’re glad you came.”
 
 
Sheldon asked.
“Has anyone ever had a fantasy?  We dedicate this to you!”
The Morris White song, “Land of Make Believe,” was up next.  A great dose of nostalgia entered the room on this tune.  No words needed here, it was stellar!
Sheldon added.
“Thank you.  Thank you.”
He introduced the band.
“I just don’t know everybody’s last name!”  Sheldon cut up on the intros, and had everyone chuckling.
 
Larry Dunn commented.
“And, to the guy that called us all up, Q.  And, the guy that got this all together, Mike Parlett.”
Parlett talked about days gone by when Larry joined him on his solar radio show.  They talked fondly of Steve Baxter.  He joked about the bass player pasting on a mustache then kidded about Tony Moore strolling in tonight at four p.m.  They kidded around about mud ball, the bass player.
“I think you guys might know this one!”
They played snippets of “Wish Upon a Star,” “Shining Star.”
 
 
Sheldon took the mic.
“Let’s see if you know this one.  Anybody ever say thank you?”  They played, “Thank You For Lettin’ Me Be Myself.” We got any singers in the house?  I got a friend of mine in the house, I know he can sing!  The ones in the front have to sing!”
Everyone joined in.
Sheldon joked.
“We got some pasta over there?  Where’s the guy with the pasta?  Okay, all the ladies.  Okay, all the gentlemen down here.”
Larry chimed in.
“You ready?  We’re about ready to take it home.”
Sheldon closed.
“Thank you and God bless you.  We’re gonna take a little break.  You guys enjoy yourselves, but not with too much pasta.”
Bill Dudley came back up.
“Are we having a good time?  Let’s give it up for Spaghettini.  Let’s give it up for Q!  Let’s do what we do at Spaghettini, eat and drink!”
 
 
Set II
 
 
Bill Dudley introduced the second set.
“Good evening.  At the intermission I was talking to some band members.”  He talked about the Solar Radio Show and the history that was there that night.
“Let’s give it up for Earth, Wind and Fire!”
 
Sheldon rejoined the group.
“Is everyone feeling good and havin’ a good time?”
Larry added.
“Is everybody having a good time?  I can’t sing, so I’m gonna play through this thing.”
The awesome Earth, Wind and Fire tune, “You Can’t Hide Love,” was up.
Larry Dunn was back on the FaderFox, simply amazing.  The crowd went wild over the synthesizer sound of the ‘magic box’.
Larry said to the guys.
“A minor.”
And, back to the box it was for him.  Tony went crazy on a drum solo.
The guys all commented.
“You can run, but you can’t hide.  Tony’s still goin’ strong!”
Michael had some EWI time while Sheldon was ‘Oh, wa, Oh, wa’ing his way through the tune.  Larry tore up the keyboard once again!
Sheldon boasted.
“Of course, that’s Larry Dunn on keyboards!”
Larry said.
“That’s Sheldon Reynolds on vocals!”
Sheldon added.
“Michael Parlett!  Say what?  Say what?  Say what?”
It was back to Larry and George Evans for a duet.  Larry entered a zone of his own for this one and we were all happy to join!  Larry popped up one finger to cue the end.
 
 
Larry asked.
“Everybody get up on this one, or I’m not playin’!  Can I get a little less keyboard in the monitor?  I’m serious!  Everybody’s got to get up!  If you don’t know how to boogie, this is the time to learn!”
“Boogie Wonderland,” had everyone dancing, including me!
Larry said.
“So, y’all do know how to boogie?  Y’all are some of the best dancers I’ve seen.  What about a devotion?”  Three ladies at the bar had a request.  Sheldon continued to joke, “I’m so old I once owed Jesus a quarter!  Come on, we had five days to whip this into shape.  We grew up with this song.  We have a request.”  A lady in the audience called out a dedication to Alan.  “Is Alan messin’ up?  It’s so pertinent and the music is so doggone purdy.  Don’t laugh though!  Great memory here!”
 
 
Lana was a superstar on, “Can’t Find a Reason.”  She belted it out and the crowd adored her.
Larry said.
“Come on, Michael, check on it.”
Michael did an alto solo with one foot on the rail and dished out one hell of a number!
Larry commented.
“So beautiful, don’t you agree?”
Lana added.
“You don’t mind if I take my time, do you?”
Michael and Lana created a lovely duet together, with perfectly timed volleys.
Larry added.
“Alright now, don’t start nothin’.”
Joey chimed in.
“Do you remember when they used to say it like this?  Larry Dunn used to say it like this.”
All three joined in on vocals.
Larry commented.
“Good Lord, the lovely and extremely talented, Miss Lana Turner.  If you can go home and practice on that one!  This is another one.  You should feel free to stand up on!”
 
 
One of my personal favorite Earth, Wind and Fire tunes, “September,” carried the night away with it.  Everyone was dancing.
Sheldon hollered.
“Break it down!  Break it down!  Ladies, I need you.  Gentlemen, take it down.  We’re havin’ some fun now!  This guy is good.  Give a hand for George Evans.  Are you guys ready to sing, again?”  He repeated, “Are you guys ready to sing, again?”
Larry exclaimed.
“Bebop, bump, be ah yeah, ah.  Play a little jazz.  It’s Spaghettini!  We can play a little jazzy.  Come on, Michael!”
Michael did a great solo, followed by Winston Byrd on trumpet!  The two were spectacular.
Larry Dunn commented.
“Winston Byrd, ladies and gentlemen!
Steve Baxter gave it up on his trombone solo.  Joey on vocals stood by in awe.  A full bunny hop ended it.  Now, that was a whole lotta blowin’.  He really ripped it up!
Larry said.
“Steve Baxter on trombone!  Come on y’all, give him some.”
Michael hit the alto and soprano sax simultaneously.
Sheldon couldn’t resist.
“Show off!”
Michael played, unaffected.  Larry on keyboard needed no introduction.  Michael grabbed the EWI, Sheldon hit the vocals and “After the Love Has Gone”, took every one of us down memory lane.  It was just beautiful!  Parlett came front row, center and gave up some full-bodied sultry!
Shelton exclaimed.
“Amazing sax!  We got to go!  They said we got to go.  Y’all want us to go?  Y’all want one more?  We might have one more!  This song is our National Anthem.  If you know it, sing along!”
 
It might have been after eleven p.m., but the venue came alive!  Everybody was singing.  The entire venue was in a full ‘wave’.  All hands were swayin’ side-to-side.
Larry asked.
“You feel good out there?  We want to thank you for coming out tonight.  Thank you and good night.  You wanna hear more?  Before we go home, I have to celebrate Michael Parlett and Bill Dudley’s birthdays!”
Music director, Q, brought up an enormous candle-laden cake.
Larry added.
“He’s the one who put this together!”
Larry exclaimed.
“Come on, drummer man!  You go first.  What song is this?  Does anybody know?”
The encore was “Boogie Nights.”  The crowd went nuts!  What a blast!  Eric went nuts on the drums.  Sheldon Reynolds stopped mid-song and said, “If you’re feeling good say ‘Yeah!  If you’re feeling really good say ‘Yeah, yeah!”
 
 
Bill Dudley came back up.
“Y’all had a good time, right?  Thanks for joining us.  Thank y’all for coming!”
 
 
Wow, Earth, Wind and Fire!  What a night of jam-packed music.  This one will go down in music history, at least for me!  Thanks guys, you outdid yourselves!”
© July 2009 Lynn M. Olson ALL RIGHTS RESERVED


Saturday, August 22, 2009
Special Event Michael Parlett with secret guest Jeff Lorber
Spaghettini:  Seal Beach, CA
 
Saxophone:  Michael Parlett
Piano:  Jeff Lorber
Keyboard:  Hans Zuermulin
Guitar: Blake Aaron
Bass:  Earnest Tibbs
Drums:  Eric Valentine
 
Bill Dudley from THE WAVE was tonight’s emcee.
“Good evening, welcome to Spaghettini.  Are you all having a good time?  Michael, I’ve worked with you every night this week!  Let’s give it up for our waiters and waitresses tonight!  Let’s give it up for Michael Parlett and his all star band!”
 
The opener lit the place up tonight!  Michael initiated a full audience clap with his overhead pep talk.  They were on fire from the first note.  Hans Zuermulin’s mini solo brought it home, and led us straight to Michael on EWI (electronic wind instrument).  Blake Aaron on guitar lifted his solo to the heavens and the audience was completely engaged.  Parlett cut back and finished off an incredible music round robin had going on this one.
 
Michael announced.
“Blake Aaron, Mr. Blake Aaron.”  He quipped jokingly, “Thanks for comin’ out tonight, that’s been our show!  How many of you came to see Jeff Lorber?  Please put your hands together for Jeff Lorber.  I’d like you to meet Jeff Lorber!”
 
“Night Sky,” (Heard That CD, Jeff Lorber), showcased their amazing band cohesion.  Lorber sliced, diced and doled it out!  He spread musical genius across the stage and permeated every seat in the venue.  Jeff stood up and started clapping while the Earnest Tibbs on bass grabbed an off-the-hook solo.  What an amazing artist!  From there it was wailin’ sax from Parlett, with a quick volley to Hans, and back to miraculous Michael.  Meanwhile, Jeff had one hand on the keyboard and one on the piano with Michael blowing his sax like crazy all over the stage.  A fiery drum solo by Eric Valentine, yielded a “One, two,” scream.  He was unplugged!
 
Jeff took the helm.
“Thanks, so much for coming out tonight.  I’m lucky to be here with these cats tonight.”
 
Lorber dedicated, “Hudson,” (He Had a Hat CD, Jeff Lorber), to New York City.  Michael was playing the flute with the alto sax strapped on.  If it sounds a little crazy, it was!  Parlett opened on flute, then switched to sax and the audience was having a blast!  Michael can really blow!  He passed it to Blake Aaron on guitar.  And Aaron rounded it out perfectly.
 
Michael Parlett said.
“Jeff Lorber, Jeff Lorber!  Come on!”
Jeff Jorber shared.
“This band and Jeff have never practiced together before.  Clap your hands!”
 
A full audience clap had the place hoppin’ and boppin’.  No group practice, that’s amazing!  Jeff stood up, sat down and played like a mad man.  The audience went completely bonkers over Lorber.  A volley to red-hot Eric Valentine on drums then back to Michael finished this one off.
 
Jeff Lorber said.
“These guys are going to do a song we played back in the eighties.  You might have heard it.  This is called “Raindance.”
Parlett asked everyone to clap.  A thunder of applause rang out as Michael hit the soprano sax.  Jeff joined in, lifted one leg and pounded the keys.
 
Michael Parlett revved everyone up.
“We hope you’re havin’ a good time tonight!  We’ve got Jeff Lorber in the house.  And, we know you’re havin’ a good time tonight!”
He had the soprano slung across his chest when Earnest Tibbs hit it hard.
 
Michael exclaimed.
“Ain’t no body does it better!”
Tibbs dug to the bottom of his soul for this one!  Jeff was hand signaling the band while Michael plunged into the audience.  There goes Jeff again!  What a talent powerhouse.  He had one hand on the keyboard and one on the piano again!  Michael popped back up on stage and really did this one up right!
 
Michael exclaimed.
“Jeff Lorber, Jeff Lorber!”
 
Bill Dudley took the stage again.
“Thank you again!  One more time for Jeff Lorber!  Let’s give it up for Jeff Lorber, Michael Parlett and a great band!”
 
Set II
 
Bill Dudley took the stage for the second set.
“Good evening, everybody!”
He joked about brunch, inviting everyone to spend the night and stay for the a.m./afternoon fun.
“In case you’re wondering who put this great music together tonight and plays sax.  Please, give it up for Michael Parlett and Jeff Lorber!”
 
The opener proved the boys were back.  Jeff was wailin’ on the keys while Michael was pointing a ‘look-at-that’!  Parlett jumped on sax with a trillin’ and a thrillin’ vibe.  He played a brilliant solo and handed it to Blake Aaron.  Blake was off-the-chain on guitar, showin’ us what he’s made of.  Lorber was back at it with one hand on the keyboard and the other on the piano.  It was phenomenal to watch.
 
Parlett proudly stated.
“Blake Aaron, Mr. Blake Aaron!”
They turned it over to Tibbs, who ran away with it.
 
Parlett added.
“Alright, Earnest Tibbs, Earnest Tibbs!”
Hans was up, and what an artsy-smooth solo he played!
 
Parlett exclaimed.
“Hans Zuermulin, Hans Zuermulin!”
 
Drummer, Eric Valentine introduced.
“Wendy Brune.”
 
Wendy exclaimed.
“I’m not easily intimidated, but aren’t these guys great?  Let’s do the thang!  Did y’all with me luck like ya promised?  Okay, just checkin’!”
Wendy on vocals belted it out Southern style.  A little scattin’ and a fabulous voice thrilled everyone in the place.
Jeff looked around the venue then at Wendy and said.
“Wendy, thank you very much!”
Parlett took over on alto.
Wendy commented.
“Parlett, Michael Parlett!”
Parlett quipped.
And, back to Wendy Brune.  Jeff and Wendy paired up for a stellar performance.
 
Parlett added.
“Ladies and gentlemen, it’s Wendy Brune!  Now, we’re gonna hand it to Jeff.  This is a song he doesn’t play very often called, “City”, also, tonight, sitting in we have Blake Aaron!  He’s never played with the band before.  So, make it funky for Mr. Blake Aaron.”
 
Lorber spread some smooth as butter our way and ran with it until it was red hot!  He was a hot chili pepper tonight!  Earnest Tibbs melted some buttery bass and we all joined them in their zone.  Jeff was one-handed again with Hans on the side showing us his chops.
 
Michael Parlett announced.
“Hans Zuermulin, Hans Zuermulin.”
 
Parlett took on the EWI then joked with bassist Earnest Tibbs who gave up a little bass heaven for the eager crowd.  Michael got downright silly on the EWI.  We all had a blast watching him repeat a pixilated, “Jeff Lorber, Jeff Lorber, Jeff Lorber.”
 
Parlett added.
“Thank you very much!  If we all manage to end the same it helps!”
 
Lorber chimed in.
“This is a title track.  You need to google this one for the story!”
 
“He Had a Hat,” had Lorber and Parlett ping ponging back-and-forth until we were dizzy with jazz euphoria!
 
Parlett announced.
“Jeff Lorber, Jeff Lorber is in the house!  This one we haven’t played in a while.  It’s another old classic.”
Lorber chatted about being impressed with Blake Aaron’s foot pedal.  So were we!
 
Blake joked.
“This thing could launch the space shuttle!”
Lorber gave the one-two, one-two and it was Michael Parlett back on the soprano.  Valentine cut in on the drums and tore it up.  By the end of his solo, they had the house turned on its side with Eric blindfolded by a white dinner napkin!  The band hovered and the house howled.  Everyone went nuts!
 
Lorber said.
“I haven’t played this one for a while either, but I think you’re gonna recognize it.”
 
The “In Crowd,” had Michael leaning on the side rail and playing directly into the crowd.  Parlett started playing the alto and soprano simultaneously while Jeff went back to his one-handed kickin’ it style.
 
Lorber hollered.
“Yes!”
 
Parlett suggested.
“Why don’t we do “Mr. Magic,” the old way?”
The finale ended the night perfectly.
 
Parlett closed by saying.
“We’ve been layin’ down the groove all evenin’.  You normally have to pay big bucks for this!  We’re very privileged to have Mr. Jeff Lorber!”
 
Jeff asked Michael to plug his radio show.  He, of course, obliged.  They then thanked Wendy and the band.
 
Thanks guys!  That was a great night of music!  Are you sure you never practiced together before?
© August 2009 Lynn M. Olson ALL RIGHTS RESERVED


Spaghettini, Sunday, September 6, 2009
Guitar:  Special Event, Chris Standring with Tony Guerrero
Guitar:  Blake Aaron
Bass:  Ron McDonald
Trumpet:  Tony Guerrero
Keyboard:  Billy Steinway
Drums:  Eric Valentine
 
Mark Stanley, host of Jazz Matrix Sound Track, hit the stage.
“Good evening everybody!  Welcome to Spaghettini!  We’re glad you’re here!  The founder of Jazz Matrix is here tonight!”
 
The crowd was hoppin’ when Blake Aaron opened with his stellar guitar magic.
Billy cut in with a fantastic keyboard solo and we were musically off and running.
Blake added.
“Billy Steinway, on piano!”
“My name’s Blake Aaron and I have the pleasure of playing with, Mr. Tony Guerrero and Chris Standring tonight.”
Blake introduced the band and talked about the Chris’s success, having a number one song for ten weeks.
“First, I’d like to bring up someone I play with in church every Sunday, Tony Guerrero.”
 
“We’re gonna play some Latin tunes.  This is a song called “La Cumba” that we’d like to do for you.”  Blake talked about the influence Tony’s father had on his music.  Tony hit the flugelhorn and rocked it up for us!  His playing is spectacular!  He added just the right amount of spice for their Latin dish.  Back-to-back solos by Tony, Blake and Billy, triple headed the night!
 
Guerrero quipped.
“It’s always a lot of fun here!  Not all jazz clubs are this nice!  This is the birthplace of jazz.  And now, I’m gonna do a little Bossa Nova for you.”  The guys were at it again.  From Billy on keys to Tony on Flugelhorn, to Blake on guitar, the guys gave it up.  Tony rounded this one out perfectly on flugelhorn.
 
Tony said.
“Now folks, I have the great pleasure of introducing a very nice guy.  Please welcome to the stage, Mr. Chris Standring.”
Chris joked.
“I’ve never heard such a bunch of nonsense in my life!  You’re gonna get a bang for your buck tonight.  We’ve got a great band!”  He reintroduced the fantastic band he brought with him.
“We’re gonna play the title track for something I had a little hit with.  And, I believe it goes something like this.”  “Love and Paragraphs”, was up.
“You guys wanna help out?”  He repeated, “You guys wanna help out?”  Everyone joined in for a full audience clap.  Chris dished out some off-the-hook guitar and wowed the audience.  Everyone was bopping and clapping along.
“Thank you, that was, “Love and Paragraphs.”
 
Chris said.
“Oh, here’s another one from my CD.  When we get to that point, you guys sing it up!”  Chris showcased his talent on this tune.  There wasn’t a still foot in the place.  Everyone was fully engaged and we were all having a blast.
“Thank you.  That was “Ooh Bop”.  Just making sure you guys were paying attention!”
 
Chris announced.
“Now, we’re gonna play, “Constellation” from an album released a couple of years back called, Soul Express.  Chris was the shining star on this song!
“Thank-you, don’t go away, we’ll be back!”
 
Set II
 
Blake took the stage at the beginning of the break to announce what he termed a commercial interruption.
“Chris and Tony have CDs to sign for you.”  He then invited everyone to his September 11 Spaghettini show.  “We’re really honored to be up here with Jazz Matrix tonight.  Jazz Matrix is a really British thing.  So we’re really honored to be a part of it.”
 
Mark Stanley took the stage.
“Folks, we’re all very glad you stuck around for the second half of the show.  Please welcome Blake Aaron.”
Blake said.
“You guys havin’ a good time so far?  We’re happy to be here with Jazz Matrix Live.  You guys wanna hear something funky?”  “Keepin’ it Real” was made for Ron on bass.
Blake quipped.
“Bass player’s got a tune!”  The boys funked it up.  Tony on Flugelhorn got funk, funk, funky with it.
With an outstretched arm and fanned hand, Blake announced.
“Tony Guerrero!”  Blake stepped up to the plate for a triple wow on the guitar, and gave one fine dose of funky, leading to the boys really serving it up.  Another solo by Tony prompted Blake to again announce.
 “Tony Guerrero on Flugelhorn!  Meanwhile, I’d like to turn it over to my good friend and fantastic musician, Tony Guerrero.”
 
“Let’s do a song I didn’t send them.  Hopefully, you’ll all know this one.  It goes something like this.”  “Just The Two of Us” immediately invited the rockin’ George Benson tune to our gig.  Tony hit the trumpet with his mute on the opener.  This guy can really blow.  And, that he did, he blew us all away!  Billy took the keyboards head on and showed everyone what he was made of.  Sexy, sexy Tony still trumpin’ it up led us straight to Blake on guitar.
 
Tony said.
 “Thank you very much.  Now please welcome to the stage the lovely and talented, Chris Standring.”
Chris asked.
“What are we doing?  What about these guys? Without these guys, there’d be no jazz in the world.  So, I thought I’d play a little electric guitar.  This one is from Love and Paragraphs.  It’s called, “Have Your Cake and Eat It.”  It was out for nine months and then six months later the radio shows put it in their rotation.  Anyway, it goes like this.”
The crowd went wild, seemingly having their jazzy cake and eating every bite of it!  Chris was doing his signature guitar paddling and everyone loved it.
“Thank you.  I believe you can have your cake and eat it too.  This is from an album I did called Hip Sway.  I’d like to bring back up Tony Guerrero.”  Tony was on flugelhorn and teamed up with Chris.  Their solos and duets hit the each spotlight magically.
Chris announced.
“Tony Guerrero!”
 
“We’re gonna do another song.  Actually, this song, “Qwertyuiop”, was named after the top row of the keyboard.  It’s kinda funky, so you guys wanna get with this?”  The back-and-forth on this tune went from mellow, to fired up and followed with funky.
 
Chris ended by saying.
“Thank you.  We’ve got one more before we finish and we’d like to invite the wonderful Blake Aaron to the stage.  You guys wanna have fun?  You gonna come back?  This is off an old album called Hip Sway, “Big Pant People”.  We’re gonna feature Billy Steinway.  He’s tryin’ to get out of it.  We’re gonna get funky for ya!”
Their finale was the best of the night.  Billy was insane on keyboards and everyone joined in on this one.  People started dancing and Billy just wouldn’t quit.  He paddled the keyboard like a mad man.  Chris turned into funky boy and teamed up with Valentine on drums.  They were off-the-chain!
Chris asked.
“You guys all right?  Please give it up for the amazing, Bill Steinway, on keyboards, the inimitable Eric Valentine on drums, Ron McDonald on bass.  And, for the first time on Jazz Matrix, Blake Aaron.  And, a special thanks to my good friend, Tony Guerrero.  Thank you guys and good night!”
 
Thanks guys, for the can’t-sit-still jazzy night!
© September 2009 Lynn M. Olson ALL RIGHTS RESERVED



Saturday, August 8, 2009
Antonio Ponterelli Nouveaux Rock Show
Spaghettini:  Seal Beach, CA
 
Electric Violin:  Antonio Pontarelli
Piano:  Russell Berkley (Seal Beach)
Guitar: Matthew Rodriguez
Bass:  Yon Flouron (Holland)
Drums:  Cal Drako (from Greece)
 
We had added excitement at Spaghetti tonight!  Bill Dudley was in the house to introduce Antonio Ponterelli on electric violin.  Bill shared fond memories of his first introduction to Antonio.
“When Antonio was only fourteen years old, he shared the stage with the
likes of Seal at the WaveFest celebration.  Antonio was only four years old when he started playing.  He’s been on the Tonight show and the Grammy awards.  Born in Temecula, California, ladies and gentlemen, Antonio Ponterelli.”
 
On his opener, (‘Soldier’), Antonio grabbed his electric violin and ran away with it the second he started to play.  Honestly, I felt like I was at Woodstock!  He hit the stage with the passion of a full orchestra, rock-style that is!  He blew everyone in the audience away making love to his violin.  His vocals delivered tear-wrenching wow moments as his heart and soul were laid out for all to share.  Wispy hair strands flew and filaments of his violin strings dangled in the air while he played with electric energy.  He offered jazz unplugged, uncorked and undone!
“Thank you very much and welcome to Spaghettini.  We’ve got rock, classical and jazz.  Well, the jazz is somewhere in there, I swear.  I hope you enjoy the rest of the show.”
 
Antonio’s version of ‘Almost Cut My Hair,’Crosby, Stills, Nash and Young tune brought it home to mama!  Nostalgia, ah, nostalgia.
“Thank you, very much!  So, how many of you heard it back when Crosby, Stills, Nash and Young performed it?” he quipped.
 
Saving Face’, is an Antonio original song.
“This is a song about decisions in life.  Everyone makes mistakes in life and sometimes you have to own up to them.  So, here it is, ‘Saving Face.’”
The genius of the unique lyrics he creates at age eighteen are mind boggling and the crowd loved him.
“Thank you, for a long night of family, friends and alcohol.”
 
Find Me Waiting’, opened with keyboard player Russell Berkley initiating an overhead clap.  Full audience participation brought the house down.
 
Bill Dudley took the stage again and gave a quick goodbye, reminding everyone about the CD’s and autographing with Antonio in the lobby.
 
Bill was back up for Set II.
“Is everybody havin’ a good time?”  He repeated.  “Is everybody havin’ a good time?  That’s what is called a brunch cheer!  I’m kinda reminded of Ion Anderson of Jethro Tull, then I find out he’s played with ‘em.  Give it up everybody.”
Antonio opened with ‘All That I Am’, then slipped into ‘Fades to Black’.
 
“We have an international band tonight.”  Antonio introduced band members that literally have covered the globe then reinvented an all-time favorite of mine, ‘Ain’t No Sunshine’.
“Thank you, thank you, very much!”
 
Things Fell Apart’ transitioned to ‘Wake Me up’, in a musical frenzy, Ponterelli-style.  The crowd was on its side by now, everyone drinking in every ounce of Antonio.  He is an unbelievably seasoned performer, at his ripe-young age.  He just turned eighteen.  His vocals and electric performance were off-the-chain.  He pointed downward to our front row, center perch.
“Thank you to this table for saving my bow.” (I had handed it to him after it slipped away from one of his musical crazy moments).
He talked about it being an older song that he hadn’t done much.  No one would have known that!  He was spot on, not rusty in any sense of anyone’s imagination.
 
Happy Together’, was saluted with the arched back and phenomenal electric violin prowess of Antonio Ponterelli.  Back in Woodstock I was, again!  He rocked this one up until no one was sitting still.  Nostalgia entered the room and I was immediately reminded of a high school gym dance!  Antonio’s dual with Mathew Rodriguez on guitar was unbelievable.  Antonio ended the song with arch back and giving it his all.
 
Bill Dudley was back for set III.
“Hello Spaghetti!  Welcome to Spaghetti, the best jazz club in the world.  I’m lookin’ over the set list and your gonna hear some Jimi Hendrix tonight.  Let’s welcome back Antonio Ponterelli and the band.”
 
“Alright, for these next few songs, I’m gonna do something I only started recently doing and that’s playing the piano and singing.”
 
On, ‘Seconds Away’, Antonio took to the piano and vocals.
“In the spirit of playing songs I don’t usually play, this is called, ‘Summer Pitch’.  His insanely good electric violin had the entire audience engaged and swinging their arms to the beat.
 
Antonio’s finale, ‘All Along The Watchtower’, was incredible. He blew the doors, windows and roof off the place with this one!  What a perfect way to end a perfect performance.  Off-the-hook, again, was Antonio.  It was a battle to the end.  The band was in sync, all playing it up with everything they had.  Violin and guitar, not sure who won that dual, but we sure had a great time watching!
I’m certain now I was at Woodstock!
 
He gifted an encore of, ‘Always Searching for Love’.  We were in the bonus round now!  All eyes were on Antonio and the band.  We were awestruck again!
 
A huge thank you to my favorite young genius electric violin player, Mr. Antonio Ponterelli!  Thanks also, to the loving support of his dedicated parents.  Who, by the way, have never missed a performance that I know of!
© August 2009 Lynn M. Olson ALL RIGHTS RESERVED


Spaghettini, Friday, June 21, 2009

6:00 AM to 9:00 AM

Wayman Special Event:  The 94.7, The WAVE, 94.7 live broadcast

 

Die-hard jazz fans lined the Spaghettini in the wee hours Friday morning, June 21, 2009, for an invitation-only live taping of 94.7, The WAVE’s Wayman Tisdale tribute.  Wow, what a spread!  We all shared spectacular food and jazz fellowship.

 

Q talked fondly of his nine years at Spaghettini and announced, “Right now, we’re gonna warm you up with a little DW-3, our most requested band here at Spaghettini.”  He proudly referred to them as the boys from LA.  Eric Mondragon said, “We’re gonna start out with a little Sam Cooke.  Is that ok?”  They definitely brought their sweet lovin’ on home to Spags with this tune.  “How ya feelin’ out there, feelin’ good?”  In reference to the six AM start time they joked, “We gotta play somethin’ to keep y’all awake.”

 

“Alright, we’ve got a little technical issue.  We’re workin’ it out.”  A good morning was offered to the WAVE’s morning DJ, Pat Prescott.  “You’ve got it,” Eric commented, confirming their sound snafu was rectified.  They smoothed in some more mellow with ‘I Got a Thing For You’.

 

The beautiful Pat Prescott said, “Morning everybody, we’ve got four minutes.  I wanna hear lots of excitement from Spaghettini, okay?”  The ON AIR light was on and we were up!

Brian Mcknight said, “Um, yeah, let’s get rollin’.  I had no idea we had such a good looking audience!”

Pat quipped back, “I had no idea we had so many fans that would be willing to get up at o’dark thirty!”  She talked about the celebration of the live and music of our dear friend, Wayman Tisdale.  They both joked about being up to their usual on-air shenanigans.

 

DW-3 was back up with ‘Lovely Day’.  They encouraged their semi-awake fans, “Come on, we gotta make some noise Spaghettini.  Come on, everyone clap your hands.”

 

Pat let us know today’s guests would include Eric Marienthal, Dave Koz, Peter White, Marcus Miller, Karina Nuvo and Ramon Islas.  They were all on stage when Brian went back on the air saying, “We’re Smooth Jazz 94.7, the WAVE.”

Pat hinted of a Talaya Trigueros citing and joked, “Amazing, what happens when you offer a free breakfast.”  They cut to a pre-recorded Father’s Day dedication Brian Mcknight sang.

 

Between the live cuts, Brian referenced a Tisdale tune they were playing.  He said, “We’re here to celebrate his life and he’s blowin’ it down!”  Spaghettini owners, Cary Hardwick and Laurie Sisneros, came forward to say a few words about their fondness toward Wayman.

Lori commented, “At 3:45 AM people lined up for this event and I find that heartwarming.”  Cary talked about Wayman’s dedication to a Cerebral Palsy Golf Event years ago and shared how Tisdale stayed there until the tournament was completely over, raising nearly 100K, the most ever.

Lori added, “Everyone thinks of Wayman as a big man because of his size, but it was because of his heart.  We really miss him.”

 

Eric Marienthal and Peter White were following Prescott cues while we all looked on.

Brian said, “Looks like Eric Marienthal has made it here.”

Pat retorted, “Who’s that guy on your left?”  She joked in a deep voice, “Mr. Peter White.”  They talked about the Saturday Afternoon Live Show from days gone by and how sweet Wayman was.  Marienthal added that he and Wayman were among the first to grace the stage at Spaghetti.  Eric warmed up to accompany Mcknight on his solo.

 

Pat warned, “A minute and a half.  “You can stay there to do your thing,” she said to Brian who was poised at the keyboard.

“Pat and I are broadcasting live from Spaghettini.  We’re here to celebrate the life of Wayman Tisdale.”  They talked about the many cruises they enjoyed with Tisdale and offered up his hit, ‘Come On, Cruise With Us’.  It couldn’t have been more appropriate.  My first-hand experience has me agreeing wholeheartedly with all the lovely things that were said about our favorite giant bass player.

Brian announced, “Peter White on guitar.”  Peter offered up some of the best guitar playing I’ve heard in a long while.  Always-stellar Eric Marienthal joined in and blew it out!

 

It was back to Pat on the air.  “Thanks, so much for joining us.”  Between songs Brian talked about hearing from Wayman’s family.

Brian continued, “We’re joined b y Wayman’s brother Danny.”  He asked him for a few words of wisdom.”

Danny said, “Well, you know there was so much wisdom from Wayman at a young age.  Even when he was battling his sickness he always made you smile.”  He shared that the last text he received from his brother said, “Bro, I’m alright.”

 

During downtime between the live, on-air sets Pat asked, “Aren’t you guys eating?  Do you feel sorry for us because we’re up here and can’t eat?”  A pre-recorded Father’s Day sunrise serenade of, ‘Ordinary Love’, played.

 

Off air, Pat made mention of a Dave Koz citing.  Wayman’s, ‘Way Up’, played via the live broadcast.  She talked about a fund raiser for the Wayman Tisdale Foundation and offered some clothing items Dave donated to have auctioned off for the cause.  When Dave joined in the banter, the crowd roared.  He joked about seven AM being an ungodly hour.  He and Peter White kidded back-and-forth.  Peter lowered the microphone and joked about Dave’s height, the crowd again bellowed.  Dave talked about the wonderful work the Tisdale Foundation was doing for cancer victims and amputees.

 

Pat mentioned Brian and Dave would be staying for an autograph session after the broadcast.

She said, “We need more noise when we go on the air, alright?”

Brian announced Dave Koz and Peter White.

Peter quipped, “I’m usually asleep right now!”  He shared a fond memory from a cruise he took with Wayman.  They were each supposed to play a song they don’t normally play.

Tisdale said, “Cruise directors know about cruises, not about music.”  He talked him into playing, ‘Bueno Funk’.  The two joined in that night and wowed the audience with the tune.

 

While Peter warmed up on stage, we grabbed a little extra bueno funk of our own.  DW-3 asked, “Y’all going to put your hands together for Peter White?”  White and Marienthal blew the lid off the venue with ‘Bueno Funk’.  Everyone loved it.

 

Marcus Miller came forward with a story about helping Wayman get started in his music career.  Miller recounted their meeting in 1987 and said Tisdale asked for his help.

Tisdale said, “I play a little bass.  I just need to know what I need to do to be successful.”

He joked with him, “Play a little bass?  You play a whole lotta bass, this is good!”  He told him, “If you can let people know who you are in three notes, better yet, two, you’ll be successful.  As soon as you heard his bass, you could see that big smile!”  They played a Waymans favorite, ‘Ain’t no stoppin’ Us Now’.  Miller thumped and bumped this one in the spirit of their camaraderie.  The moments were heartfelt and the music, stellar.

 

The talent that filled the stage was overwhelming.  Brian Mcknight said, “Mr. Dave Koz everybody!”

Eric from DW-3 said, “Break it down.”

Pat chimed in, “Celebrating the incredible spirit of Wayman Tisdale.”

Brian added, “In just a few minutes, we’ll be hearing from the Tisdale family.”  He introduced Tisdale’s daughters Tiffany and Danielle, wife Regina.  He talked about Tiffany’s sociology major and Danielle’s personal shopper business.  Brian reminisced about the times he visited the Tisdale house.

When Danielle was asked for an antidote from her dad she said, “Never give up, quitting is not an option.  You must fight until your very last breath.”

 

Pat and Brian’s third, and final, sunrise serenade was a request from Pat for her dad.  “Losing your dad is a club you don’t want to be a member of.”  She lost her dad when she was just nineteen.  “The greatest thing you could ever learn it to love and to have it returned.”  Brian did ‘Nature Boy’, live.  His performance was amazing, everyone went crazy!  The audience joined in to sing the WAVE jingle.

 

Back up live, Brian reintroduced, Music Director, Q.  Q talked about the many great times he spent on the high seas cruising with Wayman.

“He always made everyone feel like a kid.”  We all laughed at Q’s retell of a boat story about Wayman knocking him down after talking him into shooting hoops onboard.  Tisdale just picked him right up.  He talked of a personal call Wayman made to him when his own father passed away recently. Tisdale sang him, ‘It’s Alright’, over the phone.

 

On the air again, this time with Dave Koz.

“It’s great to see so many people and family members here today.  Wayman was like a brother to me.  The first time I met him was at the Wave of Peace after 911.  Some guy walked on stage with an American Flag tee shirt.”  Dave joked about never having seen anyone so big in his life before.  “I come from a family of small people.”  His nickname for Tisdale was Wayzilla.  “He was bigger on the inside than the outside and reflected the world in his smile.” Regina asked Dave to say something at Wayman’s memorial.  He shared, “It’s not the number (year) on the left or the number (year) on the right.  It’s all about the dash in the middle, (years spent on this earth).”  These powerful words seeped into the souls of all fortune enough to attend.

 

They announced thirty seconds to air and Pat was up.  “We’re here with a tribute to the life of Wayman Tisdale.  Dave just talked about his memories of the Wave of Peace and everyone’s joined in to play a song from it.  Dave Koz, Eric Marienthal, Marcus Miller, Karina Nuvo, Ramon Islas, Peter White and Karina Nuvo shared in the moment.  ‘You Can’t Hide Love’, brought us to our knees.  Marcus Miller played his love for Tisdale, each moment was spectacular.  Koz did a beautiful solo.  His love was apparent and the music was fantastic.

“Ladies and gentlemen, Dave Koz.”

 

Pat was up, we were back on the air.

Mcknight said, “This has been one of the most fun things I have done since I have been here.”

Pat thanked everyone, especially his family.  “We know there ain’t no stoppin’ us now!” she exclaimed.  They played the song live.  Wayman was most definitely in the house.  His smile and spirit attended the entire event.  We miss him, but were thrilled to have just a few more minutes to share with him.

 

My heartfelt thanks to everyone involved for one of the most spectacular memorials I have ever attended.  “We’re all smilin’ Wayman and we miss you!” © June 2009 Lynn M. Olson ALL RIGHTS RESERVED

 


 

Spaghettini, Saturday, June 6, 2009

Joyce Cooling Special Event

Keyboard:  Jay Wagner

Guitar:  Joyce Cooling

Bass:  Victor Little, from Chicago

Drums:  Billy Johnson

Percussion:  Roberto Quintana, from Puerto Rico

 

The excitement of the crowd pushed an ‘Oooh’, through the room.  Music Director, Q, reassured an anxious crowd, “Music fans, Joyce will be along a bit later, but first, give it up for my boys from DW-3.”

 

They opened with, ‘Amazing Love’, reminding us of our love for the incredible, Luther Vandross.  They joked around about being Latin Luthers.  “Alright, is everybody doin’ good?”  They gifted a little Marvin Gaye and we were all getting into it.  ‘Georgie Porgie’ led to ‘Me and Mrs. Jones’.  Everyone was having a rockin’ good time with these familiar tunes.  “Are there any Stevie Wonder fans in the house?”  Nice set guys!

 

Q commented, “You gotta thank the owners of Spaghettini, Cary Hardwick and Laurie Sisneros.”  He went on to introduce tonight’s special guest, Ms. Joyce Cooling.  “You’ve got a great new CD out called Global Cooling.  I just got a call from Peter White saying your new CD is some of your best work!  Ladies and Gentlemen, please welcome the Joyce Cooling Band.”

 

Joyce put her hand to her heart and said, “You guys are the best jazz audience.  You guys look marvelous!”  She tore it up with, ‘Mildred’s Attraction’ (Revolving Door CD) and ‘Daddy O’ (Third Wish CD).  Her drummer shone brightly on the opener.  Cooling had the audience fully-engaged and lovin’ it, ending with a mini bunny hop.

 

“We haven’t been to Southern California in a long time.  Where’s my set list?  I don’t know what we’re playin’ without my set list.  I turned it over and don’t know what we are playin’ without it,” she joked.  Joyce was strutting her stuff and having a ball while playing ‘Come & Get It’ (Revolving Door CD), on her silent guitar (unique open-body guitar).  Her vibe is sensational.  The crowd adored her.

 

“Thank you so much.  We’re gonna do a tune called, ‘Cobra’.  It’s got an Eastern vibe to it.”  The congas were exceptional on this cut.  Roberto on percussion was off-the-chain!  His expertise on the chekere (African beaded gourd-like instrument) was amazing.  Jay Wagner’s keyboard solo had everyone boppin’ in rhythm.  At song’s end she asked, “Now, you don’t know that song do you?  Yes, you do, bless your hearts.  Radio people, they know everything!”

 

Expression’ (A Girl’s Gotta Play CD) and ‘Batucada’ (unrecorded), had Joyce making her guitar moan beautifully.  She started an overhead clap that was contagious.  Her chemistry with Roberto was out-of-this-world.  She was kinda scattin’ with a mouthpiece and the two really got into it.  Their rockin’- and percussion-style was genius.

 

“Hey, we have some folks here from KSBR.  They said they’re playin’ our single!”  Vienna was, of course, close at hand thumpin’ to the beat.  A guy from KUCI 88 came forward, presented his card and clarified, “They’re not the only ones that are here!”  She answered, “We’ve got a lot of celebrities in the audience!”

 

“This is from my Global Cooling CD.  She introduced, ‘Grassroots’.  “I have my ear monitors in.  So, I can’t hear you, but you’re smiling, so it must be good.”  Her vibe was bluesy.  The rhythm section really pumped it up on this one!

 

Set II

“Thank-you, alright, we’re gonna attempt something brand-new.  It’s got a lot of words.”  ‘We Can’, was up next.  She shared someone wrote her and said she was getting’ political.  She commented, “This came before the presidential inauguration.  What can I say?”  She repeated, “Lot’s of words.”  The back and forth from bass to percussion, bass to percussion was awesome.  She chuckled, seemingly tickled by their expertise.

 

“Thank-you!”  She talked about her dedication to the National Alliance for Mental Illness, and how some of the proceeds from her CDs are earmarked for the cause.  She elaborated saying, “There are no words, so I put it into a song.  The title track, ‘Revolving Door’, told all.  “Thank-you, thank-you!  I haven’t introduced the band yet.  We’re gonna do an oldie next.”  She introduced the band and joked she was going out of order just in case she finds her set list.  “Here’s an oldie, hopefully a goodie.”

When she introduced Jay on keyboards she referred to him as her partner in crime.  “Okay, here’s the oldie-but-goodie.”  ‘South of the Market’ (Playing It Cool CD), displayed amazing band cohesion.  Everyone was in sync, smiling and playing.  A keyboard solo by Jay put the place on its side, everyone was clapping.  She hollered out while he was tearin’ up the keys.

 

“We’re gonna do a brand-new one from the first time.  We appreciate the Seal Beach crowd taking the time to come out and spend your hard-earned money.  We haven’t been to Seal Beach for a long time and we thank everyone who’s treating us so nice.  Here we go, we gotta wing this!”  There was no evidence of newness on, ‘Save This Dance For Me’ (Global Cooling), they played it like it was a standard.  Everyone was rocking out to the Latin flavor of this cut.

 

The final song was, ‘Callie’, (Keeping Cool CD).  Percussion was a triple wow again!  Victor Little on bass hit it hard and showed us how it was done.  Joyce voiced a long, “Ough”, in answer to the band’s perfection.  She reintroduced the band and Jay on keyboard added, “Joyce Cooling on guitar.”  Q thanked Joyce again and asked, “So, what do you guys say, wanna come down from San Francisco again?” © June 2009 Lynn M. Olson ALL RIGHTS RESERVED

 


 

Spaghettini, Friday, May 8, 2009
Jackiem Joyner on Sax
Band:
Keyboard:  Les Butler
Guitar:  Kay-Ta Matsuno (plays with Keiko Matsui)
Bass:  Tom Witt
Percussion (congas):  Gary Stanionis
Drums:  Ray Johnson
 
Q said, “Alright now.  How we doin’ tonight?  Are we ready for a big party? Tonight we’re here to celebrate.  It’s great to see him break through the smooth jazz genre.  Its great Jackiem calls this place home.  His title track is already number one.  Please put your hands together for ‘little man soul’, Jackiem Joyner.”
 
Jackiem hit the stage with a boisterous, “What’s up Spaghettini?”  Step With Me D’, had the place on fire and rockin’ from the minute Jackiem’s lips touched the mouthpiece of his sax.  The crowd was excited and ready for our resident music-making machine.  The place was packed, and everyone was groovin’.  His vibe is incredible.  Joyner has a can’t-sit-down, gotta-at-least-chair dance style.  He was really givin’ it up.  I could tell early on this was going to be the kind of night that would make us long to hit the dance floor.  Gary on percussion was hopping like a jumping bean.  He was in the groove and the zone.  What a vibe!
 
“Joyner again repeated, “What’s up?”  Say I Do’, from the Lil’ Man Soul CD, was up next.  A little slow-and-easy pumped through Jackiem’s veins on this cut.  He’s got the heart, he’s got the soul, the groove and he’s got the vibe.  This guy is off-the-chain!  Jackiem Joyner’s music arrived special delivery.  Enthusiasm for his CD release party spun him in circles musically tonight, his energy was contagious.  Every band member hit the zone from the first note, and never left. Gary on percussion suspended his hands in mid-air grabbing his piece of the groove.  He passed it to Joyner who drove the nail to the wall.  “Thank you,” was his parting comment.
 
Kay-ta Matsuno on guitar opened with the hip sway and the strings on the Stevie Wonder song, ‘Another Star’.  His expertise wowed the audience as he danced and played his Yamaha silent guitar.  He took ownership of the front, corner pocket and showed us all how it was done.  Joyner proudly announced, “Kay-ta Matsuno on guitar.” By song’s end Kay-ta was dancin’ up a storm.  He really broke it down, and again Jackiem gleefully said, “Kay-ta Matsuno.”  The crowd roared.  From there it was back to wailin’ on the sax for Joyner.  Meanwhile Kay-ta was still dancing!  Jackiem said, “Give it up for Kay-ta Matsuno on guitar.”
 
Jackiem was full of CD-release-party energy tonight as he said, “I’m so excited to be playin’ this music live!  This song is entitled, ‘Where’s the Love Gone,’ (‘Lil Man Soul CD).”  His CD title describes him perfectly.  Joyner is truly a man with soul.  This twenty-six year old dynamo has it goin’ on!  I’m not sure about the’ lil’ part of the descriptive.  His cup runs over with deep-down soul.  He talked about recording some of his new CD in the Ukriane with Keiko Matsui and Kay-ta.  A wow moment was had by all when Kay-ta switched guitars and brought the twang to life.  Gary took hold of the percussion corner and dished out his own personal triple wow.  He was shake, shake, shakin’ it up.  Joyner said, “Give it up for Kay-ta again.”
 
The Nestor Torres cut, ‘Human Revolution’, opened with a whole lotta soul from drummer, Ray Johnson.  He was off-the-hook.  Joyner and Kay-ta were sharing a musical chemistry moment when Kay-ta took off dancing.  Gary’s solo then gave life to the congas, prompting Joyner to announce, “On percussion, Gary Stanionis.” The band stood back while Stanionis took a stronghold on the beat, and wrestled it to the ground.  He wasn’t quite done with his magic just yet.  He paused momentarily, grabbed the drum sticks and reinvented rhythm.  Jackiem asked, “Anyone want to hear some Spanish guitar?”  “Can I get some Spanish guitar Kay-ta?”  Kayta transported us directly to Spain with his Yamaha silent, and Jackiem asked, “Y’all havin’ a good time?”
 
“How about if I play the title cut to my new CD?”  He demonstratively bobbed his head and danced around saying, “This one’s got a groove to it.”  He proudly reiterated, “This is the title cut to my new CD called, “Lil’ Man Soul.”  Everyone in the venue was feelin’ the vibe and movin’ with the beat.  Gary on percussion clapped his rhythm overhead, and strummed the chimes on the finale.  It was beautiful!
 
Mercy, Mercy’, opened with Les on piano.  Gary was overhead clapping when Jackiem added his touch.  Have mercy on me guys, I thought when they delivered yet another wow moment.  Les laid out a keyboard solo showcasing his incredible chops.  He put it out there, and gifted a whole lotta Butler soul.  Joyner said, “Give it up for Les Butler.”  Les earned front row center, head of the class status for that stellar piece of art.  Joyner repeated loudly, “Les Butler.”  It was back to the sax from there.  Gary muttered, “Yeah.”  Joyner was tearin’ it up, trillin’, thrilling and a thrillin’ come more.  It sounded like a classic ‘Sanborn scream’ if I ever heard one.  Wow!  At song’s end, he again asked the audience to acknowledge Les Butler.
 
Joyner explained, “I heard someone in the audience request this one from my first album.  This one is titled, ‘Share My Tears’ (Baby Soul CD).”  He quieted things down.  His eyes were closed, and he rocked with a gentle sway.  It was an ‘ah moment’.  It was a tune that puts you right in front of a roaring fire in your living room, glass of cabernet in hand. Near the end, Gary on percussion fished a little whistle out of his bag of tricks, and made the sound of a tiny song bird.  Kay-ta switched guitars, and took this one home to mama.  When the rest of the band joined in, it sounded like a symphony.  The band cohesion was miraculous.  Jackiem toyed with his high note and said, “I just wanted to see if you were awake.  I really don’t have to go that high.”  He hit note, note, note and note…then paused.  Note, note, note…paused.  Then he joked, “I’m just buyin’ time, because I can’t go that high.”  During his stall, he joked, “Isn’t it time for a break?”  The audience egged him on, and he kidded along saying, “I’m definitely not going up way up there.  That’s up in the sky.”  Another band member joked, “Don’t hurt yourself guy.”
 
“Come on, give it to the drummer.  Y’all want to hear the drum?  Give it up for Ray Johnson.”  Ray pounded it out.  He pumped the beat right out of those skins.  He was on fire with ‘Elevation’, (Baby Soul CD).  Jackiem stood back beaming with a Cheshire cat smile while Gary hit the cowbells, the skins and took his sticks to the rims of his drums to belt out the beat.  Percussion and drums teamed up for an awesome duet.  Gary leaned one elbow on the congas, and said, “Come on guys, give me a clap.”  He put his hand up cupping his ear and exclaimed, “I gotta have it loud!”  He soon had the entire audience fast clapping.  The energy was fabulous.  If the audience clap faded slightly, he would cup his ear enticing a rhythm revival.  Gary and Ray went completely nut with their beat.  It was a blast, and what a team!  Joyner said, “Thank you, my name is Jackiem Joyner and we’re gonna take a short break.  We’ll be autographing and signing CDs in the lobby.  We’ll be back shortly.”
 
Set II:
Lights were up and they were rollin’.  Just Groove’, transformed percussionist Gary Stanionis into a tambourine magician.  Gary was in the rhythm groove and Jackiem was blowin’ us all away, literally!  After percussion and drums rocked it, they passed it over to Les Butler on keys.  “Les, Butler everyone,” quipped Joyner.  Kay-ta was on vocals singing, “I’m into it baby, I’m into it baby…I’m into it baby.”  Jackiem demonstrated the overhead clap and said, “We get into it like this, come on.”  Then he hit the sax like a hurricane!
 
“What’s up?” he asked.  Stay With Me Tonight,’ Baby Soul CD was up next.  He shared, “It didn’t make it to number one like my current new record, but it made it up to number eleven.”  While playing his Yamaha silent, Kay-ta savored one of his long, drawn out notes making the audience go wild.  Jackiem trilled the ending, with his eyes closed, and hard at it.  Kay-ta offered a silent guitar solo that had Gary on percussion saying, “You play boy, yes.”  Kay-ta and Joyner had their way with this one, prompting Kay-ta to say, “I guess this is a duel.  It’s a battle to the death.”  Wow, what a duel it was!  Joyner growled the sax through it until they were toe-to-toe.  Jazz mania at its finest was enjoyed by all, each in their respective zones…then together…zone, then together.  Jackiem responded to Kay-ta’s left hook on the guitar by saying, “Ok, so you went there, ok!”  Joyner clenched his sax, and growled it like a rabid dog.  The rebuttal was fantastic.  An anonymous band member joked, “He gave up dude.”  Kay-ta threw some twang in the mix after a rapid-fire guitar switch.  The two went back-and-forth until they turned the place on its ear.  It was a fight to the finish.  I think a stalemate sums it up nicely.  Jackiem proudly announced, “Kay-ta.”  He added, “That was off my Baby Soul CD.  Thank you.”
 
“I’d like to give a shout out for a Happy Birthday to Mark and Dr. Mougi.  Here’s a special song for you.”  He appropriately gifted, ‘Happy Birthday,’ via sax.  After the intimate birthday party he played, ‘Lost Without You’ (Lil’ Man Soul CD), adding perfect chill to the mix.  Gary on percussion was an animated genius, still in his zone, of course.  Jackiem announced, “That’s on the new CD.”
 
“We’re gonna pick it up a little bit.”  Every Little Step’, did just that.  Jackiem pointed to percussion and drums.  They enlightened us with their rhythm.  These two had the venue kickin’ it.  The hand off to Jackiem on sax was timed perfectly.  Joyner asked, “How many of you wanna hear some bass?  He’s also on my new CD.  Give it up for Tom Witt.”  Tom’s one-gloved approach introduced us to his thump.  His black-gloved hand expertly slid up and down the neck of his bass.  He filled the room with his resonating curve.  Joyner said, “Beautiful, Tom Witt.”
 
“Are you guys having fun?”  Apparently he missed a birthday, announcing, “We got another birthday.  You want me to play?  Alicia, I’m gonna make it special for you.”  Joyner took his growl straight into the audience and made a beeline to Alicia’s table.  He sat on her lap and played the entire, ‘Happy Birthday’, song to her from that vantage point.  She was thrilled and the crowd went wild.  “We have more birthdays, that one I gave for everyone.”
 
“This is my first number one single.  I am very proud of it, because it is a song that I wrote.  It is the first song I wrote that went to number one.  This song is entitled, ‘I’m Waiting For You’, (Lil’ Man Soul CD).”  There was no wondering about how this one got to number one!
 
Jackiem said, “I love to come to Spaghettini.  I love to play here.”  He proudly reintroduced the band, and announced their upcoming engagement at Jazz Alley in Seattle, Washington.  “We’re gonna change it up.  Hope you guys had fun tonight.”  He announced, ‘Take Me There’, a new one from his Lil’ Man Soul CD.  Les Butler gave it up on keys for the opener.  Jackiem repeated twice, “Give it up for Les Butler.”  It was back to Joyner and the band, and they did this one up!
 
“I think I’m gonna switch to something different.  Is it ok if I do something different?  The band is used to a set list, but someone in the audience wanted me to play one.  This is dedicated to Francine.  The title is, ‘Say Yes,’ (Baby Soul CD).”  His eyes were closed, and he was into it.  A heartfelt performance oozed from the soul of Jackiem Joyner.  Gary opened up his percussion toy box, and displayed his bag of tricks on the backdrop.  He was amazing, the audience agreed.  Joyner said, “Take me there,” just before he went crazy on sax.  He pounced on it, and squealed it.  The audience roared with applause, everyone was into his beat.  “I had such a good time with Y’all.  I’m sure that I’ll be back at Spaghettini sometime soon.  Did you guys have fun with us?  You guys wanna hear one more?”  He asked again a little louder, “You guys want one more?  Are you guys gonna buy a CD?”  Jackiem carried this one full circle with his finale.
 
I Want You Back’, ended the night and took every one of us to a jazzy euphoria.  One last solo from Kay-ta, and the band going crazy had the venue sittin’ sideways carrying us out the door.  The entire band was groovin’.  Jackiem closed by saying, “Thank you.  I had fun.  You can go to my website.”
 
Thanks so much to Jackiem Joyner for sharing his fabulous chair-dancing, foot stompin’, soul-enriching music with everyone at Spaghettini tonight.  Here’s to your new CD, and wishing you continued success.
 
© May 2009 Lynn M. Olson ALL RIGHTS RESERVED



Canadian Smooth Jazz Awards,
Friday, April 26, 2009
Up close and personal by Lynn M. Olson
 
Fasten your seatbelts for a smooth and jazzy ride along with jazzy firefly, Lynn Olson, to the 2009 Canadian Smooth Jazz Awards, held at the Living Arts Center in Mississauga, Canada.
 
What an experience this was!  We arrived at Pearson International Airport, grabbed a car rental and headed straight to the Novatel Hotel.  Dinner was the first order of business.  I immediately felt at home as I cozied up to the table of Vickie van Dyke and her good friend Judy.
 
As we settled in Mary Kirk (owner, WAVE 94.7), Thirsty Howell (artist up for three Canadian Smooth Jazz Awards) joined us.  Shortly thereafter Doug Kirk from 94.7, the WAVE meandered along. Great food, lovely conversation and a bottle of sparkling wine invited the buzz of jazzy to our conversation.  After sharing stories and making plans to meet for breakfast at nine Friday AM we all scattered to our rooms.  The first rehearsal was slated for 10:45 AM.
 
Event excitement was already filling the air when we all met for breakfast.  What a blast we had!  After meeting with Vickie and Mary briefly I decided to take the fly-on-the-wall position and enjoy the idol musician chatter and more that seeped from the adjoining tables.  I first spied Thirsty seated at the counter and gave him a quick ‘what’s-up’ wave and subsequent good-morning hug.  Nick Colionne, Carol Ray and Dolores sauntered in and were greeted with the “Hey man,” and “How ya doin’?”
 
After having the pleasure of meeting some of Warren Hill’s band members; Third, Vernon and James, I settled in.  The band's breakfast banter was priceless.  One eager band member clad in headphones with laptop in tow chimed a melody right there at the breakfast table!  They passed the musical laptop around the table as they chattered something like this:
 
          “He’s the cat with the guitar.”
          “He just gets it.”
          “He’s so clean.”
          “You’re sure he is not secretly a tuba player right?” they joked.
          “They was full brothas.”
          “He was west coast man.”
          “He showed up in full jeans.”  The table roared with laughter.
          “Maybe you could bring the cowbell.”
          “He’s played for Mary J.”
          “Man, he’s the best.”
          “He plays a five-string.”
          “You gotta keep listening.  He plays all kinds of beats.”  They all chimed in, “Do, da, dad it………..”
 
 
 
It was straight from the hotel restaurant to the WAVE van where I met beautiful Lindsay.  She smiled and introduced herself as the event coordinator for the 94.7, the WAVE.  Sharing the van with Michael Lington was a special treat.  Lindsay’s announcement of her upcoming plans to move to Scotland for an education course started a lively international conversation with Michael.  Everyone enjoyed stories of his Danish heritage.
 
 
 
We arrived shortly at the Living Arts Center for the morning rehearsal.  This venue had a personality all its own, deeply historic.  The cement hallways were laden with posters that went something like this:
 
Bob Newhart
Thursday, October 21 (curiously, the year was not posted)
8:00 PM
$89/$79/$69/$59/$10
 
Nostalgia ran deep while touring the greenroom, dressing rooms, backstage and the event center.  Excitement continued to swell.
 
When I arrived at rehearsal Alexander Zonjic was already there rocking out on flute.  I had never experienced his music live.  It is definitely a wow!  What a flute master he is, I was blown away!  Michael Lington soon joined in and the drummer rocked our socks off.  Mary and Vickie stood corner pocket onstage and watched with amazement.  What a beat!  Darren Rahn came up side stage hitting the sax like crazy.  The bright stage lights led to the threesome of Lington, Zonjic and Rahn all blowin’ excitement our way.  And the video rolled.  They then broke away for a few and everyone chatted.
 
Vickie coached giving script instructions while everyone practiced inflection and delivery of jokes.
She repeated part of a joke, “I’m busy with your girlfriend.”
Vickie said, “You gotta scream it out.”  Horns echoed and drums rolled while everyone clustered here and there practicing on their own.  Michael Lington meandered around, sax in hand warming up and practicing.  Mary Kirk entered side stage and blanketed her expertise across the stage.
 
“We’re gonna start with this,” Vickie called out.
“You are gonna come in from here,” she instructed.
“I want you to have a big entrance,” she said while leading Darren along the skirt of the stage.
“Those lights are on.  These jokes, we’ve got to practice and really punch them.”  Her genius was priceless.
Karen said, “We’re gonna go to 74-A.”
“What’s gonna happen now?  Camera will split, then you’ll be on your own, alone.”
“Are you at 74-A, or are we….?”
Vickie asked, “Where’s Darren?  Are these paddles off again Karen?”
Mary took the stage.  After admittedly forgetting her glasses, she responded with regard to the teleprompter cue, “I can’t read this one.”
Vickie said, “This way, to the right.  Keep going.  I’m not getting the full screen.  Do you guys know where Earl is?”
Someone responded, “He’s in the box.”
Vickie joked, “Earl, you need to practice walking on stage.”
Karen increased the font size for the teleprompter so everyone would read it easily.
Doug and Mary took the stage and introduced Earl Klugh for the George Benson Lifetime Achievement Award.  Earl, Vickie and Mary rehearsed.
“And then Mary says.”
“And then Alexander where are you?  You are gonna be here.”
Alexander attempted to clarify, “So, I don’t go anywhere with Earl, Ray and Michael?”
“We don’t actually have a walk-in for Alexander, so he is just going to pop in.”
Alex quips, “Yes, that’s perfect.”  Vickie and Zonjic continued to work together.
Vickie said to Karen, “I’m gonna do the number three.  We will always come stage right because there’s always gonna be a traffic jam on that side.  Number three.  So Karen, are you going to run number three on Alexander’s opener?”
Karen answered, “I can play the VOG that Bob has for his entrance.  Ok, anytime you are ready.”  They played a tape.
 
Alexander said, “I’m cool with this.  Do you need more?”  They chatted about Dénate and Alexander requested a phonetic version and continued practicing.  Vickie walked tirelessly around the venue coaching and assisting everyone with everything.  She’s amazing!  Alexander practiced going over his lines and double checking to be sure he was spot on with pronunciations for the long list of sponsors.
 
Vickie said to Karen, “We’re gonna run Thirsty.”
“It’s seventeen.”
“You’ve got three nominations.  Over here.”  Thirsty practiced with Vickie and joked with him, “You just blew my first line.  Now you’re fired.”  Thirsty told the story about his nickname.
They playfully warned, “You’ve gotta keep to the script.  There is an announcement then you walk off.”
 
When Michael Lington worked with Vickie she asked, “Can you read it?”
He answered, “I can.”
“Scoot in.  When you come out they will give you the envelopes so you guys can announce the winners.”
“Who gives us the awards?”
“We call them the Vannas.  The girls will be running around.”
Vickie asked, “Karen, how are we for time?”
“Its 11:30.”
“You guys take a moment.  Practice walking if you want.”
Karen asked, “Are there any other presenters here?  At the top of the show can Alexander come in stage right?  We don’t have any walk-up music for him.”
“Are you sure?”
Karen replied, “Yes, I’m sure.  Stage right would be better without walk-up music.”
 
 
 
Everyone took a much-needed break, most chatted on stage.  The camaraderie was awesome.  Cameron Smith arrived.  Vickie and Cameron practiced without the mic while Ray Parker Jr. warmed up on guitar side stage.
          Ray quipped, “Alright thirsty, wear ‘em out.”  They shook hands.
 
While perusing backstage I noticed a large stack of boxes that looked like pizzas to go stacked high on a side table.  I had to chuckle when I discovered they were the awards.  Betty Miner did a magnificent job.  They were gorgeous.  We enjoyed an awesome lunch and quick cocktail in the green room.  Artists continued to arrive and the music was still playing when we took off in the WAVE van.
 
 
 
The van returned to the hotel later that afternoon to pick us up for the second rehearsal and the show, promptly after our call I might add.  We rode over with three-time nominee Thirsty Howell.  He gifted to me a copy of his new CD Music From Somewhere Warm, very cool (at the time of this writing I might add, the CD rocks and is a must-have.***please pay special attention to the song, ‘Weather Balloons and Satellites”, one of many still on repeat in my car!).  The van delivered us back to the venue without a hitch.
 
When I arrived Vickie said to Bob Farrow, “You go ahead,
be-bop Bob.  The teleprompter has to reboot.”
 
Farrow introduced twelve year-old sax sensation, Jay Kassay.  Kassay jammed with Warren Hill.  These two were great!
“You’ll be entering from this side.”
“Hey Vickie, are we good on this one?”
Bob said, “I’ll be Cameron on this one.”
“Everyone enters from here.  You have a thirty-second intro.”
“Karen, track twenty-five and I’ll be Cameron.  Are you ready?”
Stu Berketo and Steve Kassay came forward to practice.  It was practice, practice and more practice at random.  Different people took the mic to be sure pronunciations were done properly.
 
          Vickie said, “Winner accepts the award and leaves.  Ok, we’re gonna go to ten now.  Your numbers are different than my numbers.”
Bob Farrow said, “Ok, track five.”
Vickie asked, “Is Karen ready?  No, wait stop.  Stop.  We’re doing male vocalist here and that wasn’t male vocalist.  I believe they were searching.”
Karen said, “I’m sure they will get the right one.”
“That was still the wrong one.”
“We are working to rectify it.  We cued the wrong message.”
Vickie said, “Do you know what number that is?  Seventeen please.”
Bob Farrow said, “Bring it on Vickie.”  Vickie practiced.  Bob and Steve joined in.  They joked around about the Thirsty story.
Bob requested clarification from Karen, “Winner leaves with you, or winner leaves with Thirsty?”  Bob practiced putting more emphasis on the word Heat when mentioning Michael Lington’s new CD.  He continued to practice.
 
Vickie said, “We’re gonna jump to the second act, 53.”
Bob responded, “Are you guys ready?”
Karen asked, “If you two could find out where she is sitting.”
“Oh yes, I’ll get that for you.”
“We’re all working together here aren’t we?”
Vickie helped Bob with the pronunciation of Julie Crochetière.
“If just one of us knows what we are doing that would be good.”
          “Do we have anymore presenters?  Something has gone funny with this teleprompter. And I don’t know how to fix it.  I can see my toes and I don’t know what happened.”
          Bob asked, “What are we doing?”
          Vickie answered, “forty-one.”
          “Are you set Vickie?”
          “Are you ready Karen?”
          Vickie said, “La, la, la and winner will leave with award.  Warren and Olivia, we’re ready for that.  Twenty-two, twenty-eight, Karen are you ready?  Karen, did you want to go to twenty-eight?  Are you waiting for a teleprompter?”
          Bob asked also, “Are you waiting for a teleprompter?”
          Warren and Vickie practiced.  Olivia joined in and sang a snippet from her upcoming gig, ‘Annie’, this summer in Boulder, CO.
          “Ah, ha, I think we’re done and on time,” Vickie announced.
          Karen answered, “I love you.”
          Vickie said, “I love you too shoogie, boogie, woogie.”
 
 
Almost show time!!!
We broke for a quick dinner sandwich and to-die-for desserts in the green room but were back at it before we knew it.  Dressing rooms began to fill and the pre-show primp began!  Backstage I must say was fly-on-the-wall seating of the finest variety!  I felt truly honored.
 
The stage manager asked Violet on the teleprompter, “You feelin’ strong tonight?”
 
 
 
Vickie emerged from her dressing room polished and smiling.  She wore an amazing, a black-and-white polka dot dress with incredible attached sleeves.  She was beautiful and the dress fit her bubbly personality to a tee.  Everyone scurried around like ants as we edged closer to show time.  The stage manager was busy checking the stage to be sure it was right for each artist.
The stage manager called out, “Hey Shawn, the flipper is open.”  They quickly closed the side flap to block audience’s view into the backstage area.


The 5th Annual Canadian Jazz Awards at the Living Arts Center in Mississauga, Ontario Canada.
 
The crowd began to trickle into the venue.  The artists continued to gather backstage readying themselves for the Fifth Annual Canadian Jazz Award.  The audience went bonkers when Bob Farrow introduced, “Here’s Nick, a former Canadian Smooth Jazz winner and the snazziest dresser I know.”
 
Nick hit the stage dressed in a white suit, white hat with black brim and purple suede shoes.  The crowd went completely nuts when they saw him.  Nick talked briefly about Tim Bowman and his unexpected illness.  A, ‘No Limits’, medley had Colionne rocking and rolling until he turned the inside out.  Vernon Barbary on Bass, Gerry Johnson on guitar and Nick were all dancing up a storm.  There is nothing in the world like a Colionne vibe.  What a groove!  Everyone loved Nick.  Just as Frank Richardson (Third) turned it out on drums I spun my chair and noticed my dear friend Carol Ray (Nick Colionne’s manager) scooting alongside the backstage curtain to shutter bug a few photos of our wild and crazy geniuses at work.  It was priceless.  Ah, the perfect flash of black-and-white, surely she captured it.  Nick really played his number up right and was all over the stage doin’ it to it.  As the crowd roared he grabbed the front, corner pocket and dug deep into his soul leaving us with a beautiful finale.  His gentle, “Thank-you,” was perfect.
 
 
 
Lights, action, Camera:  “He wakes up Detroit every morning.  He’s the gifted musician, turned smooth jazz mega star can be found on Smooth jazz WVMV.  Here’s the man with the golden flute, Alexander Zonjic.”
 
Alexander was smiling when he said, “That was an amazing introduction.  Can we have that again?  I can’t believe it has been five years.”  He headed near the center of the stage for a CD giveaway.  A guy in the audience shouted, “Just give it to her.”  Alex joked with a hint of sexy in his rebuttal, “What does that have to do with giving away a CD?”  He continued to kid around about birthdays until he found a gentleman who was celebrating his birthday that night.  The CD was gifted, and went on to talk about new categories for the Canadian Smooth Jazz Awards.  He promised lots of surprises for those who attended previously, then chatted about Nick’s suit.  Then he discussed the upcoming entertainment with Brian Culbertson on trombone and Earl Klugh receiving the George Benson Lifetime award.
 
He thanked John Beaudin and Smooth Jazz Now then exclaimed, “Warren Hill is in the house!”  He thanked FACTOR, The Foundation to Assist Canadian Talent Recordings, and promised he would be fluting around too.  Thanks went to 94.7, the WAVE and a long, impressive list of Sponsors.  From BMO Bank of Montreal to the Old Mill Inn in Toronto and 94.7, the WAVE Alexander credited the supporters.
“Isn’t this one of the most beautiful venues?” he asked.
“Please give it up for Mary Kirk.  She is one of the hardest working people in this business.  Come on, where’s Mary?”  The crowd cheered loudly in support of Mary Kirk from the WAVE radio station.
 
BMO Bank Senior Vice-President Mr. Bob Bissett was welcomed to the stage.  He gave a speech thanking everyone there, then handing the mic to the newest BMO supporter, twelve year-old Jake Kassey.
 
“Jake proudly announced he switched all his banking to BMO because they support smooth jazz.   He said, “I listen to the WAVE 94.7 all the time.”  He talked about idolizing Warren Hill.  His adoration was more-than-evident.  Alexander asked him since he switched banks had he considered the flute instead of the sax.  He wholeheartedly replied, “No, I never gave it any thought.”  When Alexander asked him to play his saxophone he exuberantly replied, “Are you kidding?  I’d love to!”  When Jake played with Warren the crowd went nuts.  That was some duet!  Alexander Zonjic took the stage at the end of their performance asking for another round of applause for the amazing saxy pair.
 
Alexander said, “She was named the 2007 Female Vocalist of the Year and will be performing the William Hawkins song, ‘Merry Go Round’.”  He welcomed Kellylee Evans to the stage.  Her long black dress and gorgeous voice mesmerized the crowd.  The yellow spotlight lit her up, and what a crowd pleaser she was!  The band was off-the-hook with Andrew Scott on guitar, Vernon Barbary on bass (Warren Hill band), Steve Heathcote on drums and Don Breithaupt on keyboards.
 
Alexander Zonjic introduced Amy Sky and Marc Jordon to present the first award of the night, Male Vocalist of the Year.  He talked about Mark’s work writing for Rod Stewart, Cher, Amanda Marshall and Holly Cole to name a few.  He added Amy’s worked with Olivia Newton-John, Anne Murray and Cindi Lauper.  Krista from Factor took the stage to assist and talked about how happy she is that the smooth jazz radio format has been so successful.  The nominees for Male Vocalist of the Year were announced as follows:  Michael Dunston, Thirsty Howell, Ian Julsun, Chris Smith and Robin Thicke.  After Robin Thicke won the award Zonjic joked, “Robin couldn’t make it.  This is gonna look great on my piano.”
 
Amy Sky and Marc Jordon presented Mr. Warren Hill with Best Original Composition.  The nominees for Best Original Composition were:  Allister Bradley for ‘The Tip of My Tongue’, Nathan East, Sam Perkin and Warren Hill for ‘La Dolce Vita’, Thirsty Howell for ‘Lorelei’, Peter Linseman and Lorne MacMillan for ‘Beautiful Feeling’, and Sharon Washington for, ‘Little Wonder’.  The award went to Mr. Warren Hill for ‘La Dolce Vita’.  Warren graciously accepted and talked about Sam Perkin and their collaborations the nineties.  He proudly thanked his mom and dad that had flown in from LA and also Nathan East for pouring his heart and soul into everything he does.
 
Amy said the next guest produced an impressive new album with Jeff Lorber which earned double nominations for Wind Instrumentalist and Best Album.  Mark called him Canada’s best kept secret.  Vancouver trumpeter, Gabriel Mark Hasselbach strutted on the stage with his muted trumpet blow, blow, blowing the tune, ‘Cool Down’.  Alexander Zonjic joined in and they broke it wide open.  Gabriel blew it up and the crowd went nuts.  This guy can really blow!   His stage presence was electrifying.  Alex kidded, “You let go of that audience too quick!”  He then thanked the band; Andrew Scott on guitar, Vernon Barbary on bass, Don Breithhaupt on keyboards and Steve Heathcote on drums.
 
Alexander introduced WAVE 94.7’s morning man, Bob Farrow, and calling him the man who gives you a smooth breakfast every morning.  He referred to Bob as the voice of God.   Alexander said, “He’s the mystery voice at this award show every year.  Let’s give a big round of applause for Bob Farrow and newcomer, Thirsty Howell.”  Bob offered congratulations to Thirsty and threw out a few Gilligan’s Island jokes referencing Howell’s nickname.  Bob asked Thirsty (Robert) about his nickname.  Thirsty shared a story about a flashing sign in a Ft. Lauderdale bar and how the slogan stuck as his nickname.  The two then teamed up to present the Keyboardist of the Year Award.   Thirsty said, “We have four fantastic piano men on this category.”  The nominees were:  Steve Barakatt, Don Breithaupt, Rob De Boer and Fred Engler.
 
The winner was Fred Engler.  He took the stage asking, “First, please disregard my accent.  I’d like to thank the committee, especially Mary.  This is totally unexpected.  I’d like to thank my parents for dragging me to music lessons.  And to my wife, thanks for listening to my piano practicing.  Thanks to the wonderful musicians and my producer.  I am proud to be a part of the Canadian Smooth Jazz Community.”
 
Bob invited International Instrumentalist nominee, Michael Lington to help present the Wind Instrumentalist of the Year Award.  Michael expressed appreciation for being there and Bob joked about the ‘heat’ generated by Michael’s new CD Heat.  The nominees for Wind Instrumentalist of the Year were:  Gabriel Mark Hasselbach, Warren Hill, Vince Mai, Phil Poppa and Darren Rahn.  Warren Hill won the award and came forward and said, “It was such an honor to do that with Jake.  When he shared with me how nervous he was.  I told him I was you once.  I can see the same light in his eyes that was in mine at that age.”  He reminisced about his parent’s upcoming fiftieth anniversary coming up and gave a thank you to Steve Kassay.  He mentioned his ten-year old daughter, Olivia, and shared that she calls the award the ‘windy instrument award’.
 
Bob welcomed Julie Crochetière by saying, “This next very talented lady has played with Sugar Jones.”  She sang, ‘The Only Thing I Know For Sure.’  She was a red-haired ball of fire.  Her vocals melted our souls.   She rocked it up and belted it out.  Phil Poppa on saxophone and Gabriele Mark Hasselbach on trumpet were having their way with the tune when Michael Lington appeared front and center stage.  Julie and Michael shimmied in sync while delivering a fiery duet.  She said, “Wow, thank you very much.”  Alexander Zonjic hit the stage and said, “Give ’em a hand everybody.”
 
Warren Hill and Vickie van Dyke took the stage.  Vickie leaned in with a, “Helloooo.  Hey guys, how about my multi-award-winning partner?  First of all, thank you to Warren Hill for standing in for me last year, literally.”  She joked about last year’s injury, then introduced Warren’s daughter Olivia.  When Olivia took the stage she first curtsied, very sweet.  The audience gave her a warm welcome.  When Vickie invited Olivia to sing she answered, “I’d love to Vickie.”  Olivia talked about receiving an award herself someday. (I honestly believe she will someday, and very soon!)
 
Vickie and Warren announced the nominees for Female Vocalist of the year as follows:  Chantal Chamberland, Angelica Di Castro, Julie Crochetière, Kellylee Evans and Daniela Nardi.
Vickie asked Olivia, “Will you do the honors?”  The winner was Daniela Nardi.  Daniela came forward and said, “Ok, I was totally not expecting this.  I have to thank Mary Kirk for supporting the Canadian Artists.”  She talked also of her mother who recently passed away.  She mentioned making a CD in her honor.  “Seriously, she was a force.  I really can’t believe this is happening to me.  Thank you, thank you very much.”
 
Vickie took the stage again and said, “It’s great to see Olivia.  It reminds me how important it is that music programs in our schools survive.  Let’s watch this video and you’ll see what I mean.”
 
Next up was Guitarist of the Year.  The nominees were:  Justin Abedin, Lou Bartolomucci, Jesse Cook, Rik Emmett and Greg Kavanagh.  The winner was Jesse Cook.  They played a pre-pre-recorded video of Jesse saying, “I’m very sorry I cannot be there with you.  As you can see I’m on the road.  I’m in the trenches doing what I’m supposed to do.  I’m gonna play a little song.  It’s my way of saying I’m sorry.”  The song was beautiful.
 
Vickie said, “We’re gonna wrap up the first half.  Oops, I didn’t spit on anyone did I?”  She giggled and the crowd roared.  “I’m sorry if I got anyone.”
 
Warren and Vickie took the stage.  Vickie said, “Please welcome on of my buddies on guitar and vocals, Chris Smith.”  Go To My Head’, was up with Chris Smith, Don Breithaupt on keyboards, Vernon Barbary on bass and Steve Heathcote on drums.  They had the audience twisted in a jazz frenzy.


Second half of the 5th Annual Canadian Smooth Jazz Awards, 2009
 
DéNate opened with ‘Sweet Dreams’.   Deborah Connors said, “Come on folks, clap your hands.  Let’s go!”   She was off-the-hook and the crowd loved her.  Darren Rahn went nuts on sax.
 
Alexander Zonjic said, “Welcome back folks.  That is DéNate and we’re back with more great music.  Come on folks, they’re called DéNate.”  Alex did one more CD give away.  “I have time to kill,” he quipped.  He asked for the oldest audience member and eighty-four year-old Janet Harding went forward to receive her new CD.  He then talked about the George Benson Lifetime Achievement Award.
 
Alexander introduced presenters Gary James and Daniella Nardi.  He mentioned how exciting it is to have this new category.  The nominees for International Group of the Year were:  DéNate, Fourplay, LA Chillharmonic, the Sax Pack and the Teri Disley Experience.  The award went to Fourplay.  They played a tape of Nathan East who was touring in Japan.
 
Nominees for BMO Broadcaster of the Year were: Stu Berketo, Ted Hasiuk, Walle Larsson, Cameron Smith and Alexander Zonjic.  Gary James presented winner Stu Berketo with the award.  Stu said, “If I woke up with my head nailed to the carpet I couldn’t be more surprised.  It was thirty-seven months ago I did my first show.  First thanks to Doug and Mary Kirk for putting their passion behind the music.  Thanks to my friends, family, Face Book and my fans.”
 
Gary James made a surprise presentation to Mr. Bob Bissett, Sr. Vice-President of the BMO Bank of Montreal.
 
          Gary then introduced Mr. Warren Hill.  His performance of number one hit, ‘La Dolce Vita’, brought the house down.  He grabbed that soprano sax and took it all over the stage.  His entire band was amazing.  He switched to the alto and hit it even harder.  The audience was insane with Hill fever.  It was audience time as he bounced up the aisle and danced with his favorite fan, eight-four year-old Janet Harding.  She was really shaking her money maker while he saxed it up.  Oh what a couple of jazz maniacs they were!  He growled the sax at her and she growled her dance back to him.  Her eyes were closed and her arms flailed in the air.  She was in heaven.  Warren continued to go crazy playing every inch of the venue.  Alexander announced, “Warren Hill and his amazing band.”
 
We enjoyed a Fourplay video after Alexander talked about the new International category.  The band was headed from Japan to Korea.
Zonjic questioned, “Did you love that new category?”
To preface his introduction of Vickie van Dyke and Cameron Smith Alexander said, “They’re like Sonny and Cher, Laurel and Hardy or Ricky and Lucy.  You never know what you are gonna get with these two.  Please welcome Cameron Smith and Vickie van Dyke to the stage.”
 
They joked and chatted about Vickie being in a wheelchair last year.   She exclaimed, “And on crutches too!”   They joked back-and-forth about Texas, Jack Daniels and treble-trouble.  They then introduced the nominees for International Instrumentalist of the Year.  The nominees were:  Tim Bowman, Nick Colionne, Brian Culbertson, Kenny G, Michael Lington and Jeff Lorber.  The award went to Brian Culbertson.  He came forward and said, “Thank you.  I had no idea I was gonna win!  This is awesome up here.  Thank you to GRP Records, to all the amazing artists that helped me on the CD and to my wife Michelle.”
 
They acknowledged Betty Miner for the fantastic jazz-impression artwork she created for the awards.   Cameron talked about her amazing Giclees calling them gems of art.  He went on to talk about her talented combination of photography with impressionistic and expressionistic art.  They thanked her for the passion she has for jazz.
 
Cameron Smith and Vickie van Dyke presented the International Vocalist of the Year Award.  The nominees were:  Mick Hucknall, Kenny Lattimore, John Legend, Maysa, Seal and Victoria White.  Seal won the award.  Seal was on tour and a pre-recorded video was played with his acceptance of the award.  “I’m jealous because he has a hot wife,” was Cameron Smith’s green-eyed quip.
 
Cameron and Vickie Cameron referred to the next performer as a Chicago cat.  Vickie said, “He’s the only one I know who can make the trombone sexy.”  The pair introduced the 2009 Instrumentalist of the Year, Brian Culbertson.  Brian lit up the stage with, ‘Get it On’.  Special guests were Darren Rahn on saxophone and Gabriel Mark Hasselback.  Brian started things off as a madman on the keyboard.  He played back-and-forth from keys to trombone turning the venue upside down.  He pranced, danced and crouched down with the blow reinventing the song with a true Culbertson vibe.  He did a stand-off with Darren that was off-the-chain and out-of-this-world.  The dueling horns had Brian, Darren and Gabriel chasing each other all over the stage.  Wow, what a race and what a song!  The finale with trombone, trumpet and sax was amazing.
 
Cameron joked, “I’m Alexander Zonjic without the hairpiece.”  He asked, “Are they great or what?”  Cameron introduced Stu Berketo and Steve Kassay saying Steve has the sexiest voice on 94.7.”  After the comment he admitted, “Vickie told me to say it.”
 
The nominees for Album of the Year were:  Gabriel Hasselbach for the Cool Down CD, Warren Hill for the La Dolce Vita CD, Thirsty Howell for the Music from a Warm Place CD, Phil Poppa for the What you See is What You Get CD and Robin Thicke for the Something Else CD.  Stu Berketo and Steve Kassay announced winner, Warren Hill.
 
Warren took the stage and said, “Wow, this is too much guys.  It has been a long time since I put an album out in 2005.  This is just so much of a surprise.  Thank you to my manager Jack Forshet.  Thanks to Koch Records.”  He thanked the artists on the album and said to the audience, “Thank you guys so much.  I’m gonna have to build another wall.  Doug and Mary, thank you.”
 
The last award was an exciting new category, Drummer-Percussionist of the Year.  Steve introduced NuGrove recording artist, world-class producer and double nominee sax man, Darren Rahn.  Steve went on to say, “Whether he’s solo or with Dénate, he is the talk of the town.”  Darren commented about how honored he was to be presenting this award because he’s been working with drummers for so many years.  Several drummer jokes flew through the air before they announced the winner.  The nominees were:  Jerry Adolphe, Tony Albino, Art Avalos, Steve Heathcote and Mark Kelso.  Steve Kassay and NuGroove recording artist Darren Rahn presented the award to Steve Heathcote.  Steve came forward and said, “I’m totally out of my comfort zone here.  I’m usually in back making people sound better.  I love playing.  I’m making music sound good from the bottom up.  When I sit at the drums you get to hear who I am.”  He thanked his wife and twin sons.  He thanked also his family, love of music, friends, late mom and dad Dick and Kathy Heathcote.
 
Steve Kassay introduced the Alexander Zonjic Band.
Alexander Zonjic said, ‘Come on, my flute is ‘goldie’.  She’s eighteen karat gold!  Are you having fun tonight guys?  Come on.”
Alexander Zonjic shared his amazing flute playing.  He earned a triple wow for this performance.  The entire audience was blown away.  Everyone clapped wildly and was happily engaged in the Zonjic groove.  Alex switched to the guitar for a brief while mid-concert and again wowed us.  Then it was back to the flute to stir up some more crazy.


Cameron came returned to the stage joking with a flaming
cigarette lighter poised in his raised hand, he said he felt like he was at Woodstock.
“That’s good.  I think I saw you at Woodstock,” Zonjic toyed.  The fantastic Zonjic Band members were Chris Codish on keyboards, Wayne Gerard on guitar, James Simington on bass and Kenny Brooks on drums.
 
Cameron introduced Earl Klugh by saying, “We have the privilege of honoring one of the finest guitar players in the world.”  They showed a video and talked about Bob James.  He went on to discuss what a legend Earl Klugh truly is.  He added, “He is a man with great integrity and music in his life.”
They played a Bob James clip.  Cameron invited Ray Parker Jr. to the stage and they joked about his number one hit, Ghost Busters.  In rebuttal Ray said, “I ain’t afraid of no ghosts.  Is this an unbelievable show or what?  Thanks to the Kirks for keeping the music alive.”
He told stories of when he first got to know Earl and when they were playing asked, “Let’s plug up and get goin’ here.”
Earl then replied, “I don’t plug in.”  He talked about Earl’s use of plastic strings and joked, “Black guys don’t play guitars with plastic strings.”  He talked in awe of the unique quality of Earl’s music and how sticking to something leads to great music.  He thanked Mary and Doug Kirk for tonight’s show.  Mary and Doug hit the stage.  Mary said, “Earl Klugh is one of the finest guitar players in the world.”  Doug added that he is one of the sweetest guys.
 
Alexander introduced Earl Klugh.  Earl said, “Thank you all so much.  I wondered if I was gonna cry.  I’m ok, but I’m deeply honored.”  He talked about the George Benson song, ‘White Rabbit’.  He went on to share stories about his mother allowing him to follow his dream and how much it meant to him.  He stoically offered thanks to Ray Parker, Alexander Zonjic and his mother.  After offering a ‘Get well’ to Tim Bowman, he thanked his wife referring to her as the love of his life.  He received a standing ovation.
 
Alexander Zonjic said, “Now we’re gonna show you why Earl Klugh is a legend.  He has a wonderful medley for you.”  Ray joined him and the stage quickly filled with every musician imaginable.  The music was life changing.
 
Alexander admitted, “You know we love finales.” ‘Freddie Hubbard’s Little Sunflower,’ turned the place into a jazz lover’s paradise.  The entire stage was vibrating.  Every horn was in gear and blowin’.  This thumpin-bumpin’, string-poppin’ medley of crazy got a double wow from me!  The drum beat clapped time with the unbeatable groove.  They all kept playing, playing and playing.  This tribute to Earl Klugh and Smooth Jazz produced a stellar miracle of music.
 
In the end Alexander Zonjic brought out Warren Hill and said, “Come on, he won a lot of awards tonight.”  He said, “Come on Michael,” coaxing Lington on stage.  Dressed in all black with a too-cool hat Nick Colionne joined in.  Brian Culbertson on trombone took his place.  Darren Rahl on sax popped on stage.  Trumpeter Gabriel Mark Hassel and Chris Smith joined in.  Ray Parker Jr. and Earl Klugh slipped onto the stage.  It was a priceless moment when all stood back respectfully for Mr. Earl Klugh.  What a crazy, jazzy finale.  A VIP party followed directly afterward with live music, Bernard Callebaut Chocolates, appetizers, Chateau des Charmes wines and some of the best jazz conversations around.


Smooth Jazz Super Saturday
Saturday, April 25, 2009
Old Mill Inn
 
 
“Are we ready?” asked our energy ball emcee Vickie van Dyke.  She offered an exuberant, “Hellooooo.”  After sharing just-enough detail about last night’s jazzy soiree that lasted until 4:30 AM in her hotel room she asked, “How many of you were at the Smooth Jazz Awards?  Did you like it?  I’m on my thirty-seventh hour in high heels!  Should we get to the music?  What do you think?  This guy brought the house down three times for Wind Instrumentalist of the Year, Best Original Composition and Album of the Year.  As far as I’m concerned he is the man of the year, Mr. Warren Hill.”
 
Warren started things off with a bang.  He asked, “How are you guys doing out there?  Sing along with me ok?  One more time I really want to hear you.”  He got the party started from the moment he hit the stage.  The entire crowd was singing the Beatles classic, ‘Come Together’.  Hill blew it out.  He clapped his hands over his head and chimed, “Over me.”
 
Here is a 1993 tune.  You’ll know the tune.  Third, Warren and Vernon were three peas in a musical pod.  Warren continued the overhead clap while the string guys were unplugged.  Johnson was great on guitar.  I Still Believe in You’, had us believing.
 
“How you doin’ out there?  I’m so thrilled to have song of the year last night.  This is ‘La Dolce Vita’.”  The crowd went completely insane.  Everyone loves this rockin’ tune.  No one dared sit still and rightfully so!
 
He explained the 1991 hit, ‘Kiss Under the Moon’, was one of this favorite tunes and asked us to go way back with him.   He took to the soprano sax for this number.  James went bananas on the keyboards.  Warren pointed to the keyboard and said, “Let’s hear it for James on the keyboard.”  Hill cut back in with the soprano and held a note from screamin’ to growling to trillin’.  It was saxy, saxy and more saxy.  The crowd was off-the-hook already!
 
“I don’t know, but I’m getting’ a little vibe that your’ in the mood for something Latin.”  He prompted the audience and I believe answered his own question, “Oh yes, you’re in the mood.”  He must read minds because we certainly were.  Still sporting the soprano he gave it up on, Mombo 2000’.  His high-pitched vocal squealed, “Yeah, yeah, yeah spiced the place up until he met the challenge with a growling sax.  He got down and dirty with his bad self and the audience frenzied.  James and the guys stood back when Frankie Richardson (Third) let loose on an amazing drum solo.
 
He was still mamboing when he said, “Where’s Brian Culbertson?  Come on Brian.  Culbertson appeared toting his trombone and hit it hard.  Brian went nuts with his slide.  He thrashed to the left and to the right.  He was up, he was down and he was crouched.  He took it to the left and to the right again trashing that trombone like crazy.  After a small tumble, but got right back up fighting.  The audience vibrated.  Warren and Brian ripped into it showing everyone how it is done.  Culbertson then stood back directing the band while Warren went crazy on the sax.  He was on alto sax while Brian was reinventing the word trombone.  At song’s end Hill bellowed, “Brian Culbertson.”  Brian feigned innocence and joked about his fall being well-planned.  Warren reintroduced the band as follows:  James Burt on keyboards, Vernon on bass, Jerry Johnson on guitar, Franklin Richardson Jr. (Third) on drums.
 
Warren acknowledged a high school group in the audience.  He talked about playing a lot from the group Rush while growing up.  He added, “Listening to Rush was mandatory in Canada while I was growing up.  Right from the beginning my music teacher let me play what I wanted.  It started my passion.”  He shared, “Growing up my parents sang to me every night.”  He dedicated the next song to his wife, Tamara, and daughter, Olivia.  “This takes me back to how I started in music.”  He encouraged us to sing along saying all we needed to know was the word ‘do’.  He played the guitar for ‘Sunshine’.  “The do’s were good guys.”
 
“I want to give Olivia a chance to come out and sing for you guys.”  He proudly talked about her upcoming role playing Annie at the Boulder Colorado Playhouse for forty-six shows this summer.  He said, “She would like to dedicate this original song to her grandma and papa.”  Olivia took the stage and in her very grown-up-but-young voice she talked about the pain in the world.  The song and performance were priceless.  “Love, love love in our hearts,” resonated through the venue.  Warren stood back when she took it into the audience.  It was lovely.  She said, “One more time now, sing along.”  She had the entire audience singing and curtseyed in the end.  A standing ovation marked her tune.
 
Warren said, “That’s my ten year-old daughter Olivia.  I’m going to be opening for her one day.”  The bass player said, “You just did.”  The crowd roared.
 
Next up was a song Warren wrote for his tenth wedding anniversary.  He commented it was fifteen years now and talked about renewing their vows during a jazz cruise years ago.  He shared about they eloped first time they married, but his entire family came on the cruise for the renewal of vows.  Hill joked about his wife making arrangements for the ceremony at a place called Little Dick’s Bay.  He hinted with a seductive raised eyebrow that he sports a size eleven shoe.  He talked about his wife asking him if he thought he was going to win an award.  He shared with us he jokingly said, “By the sound of the speeches, do you think I knew?”  He talked more about the cruise and their second wedding.  “We all had a beautiful time there.  I can never thank you enough.  This is for you honey.  You are my rock.  I love you.”  He played, ‘Our First Dance’, on alto sax.  The passion in his song was unmistakable.  He took it to a growl and back again.  Hill gave a rather large piece of his soul on this one.
 
“Right now I think it’s time to get a little funky.  This is a song I wrote when I got an idea while I was taking a jog in Boulder.  I was freezing from a run, so I call it, ‘Skinny Dipping’.  Vernon from Denver and Third from Tampa has their own version of how they do the funk.  So, scream if you wanna hear how they do it.  Here we go guys.”  Warren took it into the audience and announced, “This is eighty-four year-old Janet Hardy.  Come on Janet.”  Warren and Janet got down and funky.  They danced and danced.  Warren serenaded her for a better part of the song.  After the dance he removed his coat.  Janet got crazy with the Vernon in the audience and Warren finished it off with the soprano sax.  Warren said, “Give it up for Janet Hardy.  Come on everybody.”
 
“This is a song I wrote for my CD Dolce Vida.  It is called ‘Mojo’.  What a great blow he gave up on this tune.  The house was on fire.  A back-arched soprano sax double wow came our way on this tune.
 
A little more from the Dolce Vita CD had him all over the venue.  Vernon was off-the-hook thumpin’ and bumpin’ like there was no tomorrow.  Warren came up and around to our table stopping for one of his many multiple serenades he offered along his journey across the entire venue.  The guys were bunny hoppin’ and in the end Warren spun in circles while playing.   What a finale!  They earned a standing ovation.  Warren said, “Thank you so much.  One more, do we have time for one more?   Ok, everyone don’t sit down now.”  Before we knew what hit us we were ‘playin’ that funky music until we died’.  Funky white boy Warren Hill and had everyone dancing.  Gerry Johnson dished out a guitar solo second-to-none.  His hand-off to Vernon showed us all what the bass is all about.  The guys got crazy and silly side stepping across the stage.   “We can’t get out of there without Brian funkin’ it up on trombone.  You guys want to hear Brian on trombone?” he asked.  The audience screamed for more.  Daughter Olivia was dancing up a storm center, front with a large group on the dance floor.  Brian was on stage doing all he could to defend my newly-designated title for him title as thee funkiest white boys ever.  He kicked up on leg, then the other while blowin’ hard and mean.  The house was rocking, vibrating and it was dance mania throughout the venue.  In the end Warren yelled, “Brian Culbertson.  All right y’all, we gotta get off stage now.”  The proposed plan to vacate the stage was quickly abandoned when Warren started an audience participation session.  It was Warren-audience, audience-Warren and so on and so on and so on.  “Are you with me?” he asked.  “I said, are you with me?  Bebop bebong,” he began scattin’.  He brought Olivia up on stage and she belted out, “Come on everybody.”  This little gem was really leading the pack!  She is an amazing bundle of infectious energy.  Warren crouched down and said, “We gotta quiet it down a bit.  He stayed low and calmed the house.  Culbertson was nearly layin’ on the stage by now when suddenly Vernon and Gerry Johnson on guitar jumped up and started bunny hopping.  Warren said, “I’m Warren Hill.  Thank you so much.  We love you.”
 
          Vickie van Dyke took the stage and asked for one more song.  Warren quipped, “We can’t do better than that one baby.”  Vickie said, “What a band and, of course, Brian Culbertson and Olivia.”  She talked about their upcoming Thursday night Smooth Groove Dance Party night she would be hosting at the Old Mill and asked everyone to give themselves a hand.
 
During the break Thirsty Howell brought Vince Mai over to meet me.  After a quick introduction he slipped me his brand-new CD, very nice (*note:  smooth jazz fans you owe it to yourself to give the CDStretchy a listen-release date April 28.  This fantastic award-nominee/Canadian trumpeter does it up right. I’m currently hooked on the title track!)
 
Set II
 
Our fearless and effervescent leader Ms. Vickie van Dyke was back up.  Anxious to loose her high-heels she said, “Once I take my shoes off in ten minutes I’ll return to normal.”  She introduced Cameron Smith.  He said, “Here’s to the fantastic 2009 Canadian Smooth Jazz Awards.  Here’s to the Don Rickles of smooth jazz.  Alexander, you do a phenomenal job.”
 
Alexander asked, “Can we have a hand for Warren Hill and his band?  We’re gonna have special guests, Michael Lington, Gabriel Mark Hasselbach and Earl Klugh.”  Zonjic came alive on flute.  His fingers fluttered like a million butterflies.  He was phenomenal.  He introduced his band:  Wayne Chris Codish on keyboards, Gerard on guitar, James Simington on bass and Kenny Brooks on drums.  Please give a hand for Chris Codish on keys.  “That sounded like a song to me,” he joked.  “That was a single from my Southern Blues CD.”
 
“This is a really cool song from an album.  This is one of the greatest bass solos you will ever hear at the Old Mill,” he confidently added.  Alexander was again fabulous on flute.  He started scattin’ and said, “Now, don’t you be tryin’ that one at home now.  One, two, three; this is James Simington on bass.  Give it up guys.”  He was right about the bass solo by James.  During his solo James said, “Oh yeah.”  His performance was off-the-chain.  In the end Alexander screamed the flute to the moon and stars above.  Alexander announced, “James on bass.”  The crowd bellowed applause.  It was back to Zonjic on flute.  He did a stellar cut after James solo.  He took it, rounded it out and added his own handiwork to the piece.  Alexander said, “James on bass, James on bass already.”
 
Alexander talked about Herbie Mann and how he got things started.  He did ‘Memphis Underground’, a tribute to Mann after inviting Michael Lington to join him.  Alexander commented it has a really cool chord in it.  Gerard went crazy on guitar with great audience support.  Michael hit it hard and Alexander intermittently said, “Yeah,” then he would play.  He repeated this at least three times.  The last time he said, “Wow.”  Michael shared some crazy sax licks as they heated things up.  Alexander joined him and they went nuts together.  The dance floor was hoppin’ and Alexander screamed, “Michael Lington.”  These two went back-and-forth so many times I lost count.  “Come on band,” Alexander said.  Zonjic had everyone clapping.  James Singleton took it and put his name all over it.  He volleyed it back to Alexander who said, “Oh yeah, James Simington on bass.  The volley continued between Lington and Zonjic ending in a grand finale.  Alexander joked, “That was a vicious attempt by Michael Lington to steal the show.”
 
Zonjic said, “We have not yet met our drummer.  We want to feature Kenny Brooks on drums with the song, ‘Isabella’.  Alexander opened the song and the audience was completely engaged.  He played the flute one-handed, it was phenomenal.  Next up was a guitar solo by Gerard.  James backed him up.  Alexander took the song back and said, “Ladies and gentlemen, Gerard on guitar.”  The keyboard solo by Chris was sprinkled lightly with the Zonjic flute.  They showed off a duet of sorts then handing it to Kenny on the drums.  What a finale.  He said loudly, “Kenny Brooks on drums.”
 
Alexander announced, “I want to bring out one of the best guitar players in the world up here.  He is one of my best friends on stage.”  Earl Klugh came forward.  Zonjic talked about playing with him in a basement with a ceiling so low he couldn’t stand up.  Alexander boasted about Earl.  “He unconditionally supported everyone in Detroit.  This song was written by Dave Grusin.”  Earl carried this song away.  The entire audience was clapping.  Alex joined in with some crazy flute playing while Earl was still giving it up.  What a team, they have amazing chemistry together.  Alexander said, “Earl Klugh everybody, thirty plus years.”
 
Earl stayed on stage for another song.  “Here’s a tune called, ‘One on One’.  This Bob James song was a Grammy Winner for Earl.  Alexander had the entire venue clapping.  Earl has a perpetual smile.  He is genius on the guitar.  Alexander commented, “The entire band did a beautiful number.”
“Ok, if you were at the award show last night, you know we did a medley of Earl Klugh’s many songs.  They took it from, ‘Midnight in San Juan’ to ‘Mr. Macumba’ to ‘Living Inside Your Love’.  Earl shone brightly as did Zonjic.  What a medley!  Earl to Alexander and back again told us genius was truly in the house.  Earl thanked Alexander Zonjic and everyone gave Klugh a standing ovation.  Alexander said, “Yes, yes.”
 
Alex called, “Gabriel Mark Hasselbach, Michael Lington, Brian Culbertson…  Does Brian have his trombone?  Ok, so let’s get some musicians up here.  Let’s do a susa medley.  Come on everybody give ‘em a big hand.  Come on up.”  Zonjic filled the stage quickly and commented, “Nice horns guys.”  From trumpet to trombone, sax to flute the tireless playing of these guys was a live bin of crazy cats in a bag all gettin’ down and funky.   Zonjic said, “Here’s Gabriel Mark Hasselbach.”  His trumpet solo was clear and crisp.  The crowd begged for more.  He was thrillin’ and blowin’ hard while having a great time.  Alexander said, “Come on, everybody give it up for Gabriel Mark Hasselbach.”  Zonjic announced, “Brian Culbertson.”  Culbertson took front and center stage giving trombone playing a new twist.  Everyone was clapping.  His funky, bad boy side emerged.  The entire band stood back and clapped him on to play more.  Brian nailed it!
 
Michael Lington was up next.  He gave up a whole lot more funk.  His Danish lungs cut loose with a dose of Lington-style sax.  He was arch backed and wailing.  Alex took the flute to chill for a few minutes saying, “Ah.”  Michael threw a little more sax at him and Alex hit the flute in rebuttal.  They continued to volley with the crowd coaxing.  What a funky battle of the band.  Out of center back Brian Culbertson emerged his own version of trombone mania.  He stole the show for a moment.  Alexander Zonjic and all the horns carried this one out the door and off-the-Rector Scale.  From keyboard to bass the house was insane.
 
Alexander Zonjic said, “Ok, here we go.  And, one, two; give a big hand to Gabriel Mark Hasselbach, Michael on sax, Earl Klugh on guitar.  Can we have a round of applause for Mary and Doug?  Alright folks, we’ve got one more tune to get you on your feet.  I want to see you folks dancing this time.”  The venue was barely standing when Alexander said, “Here we go.  Here we go.”  Bass, drum, guitar and keys were all perfectly coordinated.  Everyone came together in the end.  It was beautiful.
 
My heartfelt thanks goes out to Mary Kirk, Doug Kirk and everyone associated with the making of the once-in-a-lifetime award event, The Canadian Jazz Awards 2009.  I’d like to send also an extra special thank you to Vickie van Dyke and the genius that is her.  My humble gratitude is passed to all that included me in some of the best jazz in my life!


Spaghettini, Saturday, April 18, 2009
Special Event:  CD Release Party, Ronnie Laws
 
Band:
Tenor Saxophone:  Ronnie Laws
Keyboard:  Euko Tamara
Guitar:  Craig T. Cooper
Bass:  Aaron Mason
Drums:  William ‘Bubba’ Brian
 
 
I was lucky enough to make it in time for a little sound check tonight.  Always There’ and ‘Listen Here’, whet my appetite for the Ronnie Laws Special Event CD Release Party at Spaghettini in Seal Beach, CA.  Anticipation was running high and the crowd was a beehive of buzz.  I was perched front row, center for the legendary Ronnie Laws.  It doesn’t get much better than that in my estimation.  I am convinced I am living a dream here!  The promoters canvassing the entire venue prior to show time handing out free CD singles of, ‘Step Right’, from Ronnie’s twenty-sixth CD called, Voices in the Water more-than-sustained the excitement.
 
His Emcee commented, “Good evening everybody.  How are you doing here tonight?”  Q hit the stage and said, “This is a special night tonight, Mr. Ronnie Laws.  As most of you are aware this is his CD release party brought to you by the WAVE.  He was one of the original members of Earth, Wind and Fire before he went solo.  You are the first to hear his new CD.  Ronnie will be out in a few minutes.  I want to introduce the Ronnie Laws Band.”
 
They opened with ‘For Your Love’ and showed us what they were made of.  The cohesive energy they shared was spellbinding.  What a great band!  The grabbed hold of the song and wrapped themselves around it.  A shush from Craig T. Cooper took the end of the tune to as-smooth-as-butter.  Craig T. Cooper is one heck of a guitar player.  His vibe was amazing.
 
Cooper announced, “Ladies and Gentlemen, Ronnie Laws.”  The boisterous voice of the emcee chimed in, “Ronnie Laws.”  The moment he hit the stage it was obvious he has the ‘it factor’, and it is alive and well.  He swept the attention of everyone there from his first note.  His magic begins the minute he gets his groove on.  He was in the zone-zone-zone with eyes closed and mesmerizing the crowd with his wow-it’s-really-him sax style.  His sound is full-bodied and his beat is stellar.  He plays straight into his microphone and the sound is off-the-hook!
 
Ronnie asked, “How y’all feelin’?  Put your hands together.  Welcome to the CD release party for a brand-new CD called Voices in the Water.  Are you all ready for this?  We have to start out with a little James Brown.  If you love James Brown say yeah!  Yeah!  He hit it, and hit it hard.  The crowd was hooked and completely engaged.
 
Ronnie said, “We’re gonna do a little, ‘Freedom Jazz Dance’ (Live in Concert, Tribute to the Legendary Eddie Harris CDs), by Eddie Harris.  We’re gonna do a little Eddie Harris later.  We’re gonna do a little freedom jazz.”  Craig T Cooper started things off on guitar jand broke it wide open.  Craig was a maniac as he rode his hand up and down the neck of his guitar making the song zing.  Ronnie got so low and dirty he made his sax sound like a foghorn.  What a riff!  His passion and love of music were gorgeous.  It is no wonder he is a living legend.  Every eye in the more-than-capacity crowd was on him.  He stood back while the band took over then created his own vibe.  “Bap, Bap Bap”, he queued Euko on keyboards.  Then it was Ronnie jumped back on sax to round it out perfectly.
 
“Ronnie said, “Alright, thank you.  So you liked that?  We’re gonna do something from the new CD.  It’s called, ‘Down and Up Again’ (Voices In The Water CD).  Come on.”  He hit it with his soprano sax and muttered, “Yeah, yeah.  How do you like that?  You like that?” he asked.  He wailed the soprano sax straight into the mic again then pointed to Cooper on guitar.  Craig gifted a stellar guitar vibe.  His confident style looks like he could pull it off blindfolded, and I think he could!  They were all giving up the back-and-forth with some of the best licks I’ve heard.  The still-can’t-sit-down groove was doin’ it to the house!  Ronnie was reinventing the soprano sax while Euko beautified the keyboard with her voice.  Cooper added vocals to his guitar and Ronnie said, “Thank you.”
 
He stayed on the soprano for the next one opening without a mic until the band joined in.  He was trillin’ like crazy.  It was mystifying.  Laws said, “Drum roll.”  He walked over and asked, “Keep playin’.”  Bubba’s drum solo took the doors off the place.  The crowd went nuts when he dished out an extraordinary plate of mind boggling rhythm.  Everyone in the band stood back including Ronnie.  The entire crowd was completely into it and cheering him on.  Ronnie grabbed the tenor and soprano at the same time and played them both while the drum continued to fly off-the-chain.  It was spectacular!
 
“We’re gonna take this opportunity to honor one of the most legendary sax players of all time, Mr. Eddie Harris.  We all stand on the shoulders of those who precede us.  And with Eddie Harris, those are some big shoulders,” he admitted.
 
Ok, fasten your seat belts folks.  There comes Lynn’s favorite song of all time, ‘Listen Here’ (Live in Concert, Tribute to the Legendary Eddie Harris CDs).  If I was wondering before about living the dream, I am certain now.  This was it!  The entire crowd went crazy for this classic.  Ronnie rocked it home and surely did Eddie proud.  He wailed it, belted it, kicked it and rocked it inside out!  Euko’s keyboard solo was stellar.  She pounded it, rolled it and jazzed it up.  She just, plain did it to it.  From there it was back to Ronnie for the finale.  What a wow!
 
Back to the soprano sax it was.  Ronnie said, “Ok, now I want to have some audience participation on this song.  Come on.  Yeah-Yeah-uh-huh.  Can’t Stop the Music’ had everyone singing, “We go like this and we go like that.”  We were all having a blast with it.  Craig rounded it out with another guitar solo that rocked our socks off.
 
Ronnie proudly introduced his band and went on to ask, “Are you having a good time?”  He repeated, “Are you having a good time?  I’m sure you’re in for a real good time.”
 
After Ronnie left the stage ex NFL player Larry Graham on bass took the stage to show us how it was done during the break.  What a bass player!  The venue was having more crazy-good fun when he and special guest Dante Winslow tore it up on trumpet.  The two had never played together before.  Their improvisation was incredible, the synchronicity was top notch.  They talked about Ronnie being an icon and offered up an old school medley of great tunes.  From old school to Motown they covered the gamete with, ‘Another One Bites The Dust’ to ‘I Can’t Help Myself’ and on to. ‘My Girl’.  In the end Larry said, “Thank you for letting me have some fun.”
 
The spotlight was back up and the emcee said, “Ok, California how ya doin?  Are you having a fun time so far?  Are you ready for Mr. Ronnie Laws?  Ronnie grabbed the stage one more time with the soprano sax and did the long version of ‘People Make The World Go Round’.  The crowd went nuts.
 
He then said, “We’re gonna do one more.”  He repeated, “We’re gonna do one more.  “Put your hands together.  Everybody get up, come on.”  Always There’ (The Best of Ronnie Laws, Live in Concert, Tribute to the Legendary Eddie Harris, The History of Blue Note-Seventieth Anniversary CDs), was his finale-of-all-finales.  The house was on it’s and ear sideways.  He worked the hip sway right into the back arch and brought this one home to mama.  Everyone was standing and clapping.
 
A huge thank you and much appreciation to the legendary Ronnie Laws for some of the best music I’ve ever heard in my life.  Here’s a toast to over three decades of some of the most incredible music of all time!
© April 2009 Lynn M. Olson ALL RIGHTS RESERVED



Spaghettini, Thursday, April 15, 2009

Percussion:  Ronnie Gutierrez
Guitar:  Blake Aaron Smith
 
I made a quick stop at Spaghettini tonight to enjoy a little mellow.  “So, do you have your taxes done yet?” Ronnie asked.  Welcome to Spaghettini on Wednesday night.  Ronnie was ready to team up with Blake Aaron Smith on guitar.  Blake said, “We’re gonna do a tune called, ‘She’s So Fine’.  We appreciate you being here.  There are a lot of places you could be tonight.  But, you’re here listening to live music and we appreciate it.  We’re gonna do some tunes off Ronnie and my albums.”  The pair revved things up and added their jazzy flair to their first tune.  Blake said, “Ronnie Guttierez on percussion.”
 
“Seems like it is early like three or four o’clock, but we’re gonna continue with a few more.  They did ‘I’ll Be Around,” and said they’d be taking requests.  The guitar-percussion vibe dished out a nice chill for a tax-day, Wednesday night.  Thankfully, we all left the work-day chores at the door on the way in that is for sure!
 
Ronnie said, “This is kind of a fusion, up-tempo little thing called, ‘When I Saw Her’”.  These two teamed up and wowed the crowd.  Blake said, “Thanks you guys.  Thanks so much.”
 
Blake said to Ronnie, “This is kind of a salsa version of ‘Fragile’.  We’re gonna feature Ronnie on this next tune and I’m gonna disappear.  We’re gonna play a song by Sting here.”  Ronnie asked the audience, “How many of you play percussion?  How many of you play the pots and pans?” he joked.  Ronnie grabbed hold of this one and carried it away.  His love of percussion was evident as the passion glowed brightly through this one.
 
Blake said, “We’re gonna play a little Santana.”  Ronnie added, “This is a little ‘hold-you-close music’.”  The pair offered a stellar rendition of the classic Santana genius, ‘Europa.’  The tune was gorgeous.  Blake outdid himself and Ronnie followed suit.  At song’s end Ronnie said, “Put your hands together for Blake Smith.”
 
Blake said, “We’re gonna do a tune of mine.  It actually got a lot of airtime last year.”  He talked about his radio show from three to six on Thursdays with KSBR, 88.5.  Bumpin’ on the West Side,’ had the chair dancing started and a few couples doing a little of their own bumpin’.
 
Ronnie announced, “Just to let you know I have a Latin jazz band.”  He talked about his upcoming gig on Sunday, May 17.
 
Keepin’ it Real’, was the last song of the set.  Ronnie said, “Now we get to see all the chair dancers.”  He was right.  This was a hoppin’-dancin’ song.  The crowd loved it.  He said, “All right, did you get that?  We’re gonna take a quick break.”
 
Thanks so much to Ronnie Gutierrez on percussion and Blake Smith on guitar for sharing a rockin’-good vibe with us tonight.  I’m only sorry I had to miss the second set this time!  © April 2009 Lynn M. Olson ALL RIGHTS RESERVED



Spaghettini, Friday, April 17, 2009
Trumpet:  Joey Sommerville
 
Band:
Keyboard:  Bill Steinway
Guitar:  Kat Dyson
Bass:  Rhonda Smith
Drums:  Larry Durell
 
Music director Q said, “Ladies and gentlemen.  Can you believe it’s gonna be eighty-five degrees in Orange County tomorrow?  Aren’t you glad that Joey brought good weather with him?  It’s a pleasure to bring some new talent.  He’s really not new, just plays the East Coast more.  He has an all-star band with him.”  Joey Sommerville took the stage and said, “Good evening ladies and gentlemen.  Clap your hands.  We’re gonna ease into the festivities.  This song is called, ‘All Night’ (CD).  Trumpeter Joey Summerville hit the flugelhorn with a smooth and mellow opener.  He dished out a nice vibe.  Kat Dyson took her guitar solo to the fullest.  She was screamin’ with her fire-engine read guitar.  Joey took his free hand and circularly motioned for the band to rev it up.  Sommerville asked, “Y’all show your love for Ms. Kat Dyson.  The audience engaged and was ready for more.
 
“Y’all know I’m from Atlanta right?  I’m gonna go way back to 1970, um.”  There was a little stage banter between he and Kat over which seventy it was.  He continued, “seventy uh.  Anybody know about the Doobie Brothers?  We’re gonna try to represent them properly.”  He offered up, ‘You’re the Only One’.  They rocked the tune and did it proud!  Joey really knows how to do it up right!  “Thank you.”
 
“So, now we’re gonna get in touch with the sensitive side.  We can’t be flashin’ it all night for ya.  This is for all the grown folks.  And, you know who you are.  This is my favorite song of all time.  You’ll know it when you hear it.  And, I certainly did.  Funny Valentine’, (CD) melted the mellow chill over the crowd and the band.  Billy Steinway showcased his talent with a phenomenal piano solo.  Joey switched from flugelhorn to bright-red trumpet mid-song.  His flurry of trilling was marvelous.  “Thank you.  And on the keys one more time for Billy Steinway.  He introduced Larry Durell on drums and Rhonda Smith on bass.
 
“‘Ride to This’ is a title track.  So, coincidentally enough this is called ‘Ride to This’.  There will be a quiz on Monday.  It was back to the red trumpet for this stellar song.  Sommerville stood side pocket while Kat’s guitar solo proved her to be one bad, bad girl.  She was off-the-hook!  Joey announced, “Kat Dyson on guitar y’all.”  Billy Steinway did a crazy solo on the keys that bordered insanity.  The crowd loved him.  Joey cut back in with a little more trillin’ mania.  What a hoppin’ song this was.  “Y’all, show your love for Billy Steinway.”
 
“Do we have any Earth, Wing and Fire fans in the building?  I would think so!”  Joey was out in the audience on this one.  Sometimes you just gotta let it marinate for a little while”, he commented.  Can’t Hide Love’ (CD), had Sommerville sharing a table with an audience member named Renee for a lovely serenade.  He prompted quite a chair dance and announced, “Renee just won herself a CD for helping me out there.”
 
Joey talked about his most recent CD and collaborations with Marion Meadows and Phil Perry.  “We’re gonna do a ballad from this CD.”  “My dad was in the hospital for several weeks.  It was a very scary thing when they didn’t know what was wrong with him for so long.  Thankfully he is fine now and at eighty-three is still barking orders.”  He explained his dad was the inspiration for this song.  “As a result of many spiritual conversations I had with him in the hospital.”  My Father’s Eyes (CD) was a heartfelt number with Joey on flugelhorn.
 
“You know we are going to play a little song I call it audible.  Do we have any Miles Davis fans in the house?  I’m sure we have some Miles Davis fans.  Miles did a tribute to Desmond Tu Tu and the song is called ‘Tu Tu’ (CD).  Billy Steinway took to the keys in rare form with a stellar solo.  Joey went back to the red trumpet and offered up a smoky-jazz-club feeling.  “Let’s hear it for Billy Steinway y’all.  We’re gonna do one more before we take a break.”
 
“Here’s the title cut to, ‘Like You Mean It’.  All you have to do is be one of the party people if you want a CD.”  Sommerville was out in the audience again.  One serenade after another had people dancing in the aisles.  “Come on Kat,” he prompted.  She did a show-and-tell of just how a guitar is meant to be played.
 
“Thank y’all.  We’re gonna take a short break to wet our jaws for the cause and have a little alcohol.”
 
Set II
“Check on two,” he said.  “So, ladies and gentlemen we are back after our brief intermission.  We’re back!  So, are you ready?  So, are you ready?”  We’re gonna feature Kat on this one.”  She offered up crazy-good solo on, ‘Bust It’ (CD check song title).  “Give it up for Kat Dyson on guitar.  Thank you.”
 
“Do we have any Marion Meadows fans in the house?  This is gonna be a tough one because we’re in Orange County.  This is the Orange County version of, ‘Inner City Blues’ (CD).  Joey took the flugelhorn to screamin’ on this one then volleying to Steinway.  He invited “Bill, would you share your percussions and revelations on ‘Inner City Blues’?”  Billy gave it up on his solo.  “Y’all, that’s Bill Steinway on ‘Inner City Blues.’  You know when I think Inner City blues I think of he guitar, don’t you?  Y’all show your love for Kat Dyson.”  Her solo was amazing.  She left us straight for the zone with eyes closed.  She took it away and got down and dirty.  Joey cut back in on flugelhorn and finished it off.  “Y’all share your love for Ms. Kat Dyson.”
 
“I mentioned Mike Phillips earlier.  Some of y’all know Mike Phillips.  This is from a group called Floeity.  This is a song called, Say Yes’ (CD).  Kat was up again adding some vocals this time.  It was most definitely a wow performance.  Joey said, “Show your love for Kat Dyson y’all.”  Joey added a little flugelhorn for dessert on this one and said, “Y’all show your love one more time for Kat Dyson.”
 
“We’re about to see if we have any old school fans in the house.  Do I have any old school party people in the house”, he asked.  He brought out the red trumpet and said, “We’re gonna go back to, “an AWB classic.  We’re gonna get out a dusty record.  Anybody in the house know Wayman Tisdale?  Y’all out there?  Y’all know what I’m talkin’ about?”  He brought the flugelhorn back out prompting, “Y’all gotta sing with me y’all.”  The finale was spectacular.  They took it from Michael Jackson and beyond to really rock the venue to the moon.  He was out in the audience on this one saying, “So, check this out y’all.  This is audience participation time.”  He took it in the audience and said, “Sing like you sing in the shower.  ‘Cause I know you all sing in the shower.  Sing like you sing in the car.  I know y’all sing in the car.”  Kat commented, “People don’t sing in Orange County.”  When Joey found one eager audience singer he commented, “You don’t look like you’re a stranger to the microphone.”  The girl got up, grabbed the mic and belted it out.  The audience went nuts.  A crowd member in a gorgeous turquoise dress danced it up with Joey while the crowd eagerly looked on.  They were cuttin’ a rug and the rest of the group was lovin’ it.  Sommerville was all over the venue and the crowd was singing along.  He said, “Some people got it goin’ on.  I promise you we’re gonna party!”  And, party he did.  He was still spreading cheer in the audience and said, “If this song don’t get y’all up in Orange County, we gotta get y’all up.  By now everybody was dancing and having a great time.  “Y’all show your love for this band.”  He reintroduced everyone and said, “I’m Joey Sommerville.  We love you and appreciate you.  He jumped up on a chair and kept it going on.
 
Thanks so much to Joey Sommerville and his rockin’ band for a jazzy-good party.
 
LOOK UP LYRICS:  Oh baby, come on give me one more chance.
 
 
© April 2009 Lynn M. Olson ALL RIGHTS RESERVED


Spaghettini, Saturday, April 4, 2009
Guitar & Vocals:  Nils CD Release Party Event
Band:
Bass:  John Hart, Philadelphia (Philly funk) aka John “big pocket” Hart
Percussion:  Oliver Brown (Gravity 180) (KC and the Sunshine Band), Keyboards & Vocals:  Clydene Jackson, (Lion King) (Gravity 180)
Drums Cory Mason (R & B vibe)
 
Music Director, Q proudly announced, “Ladies and Gentlemen, how are we doin’ tonight?  Please welcome to Spaghettini Baha TSR recording artist Nils.  He has a new song called Jazz Cruise.  I wonder where he got that idea.  Do you think it could have been a jazz cruise?  Ladies and Gentlemen please put your hands together for Nils.”
 
Nils said, “We gotta take it easy.  Most of you guys are still eatin’ out there.  This is an older one.  It is from my Pacific Coast Highway CD.”  Sneakin’, had Clydene Jackson painting this one red with her beautiful voice.  She is one class act.  Nils rocked it on guitar while Oliver grabbed a hold of his groove.  When Nils said, “Take it home,” the song came alive.  Jackson really turned it up on keyboards and John Hart on bass showed us how it is done.  He closed by saying, “Sneakin’ up on ya.”
 
“Moving ahead, this next one I named after the day I wrote it.  Therefore, it is called, Last Night’ (Ready to Play CD), he joked.  We enjoyed a slow and mellow groove on this cut.  Nils dished out his stellar guitar vibe while John Hart gave up the side-to-side sway on bass.  Oliver on percussion never stopped moving! “‘Last Night’,” he quipped at song’s end.
 
“I want to try some of my new stuff out on you guys.  This is, ‘Catalina’.  It’s from our new CD.  Ah, a nice vibe was offered up with the extra bonus of ‘brand-new’ excitement.  Oliver remained in the zone with plenty of Brown madness seeping out of the percussion corner.  He has some of the most phenomenal rhythm I have ever seen.  Oliver Brown is always a kick.  He creates his own little dance party every minute he performs.  And man, this cat has some unbeatable rhythm!  John Hart beautified the bass with his contented smile as Nils closed by saying, “This is a little thing we call ‘Catalina’ (Up Close and Personal CD).  Thank you very much.”
 
Nils said, “This is a song Clydene co-wrote with me from her stompin’ grounds.”  He asked, “Anyone here from the Bay area?  Well, this one goes out to you then.”  Upbeat and happy everyone was groovin’.  Nils ended it by saying, “Wooh, alright, ‘East Bay’ (Up Close and Personal CD), makes you wanna go there doesn’t it?”
 
“I think we are finally warmed up.  I think we can turn it up a little.  You gotta remember some numbers, ’60-10-29’, (Up Close and Personal CD).  It’ll make sense in a little while.  It’s a new track, so you gotta get along with this one.”  This song was just, plain fun.  Nils and the band kicked it right to the chill.
 
“Alright, it’s getting’ warm in here which reminds me of some good, old summer nights.  Maybe you’ll remember this one.”  The song was, ‘Summer Nights’ (Pacific Coast Highway CD), and, in my estimation unforgettable.  John Hart took it up and down the neck of his bass proudly strutting his talent.  He is one bad boy.  His performance thumped and bumped us to bass heaven.  “‘Summer Nights’,” Nils proudly stated.
 
“Here’s another one for you.  This is the only cover I put on the new one. I had to lay it down.  I had to play it because it was such a beautiful song I hope you love it too!”  Their version of, ‘Europa’ (Up Close and Personal CD) was awesome.  Oliver brown took percussion to a new plain on this one.  He tore it up.  The audience shared euphoria with the band as Nils stood up on the speaker, balanced himself and plunged over the rail into the crowd.  He covered the entire venue with mini serenades while camera bulbs popped furiously.  He really rolled this one home!  His well-worn guitar and stellar vibe evidenced his love of music as he drew the finale with perfect embellishment.  They reinvented this 1975 Santana tune.
 
“We’ve got a new song off the new CD for you.  You guys are a great crowd!” he exclaimed.  “Thank you to Q.  This is a great place in LA and our favorite place to play.”  He excitedly added, “This is our CD release party and I’ll be out in the lobby to sign anything you like.  We’re gonna play one from our new CD.  Without further ado, ladies and gentlemen I would like to introduce, ‘Jazz Cruise’, (Up Close and Personal CD).  Here we go!" he shouted.  The lyrics, “We’re havin’ a party,” rang true!  This one had “it’s-a-jazz-cruise-and-we’re-havin’-a-party” written all over it!  Everyone was clapping and dancing.  Audience members sang along.  This tune had magic electricity.  He ended by saying, “We’ll be back after our break.”
 
Set II
“Alright, we’re back!” he exclaimed.  Thanks for hanging out with us for another set.  Reaching back again to the Pacific Coast Highway CD we have another classic, ‘Georgie Porgie’.”  Clydene Jackson showed us what she was made of on this cut.  Clydene and Nils paired their amazing chemistry on vocals while Oliver on percussion showed off a little more of his wow factor.  His is unstoppable and his energy was off-the-hook.
 
Nils and Clydene shared a beautiful hug.  He said a few words about her adding, “If you have ever seen any Disney movies you’ve probably heard her!  I wanna move into the Title Track of the CD.  I hope you like it.”  He admitted, “I’m sensitive about this stuff.  Are we ready?  It’s ‘Up Close and Personal’ (title track).”  Hart’s did it up right on his bass solo from his corner pocket perch.  He smoked it, prompting Nils to introduce, “John Hart on bass.”  Oliver’s fancy footwork continued to amaze us all.  Their finale was perfect.  ’Up Close and Personal’!” he exclaimed.
 
“This is a song that goes way back to 1989 to my first CD.  It’s called, ‘Brazilian Dance’.  Clydene cranked it up and was a shining star.  The entire band stood back in a huddle while Oliver’s solo on percussion wowed everyone.  A collective awe was had by all.  His vibe is incredible.  The audience loved him.  Nils exclaimed, “Oliver Brown!”  The musical banter and camaraderie between Hart on bass and Nils on guitar was priceless.  A perfectly-timed hand off to Cory Mason on drums opened the door for a fabulous solo.  The band members again stood back respectfully watching.  Everyone clapped in unison to his beat.  Nils came forward announcing, “Ladies and gentlemen, Cory Mason.”
 
“We’re gonna calm it down a little bit with, ‘Until I See You Again’ (Up Close and Personal CD).”  They delivered some slow, sultry and sexy on this cut.  Nils picked up his guitar and rocked it like a baby.
 
“This one is a fun song, it’s a fun song!” he reiterated.  “When I wrote it I had a vision for how I wanted it to be.  It had a killer hook, so I had to rearrange it to put the hook in.  It’s called, ‘Soul Mates’, (Up Close and Personal CD).  This is for all you lovers out there.”  He was right about that hook and spot on about romance permeating the air!
 
“This one is from the Up Close and Personal CD.”  I thought I’d make it more soulful than previous records.  I asked my guys are you ready?”  He introduced ‘Ready to Play’.  Nils outperformed himself on this one.  He really put it out there.  He pointed to Oliver Brown and his percussion dance party.  We were again in awe of his incredible energy.  Clydene was grinning from ear-to-ear on keyboards while John and Cory were nailing this one.
 
He asked, “Do we have any cat lovers in the house?”  A few scattered responses echoed.  “This one I had written in my home studio.  Just as I got it just the way I wanted it both cats were on their backs with their feet up in the air.  I had to call it ‘Catnap’ (Ready to Play CD).  I hope you enjoy it.” This one took him up on the speaker again.  With one hand back he said, “Break it down guys.”  He jumped over the rail and pounced into the audience to do some crowd pleasin’.  And, that is exactly what he did.  “Woo, woo”, he quipped.  He spilled guitar mania everywhere and the crowd went nuts.  When he rejoined the stage they fired it up again.
 
“I got another one for you guys.  You might remember 2005.  This song was all over the radio.  Everybody was grooving and rockin’ on PCH!  Here’s ‘Pacific Coast Highway’ (title track).  Thank you everybody.  I want you guys to get up on this next one.” He jumped into the crowd and shook it up!  They were off-the-chain.  Oliver Brown went crazy on the congas inviting all to join in, while Nils showed his guitar prowess.  Everyone was standing, dancing and clapping.  The venue was on fire.  He reintroduced the band and again thanked Spaghettini.  After a brief reminder they had CDs in the lobby he said, “Check it out.  Thank you, we love you guys.  Don’t be shy.  Thank you very much.”
 

A huge thanks goes out to Nils, his band and Gravity 180 members.  That was a great CD release party Spaghettini-style!  © April 2009 Lynn M. Olson ALL RIGHTS RESERVED

 

Spaghettini, Sunday, March 29, 2009

Andy Vargas Band Event

Vocals:  Andy Vargas (Santana)

Vocals (guest):  Eric Mondragon (DW3)

Keyboard/vocals:  David de la Garza

Guitar/vocals:  Artie

Guitar (guest):  Michael Sanders

Bass/vocals:  Tim Ruiz (La Mafia)

Bass (guest):  Dave Filice

Drums:  Stevo (Villa Francisco Pancho)

Percussion:  Ramon Yslas (Christina Aguilera)

 

Music Director Q asked Spaghettini, “What’s happening music fans?  It’s always a pleasure to introduce the premier of a new band.”  He offered musical background on Vargas, notably his position as the lead singer from Santana.  He then announced, “Ladies and Gentleman, here is the Andy Vargas Band.”

 

Andy asked, “How you guys doin’ tonight?  It’s an honor to be here, always an honor.” 

Ain’t Got Nobody’, broke the place wide open with Andy Vargas, his güiro,* (see below), unstoppable rhythm and unchained energy.  Lights up, everyone clapping, dancing was crazy, and Andy’s amazing vocals were all on tap for the maiden voyage of the Andy Vargas Band.  The spirit of Carlos Santana was most definitely in the house tonight!  Oh yeah, this guy’s go the ‘it’ factor and he was all over it!  Clad in his short-brimmed, black leather hat he had a distinctive aura about him.  He jumped on vocals while continuing to share the unique sound of the güiro*.

 

From there it was double tambourines and back again. ‘Dejala’, had Andy dishing up the music with style and class.

 

Vargas has a way of clutching your heart when he sings.  His vibe and energy remained unplugged as he sang, the Santana song, ‘Corazon Espinado’, in Spanish.  The band’s combine vocals were spectacular.  Ramon on percussion rounded out his tasty groove while Andy muttered, “Yeah, yeah,” on the finale.

 

“This is a song I wrote for Carlos called, Aye, Aye, Aye’.”  Vargas opened with a pair of brightly-colored yellow maracas and unmatched rhythm.  The party was crazy-fun and everyone was dancing again.  The energy was off-the-hook!  Ramon on percussion had it going on.  What a groove!  Andy then pointed to his right saying, “This is David de la Garza on keyboards, take it.”  And, oh did he take it!  He not only took it, he ran away with it.  What a keyboard player!  It was back to ‘music-in-his-blood’ Vargas with an aye-aye finale.  This was a rockin’-great song.  Vargas then said, “Thank you for all my friends joining us in the Seal Beach area.”

 

For, ‘Evil Ways’, he returned to his double tambourines.  David on keyboards nailed it instigating another dose of Santana frenzy.  Ramon played in perfect rhythm reinventing the conga skins with his work.  The duo of Yslas on percussion and Stevo on drums was out of this world.  Stevo gave it up on drums while Ramon shook it up on his chekere (African beaded gourd-like instrument).  His percussion mimicked the rattle of a snake.  The place was still in dancing heaven when Andy offered both arms outstretched, shaking tambourines in each at songs’ end.

 

“We’re gonna do something not too much, something tasteful.”  They slowed it down for, ‘Don’t Let No One Get You Down’.  The mini solo Dave gifted on keyboards was gorgeous. Their handiwork was a nice chill.  Vargas said, “Thank you.  We wanted you to get that message.”

 

“Lots of us are doing lots of music.  I like to keep things tight to my heart and to my soul.  We want you to feel free to get up and dance,” said Vargas.  He shouted out, “Vamanos,” to open this one.  The Spanish number, ‘Un Dia Carerra’, yielded crazy dancing and everyone having a complete blast.  At song’s end Vargas repeated, “Thank you very much.”

 

Double clapping split this one open like an overripe watermelon.  He prompted, “You guys clapping, clapping on the spot.”  The entire audience joined in and everyone was getting tight with their groove.  A Spanish tune opened with David on keyboard and vocals.  Andy cut in and sang a piece of his soul.  From his two bright-yellow maracas to the double tambourines and stellar keyboards, the volleys between David and Andy were insanely fun.  Andy’s feet constantly move like Mexican jumping beans.  Their energy was infectious and my chair dancing was out of control.  There is simply no way to sit still when his music is playing!

 

Andy stated, “This one I definitely want you guys clappin’ hands and feelin’ good.  It is one of my new songs called, ‘Alienz’.  Check it out!” he exclaimed.  Genius flooded the stage on his the last song of the set.  He offered up an invite and promise, “Continue to enjoy your drinks and food, we’ll be back.”

 

Set II

 

Rest period ended the second the lights were back up.  Everyone started dancing with new-found vigor.  The party Andy Vargas created was unbelievable, reviving instantly.  Vargas said, “Get out all the bad, put in all the good.  Get out all the good.”  Sacalo’, proved there is no language barrier when it comes to music, at least not the music of Mr. Andy Vargas.  They opened with beret-clad David de la Garza on keyboards, and oh what a solo that was!  His unique presence kicked things up several notches.  David on keys is a true professional overflowing with talent.

 

Andy offered, “This one is dedicated to all the women in the house tonight.  There are lots of gorgeous women in the house tonight.  I want you to feel appreciated tonight because you are appreciated.”  The audience opened a full clap to open the tune, ‘Drop Dead Gorgeous’.  The powerful bass solo by Tim Ruiz had Vargas standing in the side pocket still dancing while Ramon shaking it up in the percussion corner.  David on keyboard encouraged, “Y’all keep dancin’ if you want.”

 

The party was going strong when they shared the rocking beat of Michael Jackson’s tune, ‘Rock With You’.  The dance crowd thickened.  Andy’s falsetto enamored the venue and set everyone into a Jazzy tailspin.  Great idea to invite the spirit of Jackson to our jazz soiree!

 

Vargas said, “Ok, now I want to call my hommies right here.”  Eric Mondragon (vocalist, DW-3 band) took the stage.  Andy stood side stage with double tambourines when Eric hit the vocals.  This was one hell of a dance party with the flavor of Jackson lingering.  Don’t Stop ‘til You Get Enough’, had a bumpin’ vibe.  The doors were off the place by now, windows blown out and oops, the roof just flew off!  Kudos go to David de la Garza for his heart-catching falsetto.  He receives a double wow for that fine riff.  The audience loved him.  Andy was still rockin’ it out on his double tambourines with our unison clap egging him on.  Ramon hit the percussion and really gave it up.

 

“We like to bring our friends on stage.  We’d like to invite Michael Sanders and Dave Filice on stage.  These are our good friends from LA.  They are from a group called One Tribe Nation.  Thank you for recycling your energy here.  There is good energy in the house.”  Vargas acknowledged Davy, Rozanne, Sandra and Jimbo for their birthdays and said, “We’re gonna play some Earth, Wind and Fire now.”  Shining Star’, had Michael Sanders tearin’ it up on guitar with a back-to-back solo from Dave Felice thumpin’ the bass.

 

With guests still in tow it was time for some more classic Santana with, ‘Oye Como Va’.  The moment hit a high point when Vargas adlibbed singing, “Cruisin’ to the moon at Spaghettini.”  Michael Sanders guitar solo prompted dozens of dancers to remain hard at it.  His expressive, “Huh,” at song’s end summed things up perfectly.

 

Vargas said, “This next song it a song we recorded in Houston Texas.  We recorded this one with Remo Moreno.”  He added, “There is always positive energy here at Spaghettini.”  Dave on keyboards said, “Feel free to keep on dancing.”  Andy said, “This song is called ‘We Can Work It Out’.  Check it out.”  He introduced the band members and said, “Thank you man.”

 

“This is a special request.”  The Santana tune, ‘Maria Maria’, was up and on fire.  What a night to be front row, center for this Santana-inspired extravaganza.  I remained in awe of his boundless energy.  Andy said, “Play something Ramon, play something.”  Ramon on percussion cut loose on his huge solo, reinventing percussion Yslas-style.  The crowd went nuts.  De la Garza on keys added, “Let’s give it up for Andy.”  Andy requested, “Let’s give it up for the band.  Let’s give it up for the food.”  After the band introduction by Vargas, Dave on keyboards said, “Last but not least, one of the most talented guys I’ve ever met and dancer extraordinaire, Andy Vargas.”

 

Prefacing the finale he said, “It ain’t about us.  It’s about us here.  Thank you very much.”  What You Won’t Do, laced the night perfectly.  Everyone was dancing and clapping while the venue vibrated with a jazzy good time.

 

What You Won’t Do’, had Tim Ruiz hit a rocking bass solo then handing it off to David de la Garza on keys.  They applied the don’t-stop-until-you-drop theory to this one.  I do have a perhaps-sage bit of advice for those who have never seen or heard the Andy Vargas band.  Run don’t walk to his next performance!  The music of the Andy Vargas Band is soul altering.  An enormous thank-you goes out to Andy and his new band.  Your unforgettable music will remain etched on the souls of all fortunate enough to share.  Thanks guys!

 

*(The güiro is believed to have originated with the Taino people. It is a notched, hollowed-out gourd, which was adapted from a pre-Colombian instrument. Others maintain that similar instruments were also used in other parts of Central and South America, and brought to Puerto Rico by the Arawak Indians).  © March 2009 Lynn M. Olson ALL RIGHTS RESERVED


Spaghettini, Wednesday, March 25, 2008

Anne Walsh, CD Release Party

Band:

Keyboard:  Tom Zink

Bass: Alan Deremo

Drums:  Chris Wabich

Percussion:  Tiki Pasilles

 

“Ladies and gentlemen, please welcome Anne Walsh.”  Anne opened with the one-note Samba called, ‘Samba Una Note’.  Her Brazilian flair split wide open on this tune.  Her voice is gorgeous!  The bass solo by Alan Deremo added another layer of smooth to the mellow vibe she began.

 

In reference to her tall, cool drink she quipped, “It’s only water!”  Pretty World’, invited Sergio Mendez to this mellow jazzy affair.  The title track to her brand-new CD was amazing.  There is nothing quite like a CD release party to add a touch of excitement to the mix.  She said, “It is fun, light and romantic.  For just $10 it can be yours.”

 

The Pat Metheny tune, ‘So May it Secretly Begin’, dished out a large chunk of mellow as she displayed her stellar vocals.  The audience was enamored as was I.  Husband, Tom Zink, on keyboard parlayed a marvelous mini solo followed by her, “Thank-you.  I’ve got kind of an exciting story about the CD.  Joe DeRenzo handed it directly to Pat Metheny just yesterday.  He was waiting for it,” she added.

 

Tom rocked it on the piano with the tune, ‘If I Were a Bell’.  Her vocals were pitch-perfect.  In the end she added, “Very cool people are here!”

 

“I like change.  I like seasons.  I’m from Boston.  We have seasons there.”  An audience member called out about their recent trip.  She asked, “Is it still cold there?”  I’m gonna sing by Nani called, ‘Another Season’.  Tiki on percussion took this one too the moon.  What a vibe he has.  He had his Cuica singing its own tune!  The audience loved him.

 

Anne said, “I think it’s time to introduce the band.  This is my producer arranger and husband, Tom Zink on keyboards.  Here’s the visionary for my CD and a dear friend, on drums, Chris Wabich.  On bass, I have another dear friend, Alan Deremo.”  She introduced Tiki Pasilles excitedly saying, “Isn’t he cool?  He’s so cool.”

 

“I’m gonna do a song from a musical.  If you can guess the musical’s name, you can have a CD.  If you can guess the composer, you can have a CD.  If you can guess both the musical and the composer, you get a CD.  Her rendition of ‘Favorite Things’, was a crowd pleaser.  Everyone sat back and enjoyed the chill.  The passion on her face while she gifted us this song was priceless.

 

“Did I already introduce the band?” she joked.  “Oh, I already did!  She again kidded, “Its water,” in reference to her beverage.  I’m gonna do a Cole Porter song called, ‘So In Love.’  If you are looking for mellow after a long work week, Anne Walsh is your ticket.  Leave your troubles at the door and enjoy her buffet of the slow-and-easy.  Tonight she successfully delivered us to sheer heaven.

 

The last song of Set I was, ‘Pools’.  She co-wrote this one with Joe DeRenzo.  “We will feature Alan Deremo on bass.”  Alan was a shining star on this one.  His solo was off-the-chain.  His groove coupled with Anne’s vocals was pristine.

 

A big thanks goes out to Anne Walsh and her band for a great hang.



Spaghettini, Saturday, March 14, 2009

Jessy J, CD release party

 

The band:

Special Guest on guitar:  Paul Brown

Keyboard:  Eric Mondragon

Guitar:  Joe Votello

Bass:  James (?Genus)

Drums:  Albert Burnett

 

 

Music director Q said, “Alright good evening music fans.  How ya doin’?  Thanks so much for supporting live music.  Now, tonight’s show we have a young lady whose cut went to the top of the charts so fast she was asked to go on tour with Guitar and Saxes.  Show your love for her tonight.”

 

Eric Mondragon (vocals/keyboard) said, “We’re gonna warm up here with DW-3  before we bring out Jessy J.”  A little Georgie Porgie and a little puddin’ pie started things moving.  He asked, “Got any Stevie Wonder fans out there?  Well, I am.  Let’s see if you remember this song.  You feelin’ alright tonight?  Are you ready for Jessy J?  We’re gonna break it down.”  The crowd was engaged and ready as they melted into ‘Do I Do’.

 

Poised just outside the glass side door, Jessy was strapping on her sax and getting ready to roll when Mondragon asked, “Alright, are you guys ready?  I don’t think are ready.  Ladies and gentlemen show your love for Jessy J.”  The spotlight was up and Jessy strutted onto the stage in her hot, hot turquoise dress with hotter-than-hot lavender stilettos.  She was on, on, on it!  Sultry, hot and sexy were all in tow.  She was on fire from moment one.  She shimmied her sax up to the Joe Votello on guitar and started rockin it while he masterfully laced his solo with perfection.  He gave it up and we joined them in their zone.  Jessy cut back in and wrapped herself around front stage, center.  The spotlight was hers for a trillin’ extravaganza.  She was really jazzin’ it up!  Eric said, “Over there on bass and how about the drums y’all?”  A duet of solos mixed it up.

 

“This is my new song, ‘Mr. Prince’, from my new CD,” Jessy proudly stated.  “You are the first people to ever hear it!” she exclaimed.  A keyboard intro welcomed her sexy saxin’ style.  What a song!

 

Ok, it was salsa time.  Fiesta Velada’, had her shaking it up and giving it up!  Her feet never stopped moving on this tune.  She was trillin’ crazy and the audience loved every minute of it.  The back-and-forth, to-and-fro of the guitar sax medley was spectacular.  She wailed that sax to crazy!  Jessy has incredible stage presence.

 

Jessy shared, “That was a song off my first CD and it was produced by Paul Brown.  Does everyone here know Paul Brown?  I met him in 2006.”  She talked about her collaborative efforts with him saying, “I think you guys will recognize this it when you hear it.”  Brown joined her on stage and they kicked it up and out the door.  They are a marvelous team.  She turned up the heat and blew this one out working the audience into a frenzy.  In a flash of turquoise and a bigger flash of sax she emerged into the audience serenading the eager music fans across the front of the venue.  The house was packed and the crowd was spellbound.  After rejoining the band on stage she watched Paul Brown in awe from the side pocket.  He wowed the crowd with his stellar guitar fingering.  The hand-off to Jessy deposited her center stage prompting her to go completely insane on this one.  J and Brown dished out an off-the-chain medley for their finale of, ‘Tequila Moon’.

 

Jessy said, “Thank you so much.  Give it up for Paul Brown.  He’s gonna have a new CD called, Foreign Exchange soon with Marc Antoine.  We’re gonna have a little Bossa Nova now!” Jessy exclaimed.  Sin Ti’, put the Bossa in Bossa Nova.  A huge wow here, this song took J and Brown to party time.  The duet between them was awesome.  Paul had his guitar crooning and moaning in perfect synchronicity.  Jessy came back around and borrowed ownership of this tune.  The finale was exceptional leaving a J-cloud of afterglow.  She was rightfully proud of her work.

 

Mas Que Nada’, was a samba-good time with Jessy playing and showing off her J-dance.  She grabbed the mic displaying some finer-than-fine vocals.  The keyboard solo by Eric was stellar.  Paul Brown’s guitar solo was amazing.  Jessy said, “That’s Paul Brown on guitar.  Thanks for making a special surprise appearance.  I had no idea he was coming.  Now we’re gonna get you guys rockin’ and ‘salsa-ing’ at the same time with this song off my CD called, ‘Running Away’.  Eric cracked it wide open on keyboards.  Jessy pointed to him saying, “Eric Mondragon on keyboard.”  Joe Votello on guitar parted with a rockin’ solo while Jessie on sax and James on bass were shakin’ it up.  J was busy chair dancing when James on bass took over thumpin’ and bumping away.  “James on bass,” she announced at the end of his solo.  “Albert Burnett on Drums,” she added.

 

“We’re gonna take you back on this one.”  Besame Mucho’, had Jessy and Eric sharing the vocals.  Wow, this girl’s got some serious rhythm.  She never stopped moving for a second.  She really poured it out center stage.  She did a 180, playing to Albert (drums) and James (bass).  Her fluid movement flitted her all over the stage while she clapped with hands over head.  And yes, she was still dancing!  Eric said, “That’s Jessie J everybody.  Show your love for Jessy J.”  Jessy added, “We’ll be right back everybody.”

 

Set II

Eric opened on keyboards asking, “Are you still with us tonight?  If you’re still out there, let me know.  This song is an incredible Stevie Wonder tune.  He is one of my main inspirations in life,” he admitted.  They played, ‘Wonderful’.  Joe’s guitar solo promoted Eric to say, “Playin’ the guitar y’all.”  Their fine medley included, ‘As If You Read My Mind’.  “Break it down y’all,” Mondragon quipped.

 

Eric said, “Are you guys ready for some Jessy J?  Here is the beautiful Jessy J.”  Jessy emerged from the side pocket fired up.  Mondragon quipped, “Is everybody ready to clap?  Clap your hands now, everybody clap your hands now!”  Vamonos pa el Monte’, was a crazy jam.  The audience was in a full-circle tail spin.  She was warmed up and ready for set II to say the least!  “Jessy J,” Eric proudly stated at song’s end.

 

The Dizzy Gillespe tune, ‘Tin Tin Deo’, opened with a delicious taste of bass and drums.  This 1956 classic had Jessie dancing the entire time.  She clapped her hands overhead in support of the stellar work of Joe on guitar.  “That’s Joe Votello on the ride side,” Jessie happily boasted.

 

Jessy said, “This was made famous by Santana.  I think you know this one.  She ripped into the flute for ,‘Oye Como Va’, and tore the place up.  After a great guitar solo by Joe, Jessy gravitated back to her sax.  Eric on keyboards had a nice hold on the vocals.  He nailed it!

 

“Alright, how you guys feeling tonight?” she asked.  She said we’re gonna do the Gloria Estefan song, ‘Conga’.  This is a fun song,” she excitedly added.  After grabbing the vocals and sax and twisting it into an awesome jazz frenzy she passed it along to Joe for a guitar solo that turned the house on its side.  She was right, this song was fun!  Eric said, “Break it down.”  With hands overhead Eric repeated, “Clap your hands like this y’all, clap your hands y’all, clap your hands y’all.  Are you feelin’ it? he asked.

 

Jessy said, “We’re gonna slow things down a bit.  It is time to get romantic with the one you came here with.  This is the one thing we like about being musicians.  We have a chance to be intimate with you.  Song for You’, has been sung by many musicians including Layla Hathaway.  She came into the audience, strutted, serenaded and danced her way through this one.  She saxed it up like crazy.  A wild and stompin’ duet with Joe on guitar wowed the audience and took this one down!

 

“Do you guys wanna hear, ‘Tequila Moon’, again, J asked.  Eric added, “This song was number one for nine or ten weeks.”  Center stage guitar, sax and bass were electrifying.  James on bass was having some fun with this one and so were we!  The hand-offs were many from guitar to Jessy and guitar.  They were playing cat and mouse with guitar and sax to the boiling point.

 

Jessy J said, “Muchisimos gracias.  I want to say ‘hi’ to my mom and dad.  They are here.  I want to dedicate ‘Besame Mucho’, to my mom and dad.  Thanks for all the piano lessons and dragging me to the music lessons.”  The dedication was beautiful.  The multi-talented Jessy J played sax and worked the vocals like crazy.  From there a guitar solo by Joe led to the J-James-Joe trio center stage.  Jessy rested each arm on the guys for their collaborative moment in the sun.  It was classic musical camaraderie, an ‘ah’ moment that stage whispered ‘great job guys’.

 

In closing Jessy said, “I want to thank all of you for coming.  I want to take this moment to introduce the band, Albert Burnett on drums, James on bass, Joe Votello on rock guitar and DW-3’s Eric Mondragon.  I’m Jessy J.  Thanks for coming to see us and we hope to see you really soon.”

 

Thanks so much to Jessy and her band for putting the electric into this wiring CD release party!

 

© March 2009 Lynn M. Olson ALL RIGHTS RESERVED 

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